Georges Corraface Movies

The historical conflicts between Greece and Turkey and the lives of those caught in between are explored in Tassos Boulmetis' debut feature, the autobiographical drama A Touch of Spice. A box-office smash in Greece, the film won the Audience Award at the 2003 Thessaloniki Film Festival, and had its U.S. premiere in competition at the 2004 Tribeca Film Festival. After a brief prologue, which introduces its astronomer-chef protagonist, Fanis (Georges Corraface of Escape From L.A.), who lives in Greece and is preparing for a visit from his grandfather, Vassilis (Tassos Bandis), the film flashes back to his boyhood 35 years earlier in Istanbul, where Vassilis, who owns a grocery store, teaches Fanis about the connection of various spices to life and to the universe. The precocious Fanis makes a deal with a girl he likes, Saime (played as an adult by Basak Köklükaya), that he'll cook for her if she dances for him. Eventually, political turmoil intrudes on the family's happiness, and Fanis' father, Savas (Ieroklis Michailidis), a Greek, is forced to take his wife (Renia Louizidou) and son out of the country. They settle in Athens, but never get over the trauma of being deported. In addition to missing his grandfather, Fanis never gets over his connection to Saime. His grandfather repeatedly promises to visit, and to bring the girl along, but always has an excuse for canceling the trip at the last minute. Meanwhile, Fanis grows up despondent and depressed. He quickly develops a great talent for cooking, which his parents strongly discourage. It's not until he's in his forties that Fanis makes the voyage back to Istanbul to resolve his relationship with the two most important people in his life. ~ Josh Ralske, All Movie Guide

Charlotte Silvera's Girls Can Get Away With Anything is about a young girl who acted in a film. Eight-year-old Judith (Thylda Bares) was plucked from everyday life to act in a film that was made in Paris. After returning home from the experience, she finds that her parents' marriage is on the rocks. She makes her way back to Paris with her friend Nora (Nora Rotman), and the two of them do what they can to survive. Girls Can Get Away With Anything was shot on digital video and was screened at the Paris Film Festival. ~ Perry Seibert, All Movie Guide

Kostas Kapakas makes a strikingly assured debut with this immaculately wrought coming-of-age drama. The film centers on Stefanos (Georges Corraface), a serious-minded middle-aged aircraft engineer who is invited to a soiree with his old friend Manolis (Haris Mavroulis). Along the way, Stefanos' mind goes back to his youth during the early 1960s, when he lived in a large house with his bourgeois parents and aunt. Between such childhood dramas as losing a tooth and getting a first glimpse of a pornographic magazine, the young Stefanos befriends his same-aged cousin Marina. When the parents go on a holiday retreat, Stefanos and Marina kiss in the rain. Six years later, Stefanos plans to study in England while Marina cuddles with his best friend Manolis. At a party, Marina and Stefanos briefly get it on, before she stops and rejoins the party. This film earned rave reviews at the 1999 Thessaloniki Film Festival. ~ Jonathan Crow, All Movie Guide

Married for five years, Gerard (Patrick Catalifo) and Helene (Dominique Blanc) are at Paris' Orly South airport, where they are planning to take a flight to Buenos Aires to begin a new life in Argentina. However, at the last minute, Gerard informs Helene that he is ending their relationship, and departs for Argentina alone. Helene, distraught, decides to stay at the airport, which has showers and restaurants. When her money eventually runs out, Helene takes a proposition for sex by an older physician (Gamil Ratib) and thus embarks on a new profession as a prostitute. She also becomes stronger and more self-assured, and starts to befriend a number of airport workers, including a stewardess who regularly flies to Buenos Aires and promises to post letters to Helene's family in France. ~ Rebecca Flint Marx, All Movie Guide

In this erotic French-Italian-Spanish drama, Max (Georges Corraface), having spent a decade behind bars on a murder conviction, exits the prison a free man. Mysterious museum-worker Mila (Anna Galiena) is parked at the prison gate and speaks to him from her car. Mila is married to businessman Simon (Jean-Marc Barr), who doesn't satisfy her sexually. Later, when Max descends into a basement cafe to use the rest-room, he spots Mila at a pay phone, approaches her, and they have sex amid the rest-room urinals. Max gives her his phone number, and they rendezvous at an upscale hotel. When Max begins following Mila and spying on her, he makes a startling discovery -- her husband is his own brother. Shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

In this two-part made-for-TV romantic drama, a neurosurgeon finds difficulty in dealing with the fact that his latest critically ill patient is the woman whom he once wanted to marry. He is married to another woman, but he still has feelings for his patient. ~ Andrew Olthuis, All Movie Guide

Fifteen-year-old Sabine is unusually confident and analytical. She is also extraordinarily gifted in mathematics. This tender romance chronicles her coming-of-age at the hands of a gentle and fun-loving 40-year-old Czech playwright named Jiri. Because she is so bright, Sabine, who lives in a low-income housing project with her unemployed parents and little sister, makes money on the side doing other people's homework. One day Jiri sees her taking money from some thankful young men on a bus and mistakes her for a prostitute. Under this impression, he invites her to his hotel and with her acquiescence gently becomes her first lover. Sabine approached the situation with logic and afterwards remains cool and calculating until she later spies Jiri with another woman. When faced with that, Sabine's cool demeanor disintegrates and trouble follows. ~ Sandra Brennan, All Movie Guide

A young woman's passion forms the basis of this erotic Spanish drama adapted from a popular novel by Antonio Gala. The night before Desideria's marriage, her girl friends give her some valuable advice on sex. The marriage takes place, and while it is generally happy, her husband Ramiro suffers from sexual dysfunction and Desideria is frustrated. The two end up on holiday in Istanbul with two friends. Desideria falls madly in love with the sensual ambiance of the ancient, teeming city. She begins a passionate affair with a handsome Turkish guide, Yaman. Upon her return home, she learns that she is pregnant. Ramiro agrees to support the child, but unfortunately it dies in infancy and the grieving Desideria flees for Istanbul to find her lover. She finds him and they renew their torrid affair. Later she learns some distressing things about Yaman, but this does not stop her from becoming his sexual slave and a call girl for wealthy carpet sellers. ~ Sandra Brennan, All Movie Guide

A grizzled frontiersman, a snooty Frenchman, and a plucky young lass search for Esperanza, the famed lake of gold up in a remote corner of the Yukon. ~ Jonathan Crow, All Movie Guide

Grace Candel (Julia Stemberger) is a good Immortal, working tirelessly for the betterment of mankind. Alas, Grace's former lover Carlo Sendaro (Georges Corraface) is the embodiment of evil -- and insanely jealous in the bargain. Murdering Grace's mortal sweetheart, Carlo frames her for the crime. But never fear: Duncan MacLeod (Adrian Paul) is not about to let Grace suffer for someone else's perfidy. ~ Hal Erickson, All Movie Guide

In the aftermath of two doctors' divorce, their daughter lives with her mother in Berlin. Her Greek father is not happy with the decision of the courts about his daughter, so he kidnaps her and takes her back to Greece with him. Her mother seeks redress through the international legal system but also finds no satisfaction, so she hires someone to kidnap her back. What the young lady thinks about her two chain-smoking, feuding parents is not deeply explored, but their custody battle leads them back into each other's arms (if only temporarily). ~ Clarke Fountain, All Movie Guide