Lynne Cormack Movies

Not only is the teeming metropolis of Isola in the grips of its worst heat wave in history, but the city is also in the thrall of a serial rapist who is targeting his previous victims. Hoping to stop the predator in his tracks, police detective Eileen Burke (Erika Eleniak) goes undercover, posing as one of those prior victims -- only to be raped for real by the elusive assailant. Thus does the search for the perpetrator become a personal mission, especially for Eileen's detective boyfriend, Bert Kling (Paul Johansson). Along the way, the media's culpability in making celebrities out of scumbag criminals is carefully scrutinized, dissected, and condemned. Inspired by Evan Hunter's popular "87th Precinct" novels (written under Hunter's nom de plume , Ed McBain), this made-for-TV thriller features most of Hunter's familiar recurring characters, among them detectives Meyer Meyer (Paul Ben-Victor) and Steve Carella (Dale Midkiff), as well as Carella's deaf-mute wife, Teddy (Andrea Ferrell). Ed McBain's 87th Precinct: Heatwave made its ABC network bow on January 12, 1997. ~ Hal Erickson, All Movie Guide

Sidney Lumet directed this Larry Cohen-scripted courtroom procedural that owes more than it should to Jagged Edge. Jennifer Haines (Rebecca De Mornay), one of the top female lawyers in the country and flush from the success of defending a gangster, has a new client to defend. A suave ladies man in an Armani suit, David Greenhill (Don Johnson) has come to solicit Jennifer's services. It seems that his rich socialite wife has been pushed to her death through an open window, and David stands to inherit a very large fortune. Needless to say, David is a prime suspect in his wife's murder. David admits to Jennifer the he is a womanizer and an oily manipulator, but nevertheless Jennifer decides to take his case as a challenge -- as she puts it: "People who are guilty are rarely this blunt." The result is an intricate chess game between Jennifer and David as they manipulate events, other people, and each other in order to determine the guilt or innocence of the playboy widower. ~ Paul Brenner, All Movie Guide

Two twin brothers, both renowned gynecologists, descend into madness after becoming romantically involved with the same woman in this disturbing, horrific drama. Jeremy Irons delivers a bravura performance as both Beverly and Elliot Mantle, Toronto-based surgeons who operate an exclusive gynecological clinic and share a reputation as brilliant innovators. They also share lovers, as the more aggressive, confident Elliott seduces women and later secretly allows the shier, more intellectual Beverly to reap the benefits. This arrangement is disturbed when Beverly falls in love with their newest conquest, Claire Niveau (Genevieve Bujold), a famous actress with an unusual gynecological deformity. Beverly's relationship with the hard-living Claire leads to him to turn away from Elliot and begin a dangerous involvement with drugs and alcohol. Elliot senses his brother's rapid decline into addiction and paranoia and attempts to save him, only to start falling victim to the same urges. Director David Cronenberg adapted the loosely fact-based tale to his own creepy purposes, tapping into primal fears regarding the uncanniness of twins and male sexual panic. His notorious gore was used sparingly here, however, with the film's most disturbing moments coming through suggestion, as in the display of a group of terrifying surgical instruments created by Beverly in his madness. Cronenberg's expertise with special effects proves crucial, however, as he and his regular cinematographer Peter Suschitzsky seamlessly combine Irons' two performances in a manner unrivalled by any previous depiction of twins. This visual achievement is more than matched by Irons, who delivers what may be his career performance, delineating the twins' differences and similarities and embodying their collapse in frighteningly believable fashion. The subject matter and chilly tone may be too intense for some viewers, but the brilliant central performance and intellectually provocative approach will prove thoroughly absorbing for others. ~ Judd Blaise, All Movie Guide

Filmed in Canada, Too Outrageous is the belated sequel to the 1977 cult classic Outrageous. Craig Russell is back as gay hairdresser-turned-female impersonator Robin Turner, as is Hollis McLaren as his mentally unbalanced girlfriend. We learn that since last we saw him, Robin has become quite successful on the New York nightclub circuit with his imitations of Streisand, Garland et. al. We also learn that McLaren is as mixed-up as ever; this time she falls under the spell of a duplicitous bartender. That Too Outrageous isn't up to the standards of the original can be attributed to the fact that what was outrageous in 1977 was merely bemusing ten years later. ~ Hal Erickson, All Movie Guide