Charlotte Cornwell Movies

Their relationship in danger of dissipating, a couple racing to salvage their marriage invites three other couples to join them at a tropical island resort. Upon arriving at the island paradise to enjoy some carefree fun in the sun, the other couples are disturbed to discover that participation in therapy sessions is mandatory if they hope to remain at the resort. Peter Bilingsley directs a comedy penned by Jon Favreau, produced by Vince Vaughn, and pairing the two Made collaborators onscreen with co-stars Jason Bateman and Faizon Love. ~ Jason Buchanan, Rovi

Peter Medak directed this fact-based drama, chronicling the lives of the infamous Kray Brothers, notorious celebrities in 60s London. The Krays were twin gangsters who ruled London's stylish East End club scene, staking out their territory by committing the most violent crimes imaginable, preferring to perform the most torturous acts themselves. The film stars Gary Kemp and Martin Kemp, founding members of the pop group Spandau Ballet, as Ronald and Reginald Kray. The film opens as their mother Violet Kray (Billie Whitelaw) recalls a dream in which she is a swan from which two beautiful babies have hatched. She can't tell if the swans are angels or demons, but the film soon answers that question for her. Brought up in London's East End in the 1930s, Ronald and Reginald Kray are raised in the resentful world of Violet, who is hateful of her lot in life and bitter at the control men have in running the world ("Housework is a lethal business," she says). The twins react to each other almost telepathically and they take out their anger by clogging the nose of their sleeping father (Alfred Lynch), pushing around fellow schoolboys, and even beating each other to pulp at a boxing match. When her mother chastises them for their fight in a fairground boxing ring ("You fight them up, but you don't fight each other"), the twins veer into the London underworld. In their self-contained world of Us-Against-Them, the Krays rapidly rise to the height of power, first taking over the territory of a petty mobster by violent means and then putting together an underworld empire of posh clubs, cars, and fancy suits. But at the height of their fame, the twins begin to break from each other. Reginald falls in love with Frances (Kate Hardie), while Ronald gets involved in a homosexual relationship with one of his underlings. Ronald, in a jealous rage over Frances stealing his brother away from him, becomes even more brutal in his crimes and while the brothers' backs are turned, a group of older mobsters challenge the Krays' authority, invoking a horrible bloodbath that effects not only the two brothers but Frances and Violet as well. ~ Paul Brenner, Rovi

"Barley" Scott Blair (Sean Connery) is an alcoholic book editor from a bargain-basement publishing house in Great Britain who'd rather be drinking in Lisbon than attending a book dealers' show in Russia. So he's surprised when a CIA agent (Mac McDonald) pulls him from his boozy holiday. It seems that the CIA has through a book show intermediary received a package from a Russian book editor named Katya (Michelle Pfeiffer) containing amazingly detailed notebooks written by a cynical Russian physicist named "Dante" (Klaus-Maria Brandauer). The notebooks show that Russia's nuclear threat is a joke: Russian rockets "suck instead of blow...and can't hit Nevada on a clear day," in the acerbic words of CIA Agent Russell Sheridan (Roy Scheider). But why is Dante sending the notebooks to Blair? How shall the Western world respond to what could be the end of the nuclear arms race? Blair gets drafted by a British Secret Service agent (James Fox) to go to the new Russia to meet Katya. He must see whether the new Russia is still immersed in the old Cold War and whether the notebooks are genuine or another deadly chapter in the war of the spies. ~ Nick Sambides, Jr., Rovi