Valentina Cortese Movies

Friedrich Durrenmatt's misanthropic theatrical piece The Visit has never been totally successful in any production, not even in the original Broadway presentation starring Alfred Lunt and Lynn Fontanne. The film version keeps this failure record consistent. Ingrid Bergman plays a fabulously wealthy woman who returns to her impoverished home town. Years earlier, she had been driven from town in disgrace after sleeping with solid citizen Anthony Quinn. She now offers a deal to the city elders: Bergman will alleviate the city's financial difficulties--in exchange for Quinn's life. The original play ended with the lynching of the seducer; the film ends with Bergman halting the execution, proclaiming that by allowing Quinn to live, the townsfolk will be forced to feel the pangs of guilt over what they might have done for the rest of their lives. ~ Hal Erickson, All Movie Guide

This routine, slow-paced biographical drama is based on the 1929 autobiography of Swedish doctor Axel Martin Fredrik, The Story of San Michele. The drama follows the physician, psychiatrist, and adventurer as he travels the distances from Lapland to his Villa San Michele on Capri, with special stops in Paris and Rome. Personal physician to Queen Victoria, also physician to the Swedish royal family (he spent his last years living in the Royal Palace in Sweden), "Axel Munthe" knew everyone from the poorest clients to the most well-endowed. His love of animals, his support of bird sanctuaries, his involvement with architecture as he constructs his impressive villa over a period of five summers, and his interests in archaeology and hypnotism are all explored. O.W. Fischer's portrayal of the doctor is sometimes criticized as having more Fischer than Munthe in it. ~ Eleanor Mannikka, All Movie Guide

Even into the 1960s, Yugoslavian films played up the contributions of their partisan underground during World War II. Square of Violence is a loose, unacknowledged reworking of the 1943 film Hostages. When partisans kill 30 Nazi officers in a bombing, the Germans respond by taking 300 Yugoslav hostages. Broderick Crawford, the man responsible for the bombing, must weigh the importance of keeping the identities of his comrades secret against the lives of the 300 captives. This is the directorial debut of Leonardo Bercovici. ~ Hal Erickson, All Movie Guide

Filmed in Germany (where it was released in 1954), Republic's Magic Fire is the life story of controversial 19th century composer Richard Wagner. Alan Badel comes off more as villain than hero as Wagner, which though historically accurate makes it hard for the audience to pull for the central character. Wagner's bizarre relationship with Ludwig II (Gerhard Riedmann), the "mad king" of Bavaria, is downplayed, while the composer's vitriolic anti-semitism is ignored altogther. The women in Wagner's life are played by Yvonne de Carlo, Valentine Cortese and Rita Gam, while Carlos Thompson does the "best friend/severist critic" bit as fellow composer Franz Liszt. Dramatically uneven, Magic Fire is rescued by Erich Wolfgang Korngold's orchestrations of Wagner's most famous operatic and symphonic works. ~ Hal Erickson, All Movie Guide

Roman couturier Clelia (Eleonora Rossi-Drago) leaves the big city to work at a boutique in Turin. She moves into a hotel and makes several new friends, but is soon drawn into their extremely unpleasant lives. Clelia enters a doomed relationship with a poor architect's assistant (Ettore Manni), sees her new best friend Rosetta (Madeleine Fischer) commit suicide after being jilted by her married lover (Gabriele Ferzetti), and is eventually fired from her new job when her hysteria over Rosetta's death interferes with her work. Clelia finally goes back to Rome, and viewers will not blame her a bit. Le Amiche, based on a 1949 article published in La Bella Estate ("Tre Donne Sole" by Cesare Pavese), is perhaps Michelangelo Antonioni's first great film. Juggling 10 characters with great aplomb, Antonioni and co-screenwriters Suso Cecchi D'Amico and Alba De Cespedes have created a rich, interlocking narrative which manages to rise above mere melodrama through careful attention to the ebb and flow of interpersonal relationships and a keen sense of balance. The fine supporting cast includes Valentina Cortese, Yvonne Furneaux, and Franco Fabrizi. ~ Robert Firsching, All Movie Guide

