Valentina Cortese Movies

Actress Valentina Cortese began appearing in Italian films at age 15. Attaining stardom in the 1948 Anglo-French production The Glass Mountain (1948), Cortese was brought to the U.S. to co-star opposite Orson Welles in Black Magic (1949). She was then signed to a contract by Darryl F. Zanuck, who emphasized her Mediterranean background by changing the spelling of her name to Cortesa. One of her starring films was 1951's The House on Telegraph Hill, in which she appeared with Richard Basehart, to whom she was married from 1951 to 1970. By 1952, Cortese had struck out in Hollywood, and was back making pictures in Europe and England; ironically, it was during this period that she essayed her best-known role in an American-produced film: Countess Eleanora Torlato-Favrini in The Barefoot Contessa (1954). Surviving long past the "young female lead" stage, Cortese did some of her finest work in her middle years. When Ingrid Bergman, accepting the 1974 "Best Supporting Actress" Academy Award for her minor role in Murder on the Orient Express, announced to the world that she thought the prize should have gone to Valentine Cortese for her bravura performance as a drink-besotted film star in Truffaut's Day for Night (1973), there were quite a few out there in Televisionland who wholeheartedly agreed. ~ Hal Erickson, All Movie Guide
1942  
 
This film is the first western ever made in Italy. It tells the tale of a young saloon dancer who inadvertently gets romantically involved with the man who killed her husband and framed her recent lover. She accepts his advances until she learns the truth. She then returns to her lover and discovers that he has been married all along. ~ Sandra Brennan, All Movie Guide

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1946  
 
Luigi Zampa's A Week's Leave (Un American in Vacanza) stars Italy's Valentina Cortese and America's Leo Dale. Cortese plays Maria, a provincial schoolteacher who comes to Rome on an errand of mercy for her deprived countrymen. Dale is cast as Dick, a GI who offers Maria a ride when her ancient car breaks down. While absorbing the sights and sounds of Rome, Maria and Dick fall in love -- though their romance remains pure and chaste. The ending is neither happy nor unhappy, reflecting the uncertainty of the postwar era in which A Week's Leave takes place. ~ Hal Erickson, All Movie Guide

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Starring:
Valentina Cortese
1946  
 
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A cat burglar, a suicidal veteran, and a starving typist-turned-prostitute are brought together by fate and propelled through the streets of Rome in director Marcello Pagliero's lyrical look at life in Italy following liberation by the Allies. As the rain falls in Rome, a prowling cat burglar (Nando Bruno) prepares for his next job. His mission interrupted by a distraught veteran (Andrea Checchi) whose fiancée had been unfaithful while he was away at war, the sympathetic burglar talks the suicidal man off of his precarious ledge before inviting him out for a night on the town. Later, as police attempt to rescue an impoverished typist who has turned to prostitution as a means of paying rent, the kindly veteran intervenes and the trio share their stories over cognac before coming into the company of an eccentric amnesiac (Vittorio De Sica) with no sense of self. As the unlikely group of new friends make their way to an illegal private casino, their lives each take an unexpected turn as fate stirs up old love, forgotten grudges, and bittersweet memories. ~ Jason Buchanan, All Movie Guide

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1947  
 
In 1935, American audiences were treated to two simultaneously released versions of Les Miserables, one made in Hollywood, the other in France. Much the same thing happened in 1952. While 20th Century-Fox's Les Miserables, starring Michael Rennie as beleagured ex-convict Jean Valjean, was making the rounds, a second version, lensed in Italy, was also showing up in selected theatres. Running a fast 112 minutes (hardly enough time to do full justice to the novel), U.S. release of the Italian adaptation starred Gino Servi as Valjean, whose "new" life as a man of position and respect is forever threatened by dogged detective Javert. Valentine Cortese costars as Cosette, Valjean's adopted daughter. English-language prints of the the Italian Les Miserables credit the direction to "Robert Hampton"; in fact, direction was handled by prominent European filmmaker Riccardo Freda. ~ Hal Erickson, All Movie Guide

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Starring:
Valentina CorteseGino Cervi, (more)
1947  
 
This Italian drama is a wartime version of the old story. Set during WW II, it follows the journeys of a cursed French Jew who turns against his people and helps the Nazis. Later his guilt overcomes him and he allows himself to be sent to a concentration camp. There he falls in love. The two escape, but when they learn that the Nazis will massacre the other prisoners if he doesn't return, he is forced to turn himself in. At the story's end, the fellow is finally granted eternal rest and ends up gunned down by the German soldiers. ~ Sandra Brennan, All Movie Guide

