Brad Wilson Movies

With their home planet in danger and no place in the known universe to seek shelter, a desperate crew of miniature alien humanoids boards a human spacecraft in hopes of saving their doomed world. Eddie Murphy stars in a sci-fi comedy that re-teams the longtime comic actor with Norbit director Brian Robbins. ~ Jason Buchanan, All Movie Guide

In this family drama, a white Southerner discovers that his family history isn't what he thought it was -- with the fact that he's half-black only one of his many surprises. Earl Pilcher, Jr. (Robert Duvall) runs a gas station in Arkansas; he's a typical middle-aged Southern man who likes his pickup truck and loves his momma. Shortly after his mother's death, he receives some very unexpected news; she wasn't really his mother after all. It seems that years ago, Earl Sr. (James N. Harrell) raped the family's African-American maid, Willie Mae, who nine months later died while giving birth to Earl Jr. To avoid further scandal, Mrs. Pilcher simply raised Earl Jr. as her own. While the family has kept the matter a secret all these years, Earl Jr. has a half-brother living in Chicago, and it was his mother's wish that the two should some day meet and become friends. Earl travels to Chicago and tracks down Ray Murdock (James Earl Jones), a veteran police officer and Willie Mae's other son. Earl Jr. quickly learns that Ray has little interest in getting to know him better; he knows all the facts behind the matter, and he's always blamed Earl for the death of his mother. However, Earl Jr. isn't used to life in a big city up north, and after he's mugged and carjacked, Ray grudgingly takes in his half-brother, letting him stay in the home he shares with his son Virgil (Michael Beach) and Aunt T. (Irma P. Hall), who raised Ray as a boy. A Family Thing was written by Billy Bob Thornton shortly before his breakthrough as writer, director, and star of Sling Blade. ~ Mark Deming, All Movie Guide

A crazed hunter starts stalking a group of friends on a hunting trip when they enter his territory. Lots of poor action and acting, even for direct-to-video. ~ Sean D. MacLaggan, All Movie Guide

Somewhere amid the filmmakers' attempts to disorient the viewers of this film with the old movie-within-a-movie trick, it would seem they also got themselves completely lost in the process. The story opens with a false start, depicting an elderly woman being stalked by a faceless maniac (actually a scene from a retired special-effects artist's demo reel). The "real" story begins as the man's daughter (horror's head-spinning sweetheart Linda Blair) is waylaid by a band of hooligans en route to her dad's mountain cabin. This incurs the wrath of Blair's mutant brother, who lives in a hidden compartment within the cabin. As if that weren't enough, even more monsters from Blair's gnarled family tree show up for a lightning bonus round -- including Tab Hunter as a homicidal plastic surgeon. All is revealed (sort of) as yet another movie-within-a-movie, clear evidence of a writer in way over his head. Cable TV prints actually contained an additional twist ending, apparently for no reason whatsoever. ~ Cavett Binion, All Movie Guide

Robby Benson plays a talented but naive high school basketball star who wins a scholarship to a perfection-driven college. Here he discovers that he's way out of his league, easily outclassed athletically by his opponents and by his own team. In addition, he runs up against the sort of arm-twisting corruption that often occurs in a college where winning is the only thing. Only the support of his new girlfriend Janet (Annette O'Toole) sees him through his first two semesters. He must weather the bullying of his teammates and his mean-spirited coach (played byG. D.Spradlin). There was plenty of shuttling between cast and production staff in One on One. Besides starring in the film, Benson co-wrote the screenplay (with his father Jerry Segal), while director Lamont Johnson portrays Benson's alumni sponsor. ~ Hal Erickson, All Movie Guide