Bartlett Cormack Movies

Newspaper reporter-turned-playwright Bartlett Cormack stunned Broadwayites in 1927 with his ultra-realistic play The Racket. Essentially a tale of gangsterism run rampant, The Racket was also an exposé of political corruption in the 1920s, going so far as to suggest that there was many a Prohibition agent and police commissioner "on the take." The play was so inflammatory that it was denied a presentation in Chicago, allegedly at the orders of Al Capone; the ban remained in effect for nearly two decades. Journeying to Hollywood in 1928, Cormack (who also billed himself as Bartlett McCormick) wrote screenplays for personalities as diverse as Cecil B. DeMille and Will Rogers. In 1935, he stirred up another storm of controversy when he collaborated with Norman Krasna on the powerful anti-lynching piece Fury (1935). Briefly relocating to England in 1938, Cormack made his directorial debut with the Charles Laughton picture Vessel of Wrath (aka The Beachcomber). One of Bartlett Cormack's final screenwriting assignments was 1941's Unholy Partners, which starred Edward G. Robinson--who back in 1927 essayed his first gangster role in the original Broadway staging of The Racket. ~ Hal Erickson, All Movie Guide
1951  
NR  
The Racket was based on a play by Bartlett Cormack, first filmed as a silent in 1928. The storyline was updated to include references to Estes Kefauver's Senate Crime Investigating Committee: otherwise, the plot (and much of the dialogue) was lifted bodily from the Cormack play. Racketeer Robert Ryan has managed to get several government and law-enforcement higher-ups in his pocket. But Ryan can't touch the incorruptible police officer Robert Mitchum, who refuses all attempts at bribery. Ryan pulls strings to get Mitchum transferred to a series of undesirable precincts, but Mitchum will not be dissuaded. The battle of wills between cop and criminal comes to a head when mob-connected nightclub singer Lizabeth Scott turns on her former protector Ryan. The Broadway version of The Racket starred Edward G. Robinson as the racketeer; the 1928 film version featured Louis Wolheim in the Robinson role and Thomas Meighan as the upright cop. Both the silent and sound versions of the property were personally produced by Howard R. Hughes. ~ Hal Erickson, All Movie Guide

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Starring:
Robert MitchumLizabeth Scott, (more)
1941  
 
If Edward G. Robinson thought he'd get away from tough-guy roles by moving from Warners to MGM, he was sorely mistaken. Robinson plays the editor of a 1920s tabloid newspaper, compelled to accept financial aid from a gangster (Edward Arnold). Defying his "unholy partner," Robinson adopts an editorial stance in direct opposition to the gangster's activities. The crook is less upset by this than by the fact that Robinson's star reporter (William T. Orr) is romantically interested in the crook's girlfriend (Marsha Hunt). When Robinson tries to expose the gangster's insurance racket, the young reporter is kidnapped. Robinson kills the crook, then covers his tracks in noble fashion by participating in a suicidal airplane test flight. Unholy Partners manages to keep its multitude of plot threads in order, resulting in one of Edward G. Robinson's most solid vehicles. ~ Hal Erickson, All Movie Guide

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Starring:
Edward G. RobinsonEdward Arnold, (more)
1938  
 
After befriending talented dancer and pickpocket Libby (Vivien Leigh), street performer Charles (Charles Saggers) strikes up a partnership with the gifted young performer and invites Libby to join his act. With Libby's graceful moves steadily drawing an audience to Charles' dramatic act, the performers soon catch the eye of theater magnate Harley (Rex Harrison), who is so mesmerized by the performance that he invites Libby and her fellow performers to a post-play party. When Libby arrives at the party alone, her career rapidly ascends, as Charles and the rest of the performers remain behind to toil amongst the famished masses. ~ Jason Buchanan, All Movie Guide

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Starring:
Charles LaughtonVivien Leigh, (more)
1938  
 
Based on a story by Somerset Maugham, The Beachcomber was originally released in Great Britain as Vessel of Wrath. This English version was much franker--and much more fun--than the abbreviated, watered-down US release prints. Even the American version, however, is successful in capturing the spirit of Maugham's tale of slovenly remittance man Charles Laughton drinking and wenching away his monthly allowance in the picturesque Dutch Islands. Elsa Lanchester (the real-life Mrs. Laughton) plays the prim sister of sanctimonious missionary Tyrone Guthrie, who slowly regenerates the wastrelly Laughton. Our hero redeems himself fully through his courageous behavior during a cholera epidemic. This version of The Beachcomber is based on the stage adaptation by Bartlett Cormick; the 1955 remake, which played faster and looser with the Maugham original than the Cormack version did, starred Robert Newton, who plays the local British authority in the 1938 film. The Beachcomber was the only film directed by producer Erich Pommer, who spent most of the 1930s as Charles Laughton's business partner. ~ Hal Erickson, All Movie Guide