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Starring:
Vittorio GassmanValentina Cortese, (more)
1949  
 
A composer discovers that the inspiration for his greatest work may come at the expense of his marriage in this romantic drama with music. Richard Wilder (Michael Dennison) was a pilot with the RAF during World War II and was shot down over the Dolomite Mountains of Italy during a mission. Wilder's life was saved by Alida (Valentina Cortese), a beautiful woman working with the anti-fascist resistance who rescued him after his crash. After the war comes to a close, Wilder returns home to England and his wife Ann (Dulcie Gray), where he begins writing an opera based on the legends of Dolemite, as passed along by the peasants of the region. However, his home in England does not prove to be a conducive creative environment, so he travels back to Italy, where he spends time with Alida and is able to complete his work. However, he begins to fall in love with Alida, and he soon finds that he must choose between his muse and his spouse. Acclaimed classical vocalist Tito Gobbi appears as himself and sings several selections. ~ Mark Deming, All Movie Guide

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Starring:
Dulcie GrayMichael Denison, (more)
1949  
 
Femmes sans Nom is the second film in a proposed trilogy conceived by Hungarian director Geza Radvanyi (the first was Somewhere in Europe). In each of these three films, Radvanyi hoped to dramatically convey the plight of those left homeless and destitute by WW II. Femmes sans Nom is set in a relocation camp in Trieste, where hundreds of disenfranchised European women are huddled together. Prominent among these unfortunate souls is a former aristocrat, played by Francoise Rosay; a woman of loose morals, portrayed by Simone Simon; and an expectant mother, essayed by Valentine Cortese. After the lukewarm response to Femmes sans Nom, Geza Radvanyi dropped his plans for the third film in his "displaced persons" series. ~ Hal Erickson, All Movie Guide

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Starring:
Simone SimonFrançoise Rosay, (more)
1949  
 
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Thieves' Highway is set in San Francisco and the surrounding countryside. Richard Conte plays Nick Garcos, an American GI who returns from WWII to find that his father Yanko (Morris Carnovsky), a produce trucker, has lost the use of both legs because of a fight with crooked truck driver Mike Figlia (Lee J. Cobb). Nick is a clean-cut guy who was set on marrying his sweetheart Polly Faber (Barbara Lawrence). Instead, Nick gets embroiled in his father's feud with Mike, buying a truck and falling deeper into racketeering. He delivers a truckload of apples to Mike as part of a scheme to expose his cheating. A prostitute, Rica (Valentina Cortesa), tells Nick that Mike has his own plot to trap him. Nick and Rica help Mike's henchmen learn that Mike has also been cheating them, and Nick eventually gets his revenge. But Nick has permanently lost Polly because of his involvement with the gangsters and his change in personality from a good guy to a more sinister businessman. Director Jules Dassin was blacklisted from Hollywood for supposed communist sympathies after making this 1949 picture, but he went on to have success with more caper movies while in exile in France. ~ Michael Betzold, All Movie Guide

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Starring:
Richard ConteValentina Cortese, (more)
1949  
 
Spencer Tracy and James Stewart team up for this World War II adventure, based on an supposedly true incident from World War II. Stewart plays John Royer, an ex-newspaper reporter with a backhand knowledge of Malaya, and Tracy plays a criminal named Carnaghan, doing time in Alcatraz for smuggling. They are brought together for an undercover assignment -- to smuggle a large shipment of rubber out of Japanese-held territory in Malaya and deliver the tonnage to awaiting U.S. ships. Carnaghan and Royer plod through the jungles and have to deal with several unscrupulous contacts including a man calling himself The Dutchman (Sydney Greenstreet), a helpful FBI agent named Kellar (John Hodiak), and a sneaky Japanese officer by the name of Colonel Tomura (Richard Loo). ~ Paul Brenner, All Movie Guide

