Anthony Thompkins Movies

1988  
R  
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Fraternity and sorority members clash with the other students at a historically black university in this politically charged musical, which marked the sophomore feature from director Spike Lee. Dap (Laurence Fishburne) is a politically conscious brother who leads anti-apartheid demonstrations and eschews the social climbing of the Greek system. But Half-Pint (Lee), his craven young cousin, is willing to endure any humiliation to join the manly Gamma fraternity. As Half-Pint tries unsuccessfully to impress the Gammas with his inept womanizing, Dap engages in philosophical debates with Rachel (Kyme), his girlfriend. Meanwhile, the light-skinned, straight-haired sisters of the Gamma Ray sorority battle it out in a beauty parlor with their darker-skinned, Afro-headed fellow co-eds. Eventually, Half-Pint gets the chance to join the frat, but only after a degrading episode with Jane (Tisha Campbell), the soon-to-be ex-girlfriend of his house president, causes Dap to lose all respect for him. Based in part on the director's experiences at Atlanta's Morehouse College, School Daze was also written and produced by Lee. Despite production numbers that included "Straight and Nappy", a dis-fest between the "wannabes" and "jigaboos" on campus, the biggest hit on the film's soundtrack was the go-go anthem "Da Butt", E.U.'s ode to shaking one's backside. Supporting players Kadeem Hardison and Jasmine Guy also co-starred on the TV comedy A Different World, another look at life on a primarily African-American campus. ~ Brian J. Dillard, All Movie Guide

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Starring:
Laurence FishburneGiancarlo Esposito, (more)
1985  
 
The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

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1983  
R  
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In this casual, uninvolved comedy running on a low-octane script, a scruffy taxi company is about to be wiped out when its owner Harold (Max Gail) exhorts his cabbies to do what they can to help save the company -- and what they can do turns out to be a surprise to everyone concerned. Saving the day (and the film) are the likeable, eccentric drivers, introduced by means of a new trainee (Adam Baldwin) who rides around with each in turn. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Adam BaldwinCharlie Barnett, (more)
1980  
 
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Beulah Land is an edited, movie-length version of the three-part TV miniseries adaptation of Lonnie Coleman's multi-part novels. The film is set in the Old South, with a time span ranging from 1827 to the postwar Reconstruction Era. Lesley Ann Warren stars as Sarah Kendrick, young belle of the Beulah Land plantation, who finds herself in love with a "damn Yankee." Sarah must also contend with a weakling brother (Paul Rudd) and a former slave (Dorian Harewood) who demands freedom as a right rather than a privilege. Beulah Land took forever to get before the cameras due to protests from black historical organizations; when it was finally telecast on October 7-9, 1980, NBC conducted a low-pressure ad campaign, as though the network was still fearful of stepping on toes despite the testimonial of a black Yale history professor, who commended the production for its "special sensitivity." ~ Hal Erickson, All Movie Guide

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Starring:
Lesley Ann WarrenMichael Sarrazin, (more)
1978  
 
Good Times left its sixth-season Saturday-night time slot for a permanent Wednesday-evening berth with this episode, one of the few in which Jimmie Walker (aka J.J.) does not appear. While driving her school bus, Florida (Esther Rolle) is trapped in a typical Chicago blizzard. Unable to move her vehicle one inch further, Florida shepherds her youthful passenger into an abandoned tenement until things blow over -- if they ever do. Guest stars include comedian Timmie Rogers ("Oh yeah!") as a boozehound, and future Facts of Life co-star Kim Fields as one of the students. ~ Hal Erickson, All Movie Guide

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1978  
 
For her master's thesis, Jenny (Berlinda Tolbert) chooses to write about Harlem street gangs. She heads to the ghetto for research, with her dad Tom (Franklin Cover), and father-in-law, George (Sherman Hemsley), nervously tagging along as protection. A sobering denouement caps this final episode of The Jeffersons' fourth season. ~ Hal Erickson, All Movie Guide

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Starring:
Sherman HemsleyIsabel Sanford, (more)

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