Ronnie Cosbey Movies

Rather shaky as history, Birth of the Blues delivers the goods in terms of entertainment, thanks to the unbeatable star combination of Bing Crosby and Mary Martin. Set in New Orleans in the 'teens, the film stars Crosby as clarinetist Jeff Lambert, who breaks away from a traditionalist orchestra to form his own jazz band. His partners in this endeavor are songstress Betty Lou Cobb (Martin) and trumpeter Memphis (Brian Donlevy), a character obviously meant to be a white-bread version of Louis Armstrong. Inspired by the rhythms heard amongst the African American population of Louisiana, Jeff, Betty Lou and Memphis rise to fame and fortune, but internal jealousies and external gangster threats seriously compromise their success. An added complication is the presence of cute little orphan girl Phoebe (Carolyn Lee), Betty Lou's aunt, whom Jeff is obliged to hide from the child-welfare behemoths. Eddie "Rochester" Anderson is in his element as Jeff's long-suffering general factotum Louey, whose near-death experience towards the end of the story results in one of film's most powerful musical vignettes. The 14 songs heard in Birth of the Blues range from such classics as "St. Louis Blues" and "St. James Infirmary" to such newly-minted ditties as Johnny Mercer's "The Waiter, the Porter and the Upstairs Maid". ~ Hal Erickson, All Movie Guide

Judith Allen stars as Telephone Operator Helen in this Monogram actioner. Most of the story is built around newsreel footage of the recent Ohio and Tennessee Valley floods. As telephone linemen Red (Grant Withers) and Shorty (Warren Hymer) race against time to hook up phone wires to a huge dam, the storm clouds gather and the weather gets really rough. Even so, Red and Shorty pause every so often to romance local telephone gals Helen and Dottie (Alice White). When the inevitable flood arrives, Helen's courage and stamina during the crisis leaves a lasting impression on Red, who gives up his minor flirtations and proposes marriage. Telephone Operator was one of several comeback attempts for onetime silent-screen favorite Alice White, who was still trying to recapture her former glory as late as 1948's Flamingo Road. ~ Hal Erickson, All Movie Guide

Dusting off a couple of old Ken Maynard Western plots -- already recycled once with John Wayne in the early 1930s -- Warner Bros. jumped on the singing cowboy band wagon with a series starring baritone Dick Foran (formerly Nick Foran. The opener, Moonlight on the Prairie was filmed on glorious locations at California's June Lake and featured a good supporting cast that included future Western hero William "Wild Bill" Elliott (here billed Gordon Elliott) as an agent for the ubiquitous Cattlemen's Association. Foran himself played Ace Andrews, a Wild West Show performer falsely accused of murdering rancher Butch Roberts. Butch's estranged wife, now his widow, Barbara (Sheila Mannors), and young son have until midnight to take over the ranch or lose it to nasty Luke Thomas (Joe Sawyer and crooked lawyer Buck Cantwell (Robert Barrat). After a scheme to delay Barbara and little Dickie (Dickie Jones) is foiled by Ace and his escape artist sidekick "Small Change" (George E. Stone), Luke and his motley crew engage in a bit of cattle rustling. Ace, who has already proven Cantwell to be Butch's real killer, successfully leads the sheriff's posse to victory and soon both Thomas and Cantwell are apprehended. Foran, whose inclination to shout every line was tempered in subsequent entries, found time between fightin' and shootin' to warble Covered Wagon Days and Moonlight on the Prairie, both composed and written by M.K. Jerome, Joan Jasmyn, Vernon Spencer and Bob Nolan. Foran's horse, Smokey, earned second billing ahead of leading lady Sheila Mannors, a brunette beauty who also spelled her last name "Manners" on occasion. Miss Mannors/Manners would attempt to escape an increasing list of B-Westerns by changing her moniker to Sheila Bromley in the 1940s. ~ Hans J. Wollstein, All Movie Guide

In this romantic crime drama a young Detroit criminal flees into the West after killing his boss. It was accidental, but he fears retaliation. He finds work in Colorado building the great dam, proves to be a hard-working honest young man and is promoted to foreman. When not working, he woos a beautiful singer. Eventually he can no longer hide from his past. Fortunately, his good work has won him friends in high places. ~ Sandra Brennan, All Movie Guide

This follow-up to RKO Radio's near-perfect adaptation of Little Women was produced by small but enterprising Mascot Pictures (the forerunner to Republic). Erin O'Brien-Moore and Ralph Morgan star as Jo March and Professor Bhaer, the characters played by Katharine Hepburn and Paul Lukas in Little Women. Now married, Jo and the Professor decide to establish a school for wayward boys, hoping to guide the kids towards the proper paths in life. The supporting cast includes what "B"-film historian Don Miller described as "just about every child player in Hollywood" ranging from cherubic Dickie Moore as Demi to tough-guy Frankie Darro as Dan (future director Richard Quine can also be spotted amongst the boys). Louisa May Alcott devotees have always felt that Little Men is inferior to Little Women; the same, alas, can be said about the two novels' respective film versions, though Mascot's Little Men comes to life whenever satanic-visaged Gustaf Von Seyfertitz, cast as a vindictive reformatory supervisor, oils his way onto the screen. ~ Hal Erickson, All Movie Guide

Big Mike (Wallace Beery) is a tough Army flyer who longs to see his son Little Mike (Robert Young) take to the air like himself. Little Mike's excessive attraction to Dare (Rosalind Russell) strains his relationship with his father, but eventually he finds the right woman -- Skip (Maureen O'Sullivan), the daughter of Army commandant General Carter (Lewis Stone) -- and an airborne Little Mike does his father proud. Bit-Part Alert: Watch for the brief appearance of then up-and-coming MGM contract player Robert Taylor as Jaskerelli. ~ Nicole Gagne, All Movie Guide

Feeling stifled by her wealthy existence, flighty heiress Kay (Joan Crawford) falls in love with poor archaeologist Terry (Brian Aherne). The couple seems happiest when they're yelling at one another, indicating perhaps that screenwriter Joseph L. Mankiewicz was none too fond of either character. Anyway, Terry decides that a marriage to Kay would be a big mistake, so he talks her into jilting him at the altar, thereby making a public declaration that their romance is through. But Kay "double-crosses" Terry by showing up at the wedding anyway, allowing the couple to live scrappily ever after. It's hard to tell if this is supposed to be a rip-off of It Happened One Night, but it sure plays that way in the first few reels. ~ Hal Erickson, All Movie Guide

Joe E. Brown plays a dual role in Circus Clown, as would-be circus entertainer Happy Howard and his rustic old father. When dad, a former circus man himself, disapproves of Happy hitting the sawdust trail, the boy does so anyway, smitten by a beautiful female bareback rider. So naïve is our hero that he doesn't realize that the "girl" is actually female impersonator Jack (Don Dillaway), who strings Happy along just for laughs. Once this plotline is straightened out, Happy becomes the hero of the day by substituting for a drunken aerialist -- and there is no more proud or enthusiast spectator than Happy's happy dad. If Joe E. Brown looks genuinely frightened in his scene in the lion's cage, he should; the lion affectionately pawed Brown during one take, resulting in six stitches in the comedian's arm. More serious than most Brown vehicles, Circus Clown is distinguished by the star's spectacular acrobatics (the real thing -- no doubles), and by some excellent split-screen work during the "father/son" scenes. ~ Hal Erickson, All Movie Guide

In this sudsy hospital melodrama, a married nurse finds herself falling in love with one of two surgeons when her husband goes mad and needs an operation. One of the surgeons regards his pursuit a lark, while the other harbors genuine affections for the nurse. At first, she is attracted to the cad, but after her husband follows the suggestion of another insane patient and dives out of a window to his death, she seeks consolation in the arms of the other surgeon. ~ Sandra Brennan, All Movie Guide

Ne'er-do-well Gary Cooper is so desperate for quick cash that he's willing to sell the custody rights of his own daughter (Shirley Temple), whom he's never seen. Cooper's girlfriend Carole Lombard is shocked by this callousness and walks out on him, but when Cooper meets his daughter and has a change of heart, he reclaims the little girl and is reunited with Lombard. Still, Cooper can't hold down a job. Another get-rich-quick scheme ends unhappily when Cooper is forced to participate in a jewel robbery. After fighting it out with his confederates, the wounded Cooper begs the victim of the robbery, a wealthy and loving woman, to adopt his daughter and give her the sort of life he is unable to provide. Now and Forever would have been mighty turgid stuff without the combined star power of Gary Cooper, Carole Lombard, and six-year-old Shirley Temple. ~ Hal Erickson, All Movie Guide

An espionage drama set in the early 20th century, Ever in My Heart stars Barbara Stanwyck as a New England naif who marries a German citizen (Otto Kruger). In 1915, Stanwyck and her husband suffer a brace of blows: The death of their son, and the sinking of the Lusitania, the latter incident sparking a wave of anti-German sentiment. Hounded out of their small town by the angered citizens, Stanwyck and Kruger move to Europe, where the husband voluntarily leaves his wife to join the Kaiser's army. In 1917, Stanwyck, working as a canteen volunteer in France, discovers that her once pro-American husband is now a German spy. To save him from a firing squad, she poisons his wine, then kills herself. ~ Hal Erickson, All Movie Guide

Broadway Bad stars Joan Blondell as a wisecracking but goodhearted chorus girl whose husband (Ricardo Cortez) is an abusive lout. Blondell's plight makes the headlines, which results in an upswing in her career. Rather than wallow in self-pity, she trades on the publicity to become a star, while hubby mutters dark promises of revenge. This film was based on the real-life relationship between Broadway star Hal Skelly and a promiscuous young actress who assumed several professional names. Though its cast and subject matter might suggest that Broadway Bad is a Warner Bros. epic, the picture was actually produced and released by Fox Studios. ~ Hal Erickson, All Movie Guide