Michel Voita Movies

Cristophe (Michel Voita) is a reporter who is assigned to interview the prominent archaeologist Tober (Jean Bouise) in this combination fantasy drama. Tober has uncovered the coffin of the legendary 16t-century killer Jenatsch (Vittorio Mezzogiorno). After the interview, Cristophe begins to experience hallucinations that move from the present to the past with disturbing consequences. Soon his relationship with his sweetheart Nina (Christine Boisson) begins to suffer as Cristophe has visions of Jenatsch's murder. ~ Dan Pavlides, Rovi

Happy End is a misleading title for a tedious, uneven drama. Carlo Brandt and Marie-Luce Felber co-star respectively as a shoplifter and a stockbroker who motor around France and England in a BMW. Except to those fans who love violence and tragedy, the ending is far from happy for the odd couple. ~ Dan Pavlides, Rovi

In this musical, in their little Swiss village, Jacques and Françoise are in love with one another. However, the girl's father is the biggest landholder in the region and doesn't want his daughter marrying a handsome nobody. It is 1788, and he arranges for the boy to be shipped to the court of Louis XVII in Versailles, as a member of a contingent of Swiss Guards. The French Revolution (1789) soon puts an end to that tour of service, and Jacques is able to return and win his girl. ~ Clarke Fountain, Rovi

La Guerre Dans le Haut Pays is a period piece set in the winter of 1797-98, during the six days leading up to the fall of Bern and the victory of Napoleon's army, when the Bern government is faced with mixed loyalties from its subjects. The population of the lower valley is divided, but the upper region remains loyal, since they have been given special autonomy and a favorable system of taxation. David, a postman, works between the two regions. His father, who is a hard-line conservative, does not approve of his relationship with Julie, who is from the lower part of the valley. Julie's father, on the other hand, is more open to the new ideas of liberation. As a result of his work, David is exposed to new ideas and becomes a believer in equality and justice. When he meets Ansermoz, who is forced by his poverty to work as a mercenary for the French government, David distances himself more and more from his father. The last straw is when his father wants him to fight with those who support Bern. David refuses and plans to run away with Julie, while his father is determined to carry the combat. Tragedy strikes when the father and the son face each other on opposite sides of the battlefield. For lovers of historical drama, the film offers plenty of escapist action and excitement, with interspersed ideological clashes and fanaticism. All these are enhanced by celebrated French screenwriter Jean-Claude Carriere's contribution to the script. The romantic love story spices up the generally male-dominated nature of the story. For audiences who prefer films dealing with not-so-grandiose subjects, La Guerre Dans le Haut Pays, which competed at the 49th International Berlin Film Festival in 1999, has very little to offer. ~ Gönül Dönmez-Colin, Rovi

A young man makes a commitment to a pop singer on whom he has a crush - only to run headfirst into unforeseeable circumstances - in Swiss director Micha Lewinsky's gentle, offbeat seriocomedy Der Freund. For Emil Funk (Philippe Graber), Zurich-based musician Larissa Mahler (Emilie Weltie) is the essence of appeal and desirability; after watching her perform, he dreams of meeting her. The young man sees his wish come true in the form of a brief encounter with Larissa, but must contend with a bizarre request: she asks him to "pretend" to be her boyfriend. Emil obliges but grows understandably confused when Larissa disappears, then suddenly dies the next day. Recognizing the value of a commitment, he insists on standing by her family as an emotional anchor and guiding them through a period of intense sorrow - which draws him into a close and unexpected bond with Larissa's sister, Nora (Johanna Bantzer). ~ Nathan Southern, Rovi