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Starring:
Charles LaughtonElsa Lanchester, (more)
1936  
NR  
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Fritz Lang's first American film is a vigorous and perceptive indictment of mob law, starring Spencer Tracy and Sylvia Sidney. Katherine (Sidney) leaves her boyfriend, Joe Wilson (Tracy), behind in their Midwestern hometown when she takes a job in another city. Joe is a decent, hard-working soul, who wants to save up to buy a gas station and looks forward to the future when he and Katherine can get married. A year later, Joe is traveling to meet Katherine so that they can be married. Driving through a small town, Joe is stopped by a deputy sheriff waving a shotgun. Apparently there has been a kidnapping, and the fact that Joe has peanuts in his pocket circumstantially incriminates him in the crime. Joe is arrested and jailed. As Joe sits in his jail cell, the local townspeople begin to talk and whisper and spread rumors. Finally, a lynch mob forms and heads toward the jail. The mob tries to storm the jail and frustrated over their inability to penetrate the prison walls, they set the jail on fire. Joe barely manages to escape ("I could smell myself burning"), but the mob thinks that Joe has been burned to death. Behind the scenes, and with the help of his brothers, Joe tries to rig the verdict in the impending trial of the 22 vigilantes. ~ Paul Brenner, All Movie Guide

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Starring:
Spencer TracySylvia Sidney, (more)
1935  
 
Doubting Thomas is the 1935 film version of George Kelly's satirical comedy The Torch Bearers, tailored for the talents of Will Rogers. Billie Burke, Will's wife, becomes so involved in a local amateur theatre group that she has no time for her husband. In retaliation, Will pretends to "go Hollywood," proving that he is stage-struck by doing an extended imitation of Bing Crosby. The film's highlight is the "opening night" scene, a cornucopia of missed cues, inappropriate costumes and collapsing scenery. An earlier, silent version of The Torch Bearers has unfortunately been lost to the ages. ~ Hal Erickson, All Movie Guide

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Starring:
Will RogersBillie Burke, (more)
1935  
 
The title may be Orchids to You, but the plot is motivated by a camellia -- to be exact, Camelia Rand (Jean Muir). About to be ejected from her thriving flower shop when a developer plans to tear down the building, Camelia confronts Thomas Bentley (John Boles), the lawyer representing the developer. Despite her anger, Camelia can't help but take a liking to Bentley, though she refuses to entertain any romantic notions because the lawyer is already married to Evelyn (Ruthelma Stevens). Later on, a stranger enters Camelia's shop and orders a dozen orchids for Mrs. Bentley. Not wishing to hurt Mr. Bentley, Camelia refuses to mention Mrs. B's name in court when ordered to do so, and as a result spends 10 days in jail on a contempt charge. All-around comedy relief Teddy Stuyvesant (Charles Butterworth) shows up in time to solve everything, and the film ends with the philandering Mrs. Bentley out in the cold and Camelia in Mr. Bentley's arms. ~ Hal Erickson, All Movie Guide

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Starring:
John BolesJean Muir, (more)
1934  
 
Cecil B. DeMille's least characteristic sound feature, Four Frightened People is a character study about a quartet of castaways whose fates are permanently altered by spectacular circumstances. Four coastal steamer passengers jump ship when a deadly bubonic plague breaks out. They steal a lifeboat and land on a remote Malayan island. The frightened people are a wealthy, married rubber chemist (Herbert Marshall), a mousy schoolteacher (Claudette Colbert, with requisite eyeglasses), a tough news correspondent (William Gargan) and the supercilious wife of a British official (Mary Boland). As the four adapt themselves to the rigors of jungle life, the lady teacher sheds her glasses and becomes more attractive by the day--and is subsequently fought over by the two men in the party. Their native guide (Leo Carrillo) dead, the castaways are captured by hostile Islanders. The newsman dies, the chemist and the teacher are thrust together in peril, and the official's wife becomes the unofficial queen of the island thanks to her diplomatic skills. Upon rescue, the married chemist nobly parts with the schoolteacher, but eventually escapes his loveless marriage and is reunited with his new love--even as her young pupils look on in adolescent fascination. As entertaining as any of DeMille's "big" pictures, Four Frightened People did disappointing business, prompting DeMille to return to historical spectacles. ~ Hal Erickson, All Movie Guide

