Michael Willis Movies

America's leading titan of bad taste, John Waters, returns to X-rated territory (well, actually NC-17-rated territory, but you get the idea) for this wildly over-the-top comedy. Sylvia Stickles (Tracey Ullman) is a wife and mother living in Baltimore who, along with her husband Vaughn (Chris Isaak) and mother Big Ethel (Suzanne Shepherd), operates a local convenience store. One day, Sylvia receives a sharp blow to the head, which leaves her with a concussion. However, the concussion comes with an unexpected side effect -- Sylvia has suddenly become a sex addict, and is soon attended to by the perverse and lascivious sexual evangelist Ray-Ray (Johnny Knoxville). When it becomes evident that Vaughn can't keep up with her sensual appetites, Sylvia throws herself into the strange netherworld of Baltimore's community of erotic overachievers, which includes her daughter Caprice (Selma Blair), who is living a double life as über-buxom exotic entertainer Ursula Udders. A Dirty Shame also features supporting performances from Waters regulars Patricia Hearst, Mink Stole, Mary Vivian Pearce, Channing Wilroy, and Jean Hill. ~ Mark Deming, Rovi

Forever interested in the kitsch built into past eras, director John Waters chooses the TV dance show craze of the early '60s for his playful focus in Hairspray. Ricki Lake plays Tracy Turnblad, just one of several alliteratively named characters coming of age in 1962 Baltimore, where "The Corny Collins Show" is the most popular American Bandstand-type program, watched by hundreds of young dreamers each day after school. Being chosen to dance on it is the ultimate status symbol and every young girl's dream, and Tracy improbably wins a featured spot when she infiltrates a dance contest and makes a better impression than her favored rival, the catty Amber von Tussle (Colleen Fitzpatrick). Always able to have fun, even when she's being mocked by the jealous popular girls, Tracy wins the affections of Amber's boyfriend and soon begins leading a movement to integrate the dance show, which has previously featured blacks only in a once-weekly theme night. She is arrested following a demonstration at a local theme park owned by Amber's father (Sonny Bono), who subscribes to the same theory of race relations as "The Corny Collins Show." Tracy's adventures are also filtered through her loving but eccentric parents (Divine and Jerry Stiller) and involve a humorous cultural clash with pot-smoking beatniks (Ric Ocasek and Pia Zadora). ~ Derek Armstrong, Rovi

Lewis (Clark Johnson) and Crosetti (Jon Polito) run afoul of the Feds while investigating the murder of a Chinese student, who turns out to have been one of the leaders of the Tiananmen Square protest. Elsewhere, Munch (Richard Belzer) and Bolander (Ned Beatty) investigate when a body is found in the park; Howard's (Melissa Leo) testimony against sadistic drug dealer Pony Johnson (Geoffrey Ewing) may be inadmissible; and Pembleton (Yaphet Kotto) may get a promotion -- if anyone can find him. This episode marks the first appearance of Pembleton's wife Mary, played by Yaphet Kotto's real-life spouse, Ami Brabson. ~ Hal Erickson, Rovi

Still shaken from his recent brush with federal investigators, Kellerman (Reed Diamond) takes time off to seek counseling. As for the others in the homicide unit, Lewis (Clark Johnson) and Pembleton (Andre Braugher) investigate the murder of a wealthy woman, only to have their chief suspect accuse the cops of stealing the victim's diamonds in the autopsy room. This development prompts medical examiner Cox (Michelle Forbes) to reluctantly ask Brodie (Max Perlich) to spy on her staff. And on the domestic front, Pembleton's wife, Mary (Ami Brabson), is drawn into the growing animosity between her husband and his former partner Bayliss (Kyle Secor). ~ Hal Erickson, Rovi

In the first episode of a two-part story, a retired Baltimore police officer named Rodzinski is found murdered near his wife's tombstone. Rodzinski's son Jake (Bruce Campbell), also a cop, begs Lewis (Clark Johnson) to conduct a personal investigation of the killing. When key evidence fails to materialize and suspected murderer Kenny Damon (Wendell Jordan) is acquitted, the embittered Jake decides to take the law into his own hands. ~ Hal Erickson, Rovi

Pembleton (Andre Braugher) is now a father, but he hasn't got much time to celebrate his baby's birth. Lewis (Clark Johnson) returns from his honeymoon and delivers a startling confession to Kellerman (Reed Diamond). And Giardello's (Yaphet Kotto) career is on the line when the state attorney launches an investigation of a wrongful death. This final episode of Homicide: Life on the Street's fourth season ends on a suspenseful note, as Pembleton suffers a stroke while interrogating a murder suspect. ~ Hal Erickson, Rovi

Ron Leibman and Jessica Walter, husband and wife in real life, play a married couple in this episode. A man who served as a juror in a mob trial is found murdered. When the chief suspect is brought to trial, Assistant D.A. Sam McCoy finds himself locked in a volatile courtroom battle with a longtime friend, defense attorney Mark Paul Kopell (Leibman). ~ Hal Erickson, Rovi

This follow-up to 1989's unexpected comedy hit Major League continues the broadly humorous adventures of the misfit Cleveland Indians. No longer the scrappy survivors who pulled off an upset championship victory, the Indians have let success go to their heads, accepting movie roles and hefty endorsement deals. Unfortunately, with success comes complacency, and the Indians soon wind up back in last place. When this poor performance winds up threatening the franchise, the team rediscovers its roots and again achieves unlikely success. Original director David S. Ward brings back most of the first film's memorable characters, including unconventional pitcher Rick "Wild Thing" Vaughn (Charlie Sheen), voodoo practitioner-turned-Buddhist Pedro Cerrano (Dennis Haysbert), and base stealer-turned-movie star Willie Mays Hayes (Omar Epps, replacing Wesley Snipes). ~ Judd Blaise, Rovi

The intense world of air-traffic controllers is played for both drama and laughs in Pushing Tin. John Cusack plays Nick Falzone, the top air traffic controller at New York's Terminal Radar Approach Control (TRACON) Center, where he negotiates air traffic and landing patterns for the Kennedy, LaGuardia and Newark airports, America's most congested airspace. It's a tough, stressful job that's highly demanding and Nick is very good at it -- and he takes no small amount of pride in that. So Nick is less than enthusiastic when a new controller comes on board; Russell Bell (Billy Bob Thornton) transferred into TRACON from the Southwest, in search of a greater challenge. In direct contrast to the wired edginess of Nick's personality, Russell is a model of Zen cool who is so focused on planes it's said he once stood in the wake of a 747 just to know what it felt like. Soon work becomes a constant competition between Russell and Nick, and their competitiveness doesn't stop when work is over. However, the rivalry begins to take a different turn when Nick takes notice of Russell's beautiful but hard-drinking wife Mary (Angelina Jolie), while Nick's wife Connie (Cate Blanchett) finds herself more than a bit intrigued by Russell. Pushing Tin was written by Glen Charles and Les Charles, who previously received notice for their television work on such series as M*A*S*H, Cheers and Taxi, and directed by British filmmaker Mike Newell, who's last project, Donnie Brasco, also took him into a little seen side of New York City. ~ Mark Deming, Rovi