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Starring:
Spencer TracyJames Stewart, (more)
1949  
NR  
Gregory Ratoff is listed as sole director of the 1949 Orson Welles starrer Black Magic, but it is now common knowledge that Welles directed most of this lavish costumer himself. Told in flashback, the film recounts the life and times of notorious 18th-century hypnotist/magician/scam artist Cagliostro (played, but of course, by Welles). Learning the secrets of hypnosis from Dr. Mesmer (Charles Goldner), Cagliostro exploits this skill to gain wealth, prestige and, on occasion, romance. His downward slide begins when Cagliostro enters into an Anastasia-like scheme to substitute a young lass named Lorenza (Nancy Guild) for French queen Marie Antoinette. The charlatan's partners in crime are gypsies Gilbert (Akim Tamiroff, who manages to out-ham Welles in some scenes) and Zoraida (Valentina Cortese). Longer on style than substance, Black Magic is a wickedly delightful cinematic exercise, with Welles at his overbaked best. ~ Hal Erickson, All Movie Guide

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Starring:
Orson WellesNancy Guild, (more)
1950  
 
Valentina Cortese's star continued to rise with the period melodrama Bullet for Stefano (Il Passatore). Cortese plays Barbara, whose wedding is interrupted when dashing brigand Stefano (Rossano Brazzi) kills the groom and abducts the bride. Eventually, Stefano tires of Barbara, and casts her aside. But she is not to be dispensed with so easily. Rallying the peasantry, Barbara sets the wheels in motion for Stefano's destruction. Curiously, despite his wretched behavior, there is a certain amount of sympathy for Stefano, who is a thief only because he wishes to help the poor. ~ Hal Erickson, All Movie Guide

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Starring:
Valentina CorteseRossano Brazzi, (more)
1950  
 
Shadow of the Eagle is set during the reign of Russia's Catherine the Great. Dashing Count Orlof (Richard Greene) is dispatched to Venice to kidnap Princess Elizabeth (Valentina Cortesa), a pretender to Catherine's throne. Falling in love with the princess, Orloff casts his lot with Elizabeth's followers. When Catherine (Binnie Barnes) finally gets her clutches on Elizabeth and sentences her to death, Orloff nobly offers to die in her place. All of this sounds suspiciously like The Eagle, a 1925 Rudolph Valentino vehicle. ~ Hal Erickson, All Movie Guide

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Starring:
Richard GreeneValentina Cortese, (more)
1951  
 
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After surviving the hell of a Nazi death camp, a refugee faces even greater dangers in America in this tale of murder, deceit, and assumed identities. Victoria Kopwelska (Valentina Cortese) is a Polish woman imprisoned in a Nazi concentration camp near the end of World War II. Desperate to survive, Victoria learns that her best friend has family in the United States, and if they are ever freed, she pledges to take Victoria to America with her. Victoria's friend, however, is killed shortly before American troops can liberate the camp. With nowhere to go, Victoria steals her friend's papers and sails to America, where she is accepted as her friend by her family. Victoria learns that she is now the godmother to a young boy, as well as the heir to a sizable fortune, following the death of her "aunt." Alan Spender (Richard Basehart), the boy's guardian, has been making secret plans to get his hands on the money, and Victoria's arrival causes him to draft a new scheme. Alan begins wooing Victoria, hoping to take her hand in marriage and then murder her, gaining her estate in the process. However, after several accidents befall the youngster, Victoria begins to believe that her new sweetheart is up to no good. The House on Telegraph Hill was directed by Robert Wise, who went on to helm such blockbusters as West Side Story and The Sound of Music. ~ Mark Deming, All Movie Guide

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Starring:
Richard BasehartValentina Cortese, (more)
1951  
 
The sheer star power of Viviane Romance makes the more absurd passages of Crossroads of Passion tolerable. Set during WW II, the story concentrates on the activities of anti-Nazi saboteurs in Lisbon. Flying in the face of Portugal's wartime neutrality, the saboteurs do their best to knock off as many Germans as possible. Romance plays the lover of a murdered Nazi bigwig, and she intends to wreak vengeance on the killers--until the obligatory eighth-reel epiphany. Billed second in Crossroads of Passion is young Valentina Cortese, on the verge of bigger things. The film was originally released in France in 1947 as La Carrefour des Passions. ~ Hal Erickson, All Movie Guide

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Starring:
Viviane RomanceValentina Cortese, (more)
1952  
 