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Starring:
Claudette ColbertHerbert Marshall, (more)
1934  
 
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Film historian William K. Everson once observed that the secret to the success of Cecil B. DeMille's 1934 Cleopatra is that DeMille subtly reshaped the known historical events into a contemporary "gold-digger makes good" scenario. Exhibiting the same determination with which Barbara Stanwyck sleeps her way to the top in 1933's Baby Face, Queen Cleopatra (Claudette Colbert) uses her feminine wiles to become sole ruler of Egypt. By turns kittenish and cold-blooded, Cleopatra wraps such otherwise responsible Roman worthies as Julius Caesar (Warren William, who wittily plays his role like one of his standard ruthless business executives) and Marc Antony (Henry Wilcoxon) around her well-manicured little finger. To emphasize the "contemporary" nature of the film, DeMille adds little modernistic touches throughout: The architecture of Egypt and Rome has a distinctly art-deco look; a matron at a social gathering clucks "Poor Calpurnia...well, the wife is always the last to know"; and, after Caesar's funeral, Mark Anthony is chided by an associate for "all that 'Friends, Romans, Countrymen' business!" Cleopatra's barge scene and her suicide from the bite of a snake marked two of the most memorable sequences in DeMille's career. Remarkably, for all the enormous sets and elaborate costumes, Cleopatra came in at a budget of $750,000 -- almost $40 million less than the 1963 Elizabeth Taylor remake. ~ Hal Erickson, All Movie Guide

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Starring:
Claudette ColbertWarren William, (more)
1934  
 
Once the audience accepts the notion than George Raft and Adolphe Menjou are Mexican brothers, the rest of Paramount's Trumpet Blows is easy to take. A retired bandit, Pancho Montez (Menjou) wants to settle down to a quiet life. This proves impossible when his headstrong young sibling Manuel (Raft) insists upon trying to become a bullfighter. Manuel also falls in love with Pancho's fiancee Chulita (Frances Drake), but she renounces both of them, calling them cowards. By film's end, of course, both Manuel and Pancho have proven Chulita wrong -- and one of them (guess which one?) has claimed her for his wife. Beyond its romantic-triangle intrigues, Trumpet Blows was the first major talkie treatment of the bullfighting mystique. ~ Hal Erickson, All Movie Guide

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Starring:
George RaftAdolphe Menjou, (more)
1933  
 
Cecil B. DeMille's This Day and Age was perhaps the most Draconian entry in Hollywood's early-1930s "vigilante" film cycle. Richard Cromwell heads a group of civic-minded teenagers in a small midwestern town. When a lovable old tailor (Harry Green) is murdered by a notorious gangster (Charles Bickford), Cromwell and his pals demand justice. But the local government is terrified by the influential gangster; in fact, many of the city fathers are on the take. Enraged, the kids take matters in their own hands. In the near-fascist climax, a mob of teenagers kidnap Bickford, spirit him away to the city dump, and suspend him over a pit of rats until he confesses to the murder! This Day and Age was the sort of Depression-engendered film of desperation that all but vanished once Franklin Roosevelt was elected. ~ Hal Erickson, All Movie Guide

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Starring:
Charles BickfordJudith Allen, (more)
1933  
 
A former opera star loses her voice, her career evaporates, and she takes to drinking heavily and blaming her son for her situation. In order to get revenge on her son, and to get her name back in the newspapers to try to resurrect her career, she tells the authorities that her son is responsible for the murder of a local playboy. ~ Brian Gusse, All Movie Guide

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Starring:
Helen MacKellarEric Linden, (more)
1932  
 
Ricardo Cortez plays a newspaper gossip columnist based on real-life journalist Walter Winchell (the film's title was in fact a Winchell catchphrase). Merrily dishing up innuendoes and destroying reputations, Cortez enjoys hobnobbing with the rich and powerful, including several disreputable citizens who back up their authority with bullets. He makes the error of announcing a gangland murder before the police have found the body, and in so doing is nearly rubbed out by the killers. An unregenerate louse for most of the film, Cortez finally mends his ways out of love for beautiful Helen Twelvetrees. Is My Face Red? is based on a play by Ben Markson and Allen Rivkin. ~ Hal Erickson, All Movie Guide

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Starring:
Helen TwelvetreesRicardo Cortez, (more)
1932  
 
