Gregory Corso Movies

After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, Rovi

In the U.S., in the 1950s, contemporary jazz was becoming more and more esoteric, and a small group of writers, poets and musicians who were hip to that beat were exploring the cracks in the American dream. Meanwhile, the Cold War and insistently cheerful and upbeat attitudes were being promoted by Dale Carnegie and his many imitators. America was never so prosperous, so virtuous, or so happy, and the writers and artists of the Beat generation were among the first to see the worm in that particular apple. Because so many of them couldn't get enthusiastic about the Cold War, they were derisively called "beatniks," the "nik" being an imitation Russian diminutive. In this 1980s documentary, surviving eminences from that period discuss the times and their experiences. Among those appearing are Allen Ginsberg, Jack Kerouac's daughter and wife, William S. Burroughs, Amiri Baraka (a.k.a. LeRoi Jones) and others, while archival footage gives viewers a taste of other greats of the period. The former Tonight Show host and author Steve Allen narrates. ~ Clarke Fountain, Rovi

After World War II there was a group of young men -- writers primarily -- who were disillusioned by the pursuit of the American dream. These men and other artists, associated through mutual friendships, were looking for new ways and means to express themselves and their ideals. Soon their writings found an audience and the American media took notice of their bohemian lifestyles, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac and William Burroughs and poet Allen Ginsberg. essentially forming the Trinity of the Beats, and influencing the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation are reunited to share their works and recollections. ~ Forrest Spencer, Rovi