Set in 1930s London, Secret People stars Valentina Cortesa and Audrey Hepburn as Maria and Nora, two sisters whose father has been murdered for political reasons. Adopted by a kindly Italian restaurateur (Charles Goldner), Maria and Nora gradually overcome the loss of their father and get on with their lives. But when an old family friend enters the picture, the girls are plunged into a maelstrom of international intrigue. The upshot of this is a misguided murder charge and an eleventh-hour act of selfless sacrifice. When Audrey Hepburn ascended into stardom in the mid-1950s, Secret People was re-issued, with the originally fourth-billed Hepburn promoted to above-the-title billing. ~ Hal Erickson, All Movie Guide

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Starring:
Valentina CorteseSerge Reggiani, (more)
1953  
 
In this Italian melodrama, three Roman prostitutes suddenly find themselves on the streets when the city informs them that their brothel is to be destroyed. The story chronicles what happens to each of them. ~ Sandra Brennan, All Movie Guide

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1954  
 
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The Barefoot Contessa begins at the funeral of Ava Gardner, a former Spanish peasant, cabaret dancer and movie star, who at the time of her death was a full-fledged contessa. Her life story unfolds in flashback recollections from her mourners. Film director Humphrey Bogart recalls how his career was saved when he discovered Gardner on behalf of Howard R. Hughes-like mogul Warren Stevens. Press agent Edmond O'Brien remembers how Ava was wooed and then abandoned by mercurial millionaire Marius Goring, and Italian count Rosanno Brazzi reflects on how he was able to wed the tempestuous Gardner, only to watch his world crumble after revealing on their wedding night that he was "only half a man." O'Brien received Best Supporting Actor awards at both the Academy Awards and Golden Globes in 1954. ~ Hal Erickson, All Movie Guide

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Starring:
Humphrey BogartAva Gardner, (more)
1955  
 
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Roman couturier Clelia (Eleonora Rossi-Drago) leaves the big city to work at a boutique in Turin. She moves into a hotel and makes several new friends, but is soon drawn into their extremely unpleasant lives. Clelia enters a doomed relationship with a poor architect's assistant (Ettore Manni), sees her new best friend Rosetta (Madeleine Fischer) commit suicide after being jilted by her married lover (Gabriele Ferzetti), and is eventually fired from her new job when her hysteria over Rosetta's death interferes with her work. Clelia finally goes back to Rome, and viewers will not blame her a bit. Le Amiche, based on a 1949 article published in La Bella Estate ("Tre Donne Sole" by Cesare Pavese), is perhaps Michelangelo Antonioni's first great film. Juggling 10 characters with great aplomb, Antonioni and co-screenwriters Suso Cecchi D'Amico and Alba De Cespedes have created a rich, interlocking narrative which manages to rise above mere melodrama through careful attention to the ebb and flow of interpersonal relationships and a keen sense of balance. The fine supporting cast includes Valentina Cortese, Yvonne Furneaux, and Franco Fabrizi. ~ Robert Firsching, All Movie Guide

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Starring:
Valentina CorteseGabriele Ferzetti, (more)
1956  
 
Filmed in Germany (where it was released in 1954), Republic's Magic Fire is the life story of controversial 19th century composer Richard Wagner. Alan Badel comes off more as villain than hero as Wagner, which though historically accurate makes it hard for the audience to pull for the central character. Wagner's bizarre relationship with Ludwig II (Gerhard Riedmann), the "mad king" of Bavaria, is downplayed, while the composer's vitriolic anti-semitism is ignored altogther. The women in Wagner's life are played by Yvonne de Carlo, Valentine Cortese and Rita Gam, while Carlos Thompson does the "best friend/severist critic" bit as fellow composer Franz Liszt. Dramatically uneven, Magic Fire is rescued by Erich Wolfgang Korngold's orchestrations of Wagner's most famous operatic and symphonic works. ~ Hal Erickson, All Movie Guide

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Starring:
Yvonne De CarloRita Gam, (more)
1956  
 
The Spanish/Italian Rocket From Calabuch is significant only as the last film of beloved character actor Edmund Gwenn. The 78-year-old star plays a retired atomic scientist who settles in a peaceful Spanish village. But he can't remain sedentary for long, and soon he's off and about developing a new kind of rocket. So much for his retirement, and so much for the peace and quiet in his village, which is soon overrun with reporters and spies. Rocket From Calabuch was originally released in Spain as simply Calabuch; the film didn't make it to the states until after Edmund Gwenn's death in 1959. ~ Hal Erickson, All Movie Guide

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Starring:
Edmund Gwenn

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