Gary Curtis, aka Farnsbarns (Richardo Cortez), is really a former hoodlum hired to retrieve some compromising letters from gold digger Jenny Wren (Karen Morley). She, in turn, announces her retirement, but not before cajoling noted banker Priem Andes (H. B. Warner) into hosting a farewell party at his estate near Crestwood, "El Casa Andes." Also invited are three additional former "clients" of Jenny's: William Jones (Gavin Gordon), Senator Herbert Walcott (Robert McWade) and Eddie Mack (Richard "Skeets" Gallagher), all of whom are unaware of the purpose of the party and are therefore blithely bringing wives and girlfriends along. Also present at the Andes retreat are Jenny's kid sister Esther (Anita Louise),her boyfriend Frank (Matty Kemp, who just happens to be Andes' nephew, Jenny's wry maid Carter (Hilda Vaughn), and the banker's disdainful sister Faith (Pauline Frederick). The retiring gold digger's real purpose is revealed after she regales her former sugar-daddies with the tragic story of how her latest conquest, penniless, young Tom Herrick (Tom Douglas), threw himself off a cliff in the Adirondacks after she turned down his proposal of marriage. Victory, however, proves all too brief and the blackmailing gold digger is soon confronted with what appears to be the unfortunate young suitor's ghost. Soon, darts are flying everywhere, bodies fall, and trapdoors reveal hidden passageways. But Curtis, who arrives in the nick of time accompanied by assorted hoodlum friends, is never fooled by the fake Phantom of Crestwood and can reveal the real murderer shortly before the law arrives. The Phantom of Crestwood was based on the popular NBC "Hollywood-on-the-Air" radio program and the denouement of the film was the winning entry in a country-wide contest. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Karen MorleyRicardo Cortez, (more)
1932  
 
In this suspenseful drama, an embittered woman exacts revenge upon the 12 women who wronged her in college. The trouble began when the woman, who was of Japanese and Indian heritage, was ejected from a college sorority because she wasn't white. Still angry, the woman hires an astrologer to create 12 terrifying horoscopes for each of the dastardly dozen. These grim predictions terrify the victims into doing dreadful things. One commits suicide, while another commits murder. More mayhem ensues until the astrologer makes some dire predictions about the vengeful woman herself. She doesn't like it, and using her psychic powers she forces him in front of an oncoming train. She then resumes her revenge by trying to poison the son of the remaining woman. This causes a police inspector to get suspicious, and he follow the murderous woman to the train station where she plans to kill the woman. A chase ensues culminating in the evil woman's demise. ~ Sandra Brennan, All Movie Guide

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Starring:
Irene DunneMyrna Loy, (more)
1931  
 
Previously filmed in 1917 and 1922, Willard Mack's barnstorming stage melodrama Kick In was exhumed again in 1931 as a Clara Bow vehicle. The "It" girl plays Molly, the wealthy but long-suffering sister of young coke-head Charlie (Leslie Fenton). When ex-crook Chick Hewes (Regis Toomey) tries to dissuade Charlie from committing a robbery, the no-good punk pins the blame for the crime on Chick. It takes the intervention of Molly, who's fallen in love with Chick, to set things right. Billed sixth in the cast is James Murray, who skyrocketed to stardom in the 1928 King Vidor production The Crowd. ~ Hal Erickson, All Movie Guide

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Starring:
Clara BowRegis Toomey, (more)
1931  
 
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This first of four film versions of the Ben Hecht/Charlrd MacArthur Broadway hit stars Adolphe Menjou as explosive Chicago newspaper-editor Walter Burns and Pat O'Brien as his star reporter Hildy Johnson. Hildy is on the verge of getting married and retiring from Burns' dirty little tabloid, but he agrees to cover one last story: the politically motivated execution of convicted cop killer Earl Williams (George E. Stone). Thanks to the stupidity of the police, Williams manages to escape, and Johnson hides the wounded fugitive in a rolltop desk in the prison pressroom. Burns enters the scene, senses a swell story (and also a means of keeping Johnson on his payroll), and conspires with Johnson to keep Williams out of sight until they can secure an exclusive interview. Burns will do anything to keep Johnson on the scene, including having the reporter's future mother-in-law kidnapped. Complicating matters are Johnson's fiancée Peggy (Mary Brian), Williams' girlfriend Molly Malloy (Mae Clarke), and the corrupt mayor (James Gordon) and sheriff (Clarence C. Wilson), who have railroaded Williams to the death house in order to win votes and are now trying to suppress the news that the governor has commuted Williams' sentence. The Front Page was remade by Howard Hawks in 1939 as His Girl Friday, with the symbiotic relationship between Burns and Johnson changed