Maurice Costello Movies

Though many have followed in his illustrious foot-steps, Maurice Costello, known as the "Dimpled Darling," was one of the first big Broadway stars to appear in movies. Prior to making the switch, he was a theatrical star for 15 years. In film, he first worked with Edison until 1908 when he began working for Vitagraph. Costello's best-known movie role was that of Sydney Carton in A Tale of Two Cities. He continued playing leads through the mid-1920s when he became a character actor until he retired in the early 1940s. Occasionally, he directed his own films. ~ Sandra Brennan, All Movie Guide
1940  
 
Teenaged soprano Gloria Jean plays the Little-Miss-Fixit heroine in Universal's Little Bit of Heaven. The most precocious member of an impoverished 10th Avenue family, little Midge (Gloria Jean) makes an impulsive appearance on a "man in the street" radio interview show. Catapulted to stardom, Midge becomes the primary support for her family, all of whom begin behaving atrociously and overspended insanely. The only one who doesn't go over the top is Midge's lovable Grandpa (C. Aubrey Smith), with whom our heroine concocts a scheme (straight out of Shirley Temple!) to teach her relatives a lesson. In the previous Gloria Jean starrer If I Had My Way, Universal featured several former Broadway favorites, including Blanche Ring and Julian Eltinge, in cameo roles: the studio repeats this stunt in Little Bit of Heaven, showcasing such silent-movie greats as Maurice Costello, Noah Beery Sr., Charles Ray, Monte Blue, William Desmond and Pat O'Malley as the heroine's "adopted uncles". ~ Hal Erickson, All Movie Guide

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Starring:
Gloria JeanRobert Stack, (more)
1909  
 
The earliest surviving screen version of William Shakespeare's romantic comedy, this Vitagraph production managed to cram most of the play into its one-reel running time. The Duke of Athens decrees that Hermia (Rose Tapley) shall forsake Lysander (Maurice Costello) in favor of her father's choice, Demetrius (William Ackerman). The lovers elope into the woods, quickly followed by Demetrius and his love, Helena (Julia Swayne Gordon). The town tradesmen, meanwhile, rehearse a play in honor of the duke's betrothal to Hippolyta. Back in the forest, Titania, Queen of the Fairies (Florence Turner), quarrels with Penelope, who avenges herself by sending Puck (Gladys Hulette) away with a magic herb, which, dabbed on the eyes of a sleeping person, shall make the "victim" fall in love with the first person to appear after awakening. Soon, Lysander and Demetrius are smitten with the wrong girls and Titania has fallen in love with Bottom (William V. Ranous, the egotistical leader of the tradesmen, whom Puck has turned into an ass. When Penelope discovers all this mischief, she lifts the spell and the wedding of the duke and Hippolyta can proceed. ~ Hans J. Wollstein, All Movie Guide

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1911  
 
In this video, a silent version of Tale of Two Cities is accompanied with another silent film, In the Switch Tower, with director Frank Borzage appearing in the cast. ~ Kristie Hassen, All Movie Guide

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1939  
 
This sixth installment in MGM's "Andy Hardy" series is among the best, thanks in great part to the breezy direction of "Woody" Van Dyke. In this outing, teenaged Andy (Mickey Rooney) develops a crush on his high-school drama teacher Rose Meredith (Helen Gilbert). Andy's dad Judge Hardy (Lewis Stone) knows that his son is riding for a fall, but he decides to let the boy find out for himself that there's a big difference between youthful infatuation and true love. Sure enough, when Andy proposes marriage to Rose, she reveals that she already has a fiancee. It's a crushing blow for our hero-but only temporarily, since his perennial sweetheart Polly Benedict (Ann Rutherford) is waiting in the wings. Outside of the puppy-love main plot, the film is at its best when Andy writes a play as a vehicle for himself and Rose, with the expected silly results. Less than five months after the release of Andy Hardy Gets Spring Fever, Columbia Pictures "answered" the film with the zany 2-reel comedy Andy Clyde Gets Spring Chicken. ~ Hal Erickson, All Movie Guide

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Starring:
Mickey RooneyCecilia Parker, (more)
1927  
 
This was the most popular of the many silent adaptations of Alexandre Dumas' famous story of a courtesan who finds true love too late. In this version, a man who has been suffering from a bout of depression buys a painting of a beautiful women and discovers that her diary is included in the deal. As he reads her words, the ghost of the woman, who is named Camille (Norma Talmadge), appears before him to tell her sad story. Camille began her life under poor circumstances, but with determination she went from a humble shop girl to the most elegant and wealthy courtesan in Paris. However, selling her affections has not brought her real love. She meets a student named Armand (Gilbert Roland), who soon falls in love with the mysterious beauty. However, even though Camille has fallen in love with him, she resists his advances; Armand's father (Maurice Costello) has learned of his son's desire for her, and he has begged her to stay away from Armand, as an affair between them would bring scandal and shame to the young man. Before long, Camille contracts tuberculosis, and Armand encounters his would-be love as she bravely tries to hide her soon-to-be fatal condition from him. This is thought to be the ninth film based on the Dumas story (including adaptations under other names), and like several others, this film is currently lost, barring a future discovery of a print by film scholars. ~ Mark Deming, All Movie Guide

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Starring:
Norma TalmadgeGilbert Roland, (more)
1921  
 
Although the plot to this Northwoods tale reads like a comedy, it was apparently meant to be a drama. William Crombie (William B. Davidson) thinks the world can be had for money. He uses his fortune to buy Agnes (Hedda Hopper) as his wife, but then he neglects her. When another man comes along, Crombie is not able to hold her. Then he goes on a hunting trip, where the other men ridicule him because without his guides, he can't bag any deer. Frustrated, Crombie goes out into the wilderness by himself and promptly gets lost. He is taken in by a woodsman who is living with a pretty young girl named Jennette (Betty Hilburn). Crombie falls for her and tries to convince her to run off with him. When the woodsman suggests that they fight over the girl, however, he chickens out. Back home, he finds his wife is still involved with someone else. Crombie finally decides he must learn to be a man and hires a trainer. Once he knows how to fight, he beats up his wife's love and tells her he wants a divorce. Then he heads into the forest, but he finds the woodsman near death and Jennette nursing him. At the girl's urging he fetches a doctor, and, when he returns, he fights off a half-breed who is attacking her. The woodsman recovers and offers to let Crombie have Jennette, but he turns him down. Back at the hunting lodge, he finds his wife waiting for him and the couple are reconciled. ~ Janiss Garza, All Movie Guide

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Starring:
William B. DavidsonHedda Hopper, (more)
1912  
 
This three-reel exercise in cinematic spiritualism was produced, appropriately enough, by the Conscience Film Company of New York. The film is predicated on one of the oldest theatrical devices known to man: What if Jesus Christ were to appear in contemporary human form? In this instance, the Christlike character comes to New York, ready and willing to expose and absolve the sins of everyone in the Big Apple. Strolling unobtrusively through the Lower East Side, the "Five Points" District, and other cesspools of iniquity, the Modern Messiah profoundly changes the lives of many a fallen soul. The reviewer for the trade magazine Variety, somewhat more cynical than the average filmgoers, recognized Conscience as a knockoff of such recent stage productions as If Christ Should Come to Chicago and The Passing of the Third Floor Back. ~ Hal Erickson, All Movie Guide

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1922  
 
This independently made drama ran a tiresome 11 reels (in the days when most films ran half that length), but was edited down to a more reasonable eight. The will of Whitechapel banker John Morton designates that his twin sons should be kept unaware of their true identities until they are 30 years old. When the sons reach adulthood, John Jr. becomes a missionary, while James becomes a playboy (both roles are played by Alpheus Lincoln). While performing charity work, heiress Frances Lloyd (Gene Burnell) is tricked into a robbers' den, and John comes to her rescue. The couple fall in love, but Lord Warburton, a criminal mastermind (Walter Ringham), wants her for himself. He convinces Frances that John is not the upstanding young man he seems to be -- and when she learns of his brother's scandalous behavior, she thinks her lover is responsible. Eventually everything is straightened out, and not only does John marry Frances, James wins his girl, a reformed thief by the name of Luckey (Irene Tams). ~ Janiss Garza, All Movie Guide

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1943  
 
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The racy, ribald Cole Porter musical Du Barry Was a Lady is here given a thorough dry-cleaning by prudish MGM. Richard "Red" Skelton takes over the role of Louis Blore (played on Broadway by Bert Lahr), while Lucille Ball steps into the shoes of the original play's Ethel Merman. The story proposes that Blore is a men's room attendant in a New York nightclub who has a yen for gorgeous showgirl May Daly (Lucille Ball). After drinking a potent mixture, Louis dreams that he is King Louis XV of France, and May is the magnificent Madame Du Barry. Also showing up in Louis' dream is Alex Howe (Gene Kelly), who in "real life" is the guy who ends up with May at fade out-time. It's hard to determine what's more fun to watch in Du Barry Was a Lady: the three stars, the antics of supporting player Zero Mostel, or the incredible sequence in which Tommy Dorsey & His Band -- including drummer Buddy Rich -- perform in 18th century garb and powdered wigs. Five of the original Cole Porter songs are retained for this Technicolor-ful film: "Katie Went to Haiti," "Do I Love You, Do I?," "Well, Did You Evah?," "Taliostro's Dance,", and, best of all, "Friendship." ~ Hal Erickson, All Movie Guide

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Starring:
Red SkeltonLucille Ball, (more)
1939  
 
In this, the first entry in four-part series, children's movie, Polly Pepper takes care of her siblings while her mother toils at a factory. Polly's newest friend is Jasper, a rich kid who likes to play with the Pepper kids. Trouble ensues when the littlest Pepper comes down with the measles and infects Jasper and his grandfather, Mr. King. They all wind up stuck together in a quarantined house. After the devoted Polly collapses from working too hard, Mr. King moves the Pepper clan into his mansion. The plucky family finally garners a fortune when it is discovered that Polly has inherited the controlling shares in a mine that the grandfather wants to purchase. ~ Sandra Brennan, All Movie Guide

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Starring:
Edith FellowsClarence Kolb, (more)
1923  
 
Pretty Dorothy Dalton co-stars with the handsome but not as stellar David Powell in this action-packed Paramount drama. The wealthy but idle Roger Wainright (Powell) finds himself falling in love with Gale Brenon (Dalton), a modern, independent young lady who manages several Florida orange groves. While Wainright is enjoying himself at a local gambling resort, the place is raided by revenuers and Sheriff Holmes (Jack Richardson) is killed in the ensuing gun fight. Wainright escapes and Gale hides him, later helping him to escape into the swamp. But the dead man is her father, and when she discovers that Wainright is suspected of being the one who discharged the fatal shot, she leads the posse to him. At the last moment, her love for him causes her to weaken, but he turns himself in anyway. A friend, Mabel Van Buren (Martha Mansfield), reveals that she witnessed the killing, and that it was another officer, Deputy Brown (former matinee idol Maurice Costello), who did the dirty deed. Evidence backs her up, and Wainright and Gale are reunited. ~ Janiss Garza, All Movie Guide

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Starring:
Dorothy DaltonDave Powell, (more)
1923  
 
After Hollywood was rocked by several scandals, the specter of censorship reared its ugly head. To keep local community leaders from doing the censoring, the film industry opted to do the editing itself. Perhaps that's why pictures such as this Allan Dwan-directed society drama based on a novel by Edith Wharton seem a bit bloodless. Although Susan Branch (Bebe Daniels) has lost her money, she still manages to live off her society friends. While staying with Fred and Ursula Gillow (Maurice Costello and Nita Naldi), she falls in love with penniless writer Nick Lansing (David Powell). In spite of his financial situation, Susan and Lansing marry, and live for the next year on money given to them by friends, staying in lavish villas in Paris, Venice, and Monte Carlo. But when the money runs out, so does their happiness. After an argument, they separate, even consulting a lawyer about divorce; but when the lawyer sees that they still love each other, he convinces them to stay together. ~ Janiss Garza, All Movie Guide

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Starring:
Bebe DanielsNita Naldi, (more)
1941  
 
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Robert Montgomery plays saxophone-playing boxer Joe Pendleton, who insists upon piloting his own plane, much to the consternation of his manager Max Corkle (James Gleason). Just before a championship bout, Joe's plane crashes. When he revives, he finds he has been whisked away to Heaven by the overanxious Messenger #7013. Checking with the man in charge, one Mr. Jordan (Claude Rains), Pendleton discovers that he isn't scheduled to die for another 50 years. Joe heads back to earth, only to learn to his chagrin that his body has been cremated. Mr. Jordan is obliged to find Joe a new body; the "candidate" is a business mogul named Farnsworth, who is in the process of being murdered in his bath by his wife (Rita Johnson) and her lover (John Emery). Joe takes over Farnsworth's body, astonishing the murderers by emerging from the bathroom, very much alive (while Joe still looks like Joe to himself and the audience, he looks like Farnsworth to everyone else). Still desirous of winning the upcoming championship, Joe begins to whip Farnsworth's body into shape, even hiring Max Corkle to manage him. It takes some doing, but Joe convinces Max that he is indeed Joe and not Farnsworth (their scenes together are priceless, far better seen than described). Meanwhile, Joe has fallen in love with Bette Logan (Evelyn Keyes), a woman whose father had been ruined by the real Farnsworth. For her sake, he pays back millions of dollars that the crooked Farnsworth had finagled out of his investors. This prompts Mrs. Farnsworth and her lover to kill "Farnsworth" again, and once more Joe Pendleton is without a body. How Mr. Jordan arranges for Joe to win the championship, expose the murderers and walk off arm and arm with Bette is a bit too complex to detail here. Here Comes Mr. Jordan is one of the most consistently clever romantic comedies of the 1940s, and richly deserving of the Oscars won by screenwriters Sidney Buchman, Seton I. Miller and Harry Segall. A sequel, Down to Earth, was filmed in 1947, with Roland Culver as Mr. Jordan; and in 1978, the original Jordan was remade by Warren Beatty as Heaven Can Wait. ~ Hal Erickson, All Movie Guide

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Starring:
Robert MontgomeryEvelyn Keyes, (more)
1936  
 
Hollywood Boulevard is a trenchant look at the underside of Tinseltown. Though the nominal hero is a disillusioned screenwriter played by Robert Cummings (whose dialogue anticipates the lines spoken by William Holden in 1950's Sunset Boulevard), the focus of the story is John Halliday as a washed-up film star. Desperately, Halliday accepts the offer from a sleazy "tell all" magazine to write his memoirs. The actor's estranged family is devastated by the resultant scandal, and out love for his daughter (Marsha Hunt), Halliday tries to break his contract. But the publisher (C. Henry Gordon) threatens to ruin Halliday's comeback attempt if he refuses to write the rest of his memoirs. In a scuffle, the publisher kills Halliday, and the blame falls on the actor's daughter. But wise guy screenwriter Cummings gets to the truth of the mystery. A slick B-plus crime melodrama, Hollywood Boulevard has the added bonus of several well-known silent film personalities (Charles Ray, Francis X. Bushman, Maurice Costello, Mae Marsh etc.) in cameo roles, as well as a guest appearance by Gary Cooper. ~ Hal Erickson, All Movie Guide

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Starring:
John HallidayMarsha Hunt, (more)
1927  
 
Internationally popular kiddie-star Jackie Coogan was rapidly outgrowing his cuteness when he starred in his 1927 vehicle Johnny Get Your Hair Cut. The title is predicated on the fact that Coogan's celebrated bangs are shorn in the course of the story. Outside of this "gimmick," however, the film is a pedestrian effort, in which orphaned Johnny O'Day (Coogan) is adopted by kindly racehorse owner Baxter Ryan (Maurice Costello). Johnny returns the favor by riding Ryan's horse to victory and by saving the life of his winsome stepsister. Johnny Get Your Hair Cut was "supervised" by Coogan's father, which probably meant that Jackie Sr. was paid a huge sum of money to stay home. ~ Hal Erickson, All Movie Guide

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Starring:
Jackie Coogan
1941  
 
John Wayne goes up against the lottery racket, 1880 Louisiana-style, in this passable time-killer from Republic Pictures. Arriving from New England to look into the Louisiana lottery on behalf of uplifter Blanche Brunot (Helen Westley), attorney John Reynolds (Wayne) falls in love with sultry Julie Mirbeau (Osa Munson), who attempts to persuade him that her father's gaming business is on the up and up. When a New Orleans restaurateur, Gaston (Shimen Ruskin), is found murdered, Reynolds begins to suspect that General Mirbeau's (Henry Stephenson) gang is behind the killing. To meet the attorney halfway, Mirbeau fires his chief henchman, Blackie (Ray Middleton), but is himself killed by one of Blackie's men, Cuffy Brown (Jack Pennick). Reynolds, who has been appointed special city attorney, pays his respect to Julie, but the angry girl accuses him of indirectly causing the death of her father and then flaunts her engagement to Blackie. Said engagement, however, suffers a fatal blow when Julie finds her fiancé in the arms of gambling hall hostess Pearl (Jacqueline Dalya). Taking the stand in court against the racket, Julie's testimony is interrupted when a rainstorm sweeps the area, breaking a levee. While pursuing a fleeing Blackie, Reynolds orders a steamship to block the hole in the levee, a plan that ultimately saves New Orleans. Having survived the potential disaster, Julie leaves the lottery racket behind and agrees to become Mrs. Reynolds. ~ Hans J. Wollstein, All Movie Guide

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Starring:
John WayneOna Munson, (more)
1908  
 
In the tradition of Vitagraph's best pre-1910 films, Leah, the Forsaken was excellently acted by its uncredited cast. The heroine, Leah, is the sweetheart of a young Jewish storekeeper. When the hero unexpectedly strikes it rich, he forgets all about his beloved Leah, who literally dies of a broken heart. The Variety reviewer was so impressed by the performance of the actress playing Leah that he stated that the film seemed positively empty whenever she disappeared from the screen. Less impressive was the actor playing Leah's faithless beau, whom the reviewer described as "asinine." ~ Hal Erickson, All Movie Guide

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1924  
 
Who else would have directed a film with a title of such thundering moralistic drama but film pioneer J. Stuart Blackton? Americans in the 1920s were horrified at the growing divorce statistics, so the failure of marriage became a popular and sensational subject for motion pictures. This marriage drama was based on a novel by Basil King. When Harry Vassali (Leslie Austen) gets engaged to Petrina Faneuil (Pauline Frederick), Dick Lechmere (Lou Tellegen) warns him that his own marriage to an opera singer failed because of her ambition. The couple marries anyway, but their differences of opinion split apart their union. Although Petrina never stops loving her former husband, pride keeps them apart, and she marries Lechmere. Lechmere's ex-wife returns, her voice gone, and Lechmere gets back together with her. When she dies, he commits suicide. In her suffering, Petrina turns to the only man she could ever trust -- Vassali -- and they are reunited. ~ Janiss Garza, All Movie Guide

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1924  
 
This domestic drama was supposed to be an indictment of the supposedly lax divorce laws then current. Because Redfield (Maurice Costello) has fallen on hard times financially, his wife, Eugenie (Marie Shotwell), welcomes the arrival of Bronson Gibbs (Montagu Love), who offers to save the family if he can marry their daughter, Cynthia (Helene Chadwick). Cynthia elopes with Ernest Herrick (Lawford Davidson), a young man who has not won Eugenie's approval. She throws the couple out of the house, and Gibbs plots with Greenwich Village inhabitant Veerah Vale (Mary Thurman) to compromise Herrick. The plot seems like it's working -- after Gibbs sends Cynthia some of Herrick's letters to Veerah, she files for divorce. They reconcile when their child is seriously injured. ~ Janiss Garza, All Movie Guide

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Starring:
Helene ChadwickMontagu Love, (more)
1923  
 
Norma Shearer plays Dora Perkins, a country girl who runs away to New York City. She gets work as a nurse and marries Dr. Howard Fleming (Robert Elliott), a famed brain surgeon. Supposedly she dies in a fire, and some time later Fleming takes a vacation in the country, where by some odd cinematic coincidence he winds up meeting Dolly, Dora's sister (Gladys Leslie). Without realizing her relationship to Dora, he marries her. Soon Dolly is expecting, and not long after, Dora pops up -- she survived the fire, but has been left hopelessly insane. An operation restores her sanity, but Fleming's cousin reveals that she is married to a bigamist, causing Dora to panic and injure herself again. A second operation conveniently kills her, and Dolly -- who has been kept ignorant of all these plot complications -- can have Fleming's child in peace. Shearer somehow managed to make her role believable -- a near miracle, considering the material. ~ Janiss Garza, All Movie Guide

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Starring:
Maurice CostelloNorma Shearer, (more)
1914  
 
Maurice Costello, Vitagraph's resident matinee idol, was both star and co-director of the 6-reel drama Mr. Barnes of New York. Based on a novel by Archibald Clavering Gunter, the film casts Costello as the title character, a Manhattan man-about-town at large in the Middle East. While visiting Egypt, Mr. Barnes makes the acquaintance of one Marina Paoli (Mary Charleson), who has vowed vengeance against the British officer who killed her brother. This leads inexorably to a literally explosive climax, wherein Mr. Barnes finds himself trapped in a besieged Egyptian city, armed with little more than his courage and wits. Naomi Childers makes an appealing heroine, though many of her scenes with Maurice Costello were played in one of the most unrealistic "moving train" sets ever seen on screen. ~ Hal Erickson, All Movie Guide

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Starring:
Naomi Childers
1939  
NR  
Add Mr. Smith Goes to Washington to QueueAdd Mr. Smith Goes to Washington to top of Queue
Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, All Movie Guide

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Starring:
James StewartJean Arthur, (more)
1924  
 
Seemingly the only reason for this drama was its proliferation of cameos -- the gambling hall where the action takes place sports the likes of Flora Finch, Henry Hull, Diana Allen and Dagmar Godowsky. The actual star is Edith Roberts. Before he can avenge a crooked card game, Dan Carrington (Montagu Love) suffers heart failure and dies in his chair. John Tralee (Norman Trevor), the cheater, feels a pang of guilt when he discovers that he has taken all of Carrington's money and adopts the dead man's little girl, Lois. The girl grows up (to be played by Roberts) and the gambling hall becomes her second home. A millionaire, Peter Marineaux (Walter Booth), accuses Lois of throwing a roulette game. Lois -- who has fallen in love with Marineaux -- manipulates the wheel so that he wins her. Her gamble pays off and she wins Marineaux as a husband. ~ Janiss Garza, All Movie Guide

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Starring:
Montagu LoveNorman Trevor, (more)
1939  
 
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While James Stewart was filibustering from his senator's pulpit in Mr. Smith Goes to Washington (1939), Gene Autry battled congressional bureaucracy in Rovin' Tumbleweeds, which barely could call itself a Western. Gene runs for a congressional seat in order to pass a flood control bill that would save a group of dispossessed ranchers and farmers, the victims of a disastrous storm. But once elected, the hero's best efforts are thwarted by greedy meat packing plant owner Holloway (Douglas Dumbrille), who lobbies against him. With another storm brewing and Autry's only political ally, Senator Nolan (William Farnum), killed in a car accident, all hope seems gone. But when Gene rallies his troops in a climactic battle, even Holloway catches the community spirit and the valley is saved. Taking time out from fighting both political corruption and the elements, Gene, Smiley Burnette, and the Pals of the Golden West perform "Paradise in the Moonlight," "Ole Peaceful River," Rovin' Tumbleweeds," and other favorite selections. Rovin' Tumbleweeds has been restored to its original length by Gene Autry Entertainment. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Gene AutrySmiley Burnette, (more)
1927  
 
One of the better "Abie's Irish Rose" derivations of the late 1920s, The Shamrock and the Rose was adapted from a play by Owen Davis Sr. Set in New York's Lower East Side, "where the melting pot boils over," it's the story of a Jewish girl (Olive Hasbrouck) who falls in love with an Irish boy (Edmund Burns). While the hero's parents are delighted at the prospect of his marriage, the girl's mother and father are beside themselves, prompting the heroine to consider converting to Catholicism. She is diverted from this course by an understanding priest (former matinee idol Maurice Costello, in a very minor role) who exhorts her to take pride in her Hebraic heritage. The differences between the two families are settled comedically a year or so later, when the heroine is rushed to the maternity hospital. The film's best performance is delivered by Keystone veteran Mack Swain as the hero's boisterous father. ~ Hal Erickson, All Movie Guide

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Starring:
Mack SwainOlive Hasbrouck, (more)

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