In this Italian melodrama, three Roman prostitutes suddenly find themselves on the streets when the city informs them that their brothel is to be destroyed. The story chronicles what happens to each of them. ~ Sandra Brennan, All Movie Guide

After surviving the hell of a Nazi death camp, a refugee faces even greater dangers in America in this tale of murder, deceit, and assumed identities. Victoria Kopwelska (Valentina Cortese) is a Polish woman imprisoned in a Nazi concentration camp near the end of World War II. Desperate to survive, Victoria learns that her best friend has family in the United States, and if they are ever freed, she pledges to take Victoria to America with her. Victoria's friend, however, is killed shortly before American troops can liberate the camp. With nowhere to go, Victoria steals her friend's papers and sails to America, where she is accepted as her friend by her family. Victoria learns that she is now the godmother to a young boy, as well as the heir to a sizable fortune, following the death of her "aunt." Alan Spender (Richard Basehart), the boy's guardian, has been making secret plans to get his hands on the money, and Victoria's arrival causes him to draft a new scheme. Alan begins wooing Victoria, hoping to take her hand in marriage and then murder her, gaining her estate in the process. However, after several accidents befall the youngster, Victoria begins to believe that her new sweetheart is up to no good. The House on Telegraph Hill was directed by Robert Wise, who went on to helm such blockbusters as West Side Story and The Sound of Music. ~ Mark Deming, All Movie Guide

Valentina Cortese's star continued to rise with the period melodrama Bullet for Stefano (Il Passatore). Cortese plays Barbara, whose wedding is interrupted when dashing brigand Stefano (Rossano Brazzi) kills the groom and abducts the bride. Eventually, Stefano tires of Barbara, and casts her aside. But she is not to be dispensed with so easily. Rallying the peasantry, Barbara sets the wheels in motion for Stefano's destruction. Curiously, despite his wretched behavior, there is a certain amount of sympathy for Stefano, who is a thief only because he wishes to help the poor. ~ Hal Erickson, All Movie Guide

A composer discovers that the inspiration for his greatest work may come at the expense of his marriage in this romantic drama with music. Richard Wilder (Michael Dennison) was a pilot with the RAF during World War II and was shot down over the Dolomite Mountains of Italy during a mission. Wilder's life was saved by Alida (Valentina Cortese), a beautiful woman working with the anti-fascist resistance who rescued him after his crash. After the war comes to a close, Wilder returns home to England and his wife Ann (Dulcie Gray), where he begins writing an opera based on the legends of Dolemite, as passed along by the peasants of the region. However, his home in England does not prove to be a conducive creative environment, so he travels back to Italy, where he spends time with Alida and is able to complete his work. However, he begins to fall in love with Alida, and he soon finds that he must choose between his muse and his spouse. Acclaimed classical vocalist Tito Gobbi appears as himself and sings several selections. ~ Mark Deming, All Movie Guide

Thieves' Highway is set in San Francisco and the surrounding countryside. Richard Conte plays Nick Garcos, an American GI who returns from WWII to find that his father Yanko (Morris Carnovsky), a produce trucker, has lost the use of both legs because of a fight with crooked truck driver Mike Figlia (Lee J. Cobb). Nick is a clean-cut guy who was set on marrying his sweetheart Polly Faber (Barbara Lawrence). Instead, Nick gets embroiled in his father's feud with Mike, buying a truck and falling deeper into racketeering. He delivers a truckload of apples to Mike as part of a scheme to expose his cheating. A prostitute, Rica (Valentina Cortesa), tells Nick that Mike has his own plot to trap him. Nick and Rica help Mike's henchmen learn that Mike has also been cheating them, and Nick eventually gets his revenge. But Nick has permanently lost Polly because of his involvement with the gangsters and his change in personality from a good guy to a more sinister businessman. Director Jules Dassin was blacklisted from Hollywood for supposed communist sympathies after making this 1949 picture, but he went on to have success with more caper movies while in exile in France. ~ Michael Betzold, All Movie Guide