Don Costello Movies

Charlie Chan (Sidney Toler) heads south of the border in this so-so series entry. With the help of Mexican police official Luis (Fortunio Bonanova), Chan looks high and low for a stolen atomic-bomb formula. The oriental detective is also "aided" by his son Tommy (Benson Fong) and his chauffeur Chattanooga (Willie Best, subbing for Mantan Moreland) two of the most inept assistants in the history of the movies. The gimmick in this film is a mysterious murder weapon which seemingly disappears from the face of the earth the moment it has been used. Though more expensive looking than most of Monogram's Charlie Chan films, The Red Dragon isn't one of the series' more exciting efforts. ~ Hal Erickson, Rovi

Substituting for Allan Lane, who'd been called away to active military service, Bill Elliot stars in the Republic "Red Ryder" western Marshal of Laredo. This time, Red comes to the aid of a frontier lawyer, who is suspected of being an outlaw (a logical enough error). Enlisting the aid of his Native American chum Little Beaver (Bobby Blake) and his older friend The Duchess (Alyce Fleming), Ryder finds the real criminals post-haste. With such thugs and pluguglies as Roy Barcroft, George Cheseboro and Bud Geary in the cast, it's amazing that the bad guys weren't exposed in the first reel. Like all the "Red Ryders", Marshal of Laredo was inspired by the popular Red Ryder comic strip and radio series. ~ Hal Erickson, Rovi

In this western, Red Ryder tries to be a good example for a young man who idolizes his father, an outlaw. The boy wants to follow in his father's footsteps when the hero intervenes. ~ Sandra Brennan, Rovi

Follow That Woman is a tad more light-hearted than most Pine-Thomas adventure efforts. William Gargan plays private eye Sam Boone, who is about to be inducted into the Army. Before donning uniform, Boone attempts to solve a murder, but Uncle Sam is a little faster than he is. Still on the "outside", Boone's wife Nancy (Nancy Kelly) takes it upon herself to finish the case that Sam started. Yes, it's another "Thin Man" derivation, given a bit of currency by its wartime setting. The story doesn't always make sense, but William Gargan and Nancy Kelly work together quite well. ~ Hal Erickson, Rovi

The Whistler was the first of eight Columbia "B" thrillers based on the popular radio series of the same name. The Whistler, a shadowy (and unbilled) figure, introduced each film as he'd done on radio: "I am the Whistler...and I know many things, for I walk by night." This time the Whistler tells the strange story of despondent Richard Dix, who, believing his wife dead, hires professional killer J. Carroll Naish to put him out of his misery. Then the wife suddenly shows up...and Dix can't locate his would-be assassin. An old story with plenty of fresh new twists (for example, Naish talks of his profession as though it were a fine art like painting and sculpture), The Whistler bode well for the seven films that followed. Richard Dix starred in all but one film in the series, alternating between hero and heavy. ~ Hal Erickson, Rovi

An above-average entry in the long-running Hopalong Cassidy Western series, the enigmatically titled Mystery Man opens with Hoppy (William Boyd), California Carlson (Andy Clyde), Jimmy Rogers, and the Bar 20 cowboys driving a herd of cattle to the Circle J. Ranch, whose owner, Tom Hanlon (Bob Burns), is to pay cash on delivery. In the town of Holbrook, however, the Bar 20 crew interrupts a bank robbery committed by the notorious Trilling gang whose boss (Don Costello) remains a mystery man. Not even the shrewd Hoppy is able to detect anything wrong with the inquisitive dude, who commends him for foiling the robbery. The dude, alias Trilling, manages to spring his henchmen from jail and then concocts a plan to steal the Bar 20 cattle en route to the Circle J. Despite strong resistance from Hoppy and his friends, Trilling does manage to drive the cattle to the Circle J where he presents himself as Hoppy. The real Hopalong Cassidy, meanwhile, is imprisoned by Sheriff Newhall (Taylor Homes), who accuses him of being Trilling. But the sheriff's daughter, Diane (Eleanor Stewart), who once rescued Jimmy from a would-be killer, knows otherwise and manages to free the Bar 20 cowboys. With the sheriff's posse hot on their trail and Diane acting as a decoy, Hoppy and his men force the Trilling gang into a box canyon and a final shootout. ~ Hans J. Wollstein, Rovi

In this drama, based on a popular radio program, the leader of a ring of burglars suffers a blow to the head and loses his memory. Unable to remember anything about his past, he starts anew and becomes a psychiatrist. He never does stop trying to remember his past life, even while his present life continues to advance. He is soon made the head of the state parole board. There he gets entangled with former gang members, one of whom hits him in the head, again. Suddenly, he remembers. He gives himself up, but then receives a suspended sentence. ~ Sandra Brennan, Rovi

Action specialist B. Reeves Eason socked Truck Busters through its breathless 58 minutes. Richard Travis plays independent trucker Casey Dorgan, who organizes his fellow drivers against the crooked machinations of crooked trucking executive Bonelli (Don Costello). Things get personal when Casey's brother Jimmy (Charles Lang) is killed in a Bonelli-engineered "accident." Standing helplessly on the sidelines is heroine Eadie Watkins, played by Virginia Christine, later to gain nationwide fame as "Mrs. Olsen" in the Folger's Coffee commercials of the 1960s and 1970s. Truck Busters is a not-too-heavily disguised remake of the 1932 James Cagney-Loretta Young vehicle Taxi. ~ Hal Erickson, Rovi

A private investigator flees from jury duty to prove the defendant's guilt in this detective story. He and his girlfriend, a reporter, begin looking into the suspect's alibis and discover that in addition to the murder he stands trial for, the man has also killed two others. Afterward, the detective is jailed of 60 days for defecting from the jury. ~ Sandra Brennan, Rovi

Sundown Jim was the second of two 20th Century-Fox westerns starring football champ John Kimbrough. The story takes place in mountain country, providing a wintry backdrop for the standard western plot devices. Kimbrough is cast as US marshal Sundown Jim Majors, whose main purpose in life is to bring a deadly frontier feud to a peaceful end. This requires him to clean out the local criminal element, which he does with grim-visaged determination. Clocking in at a mere 53 minutes, Sundown Jim is as professionally assembled as its predecessor, Lone Star Ranger, but Fox's effort to make a film star out of John Kimbrough was foredoomed by his utter lack of acting ability. ~ Hal Erickson, Rovi

Brian Aherne stars as a successful murder-mystery novelist; his wife, Loretta Young, wishes Aherne would switch to writing love stories (Young doesn't have a very realistic grasp on the literary marketplace, but we'll let that pass). Young sweet-talks Aherne into vacating their apartment and moving into a Greenwich village basement, thereby hoping that he'll be inspired to pen words of romance. Unfortunately for Young (but not the audience), their new flat is a hotbed of murderous intrigue, sparked by the discovery of a corpse. The police are completely baffled, so Aherne sets about to solve the mystery himself-while Young, in spite of herself, starts behaving like The Thin Man's Nora Charles. Columbia Pictures had an absolute genius in the early 1940s for churning out fast-moving, star-studded programmers that delivered all the popular elements and left the public panting for more; A Night to Remember was no exception to this winning formula. ~ Hal Erickson, Rovi

Robert Taylor toughened up his image considerably with this gangster movie, which was unusual both in its plot and origins, having come from MGM, which was generally not known for its crime movies. Taylor plays a parolee who is pretending to follow the straight-and-narrow as a hardworking cabbie, but is really the mastermind behind a dog-racing track being built with mob money. Eager works every angle, has a gang that's generally in line, and also has a loyal right-hand man in Jeff Hartnett (Van Heflin, who won an Oscar), his educated assistant, who drinks too much and waxes poetic when he isn't looking after Johnny's interests (and sometimes when he is, too). Eager has only one problem, special prosecutor John Benson Farrell (Edward Arnold) -- who was also the attorney instrumental in sending Eager up -- who has gotten an injunction against the track's opening. But the hood sees an opening when he accidentally crosses paths with a young sociology student, Lisbeth Bard (Lana Turner), who is drawn to him romantically, and then finds out that she's Farrell's step-daughter. After romancing her for a few months, he sets her up in a scam, making her believe that she killed one of Eager's men (Paul Stewart). He "generously" gets her away from the scene and then informs Farrell of what has happened, pointing out that he holds the evidence against Lisbeth. Farrell has no choice but to withdraw the injunction, and the track opens, but problems ensue when rival mobsters decide to try and cut in on Eager and his racket, and he finds out that Lisbeth is so guilt-ridden over her "crime," that she's destroying herself mentally. Eager can't figure out why she feels the way she does or what to do about it, or even if he should do anything to help her, but with Jeff's help, he discovers a nobler side to his nature. Realizing that she really does love him, and knowing it's not possible for the two of them to be together, he goes out in a blaze of glory -- laced with a special irony built into the plot -- solving Lisbeth's problem and also curing her of her love for him, and settling a score or two in the process. ~ Bruce Eder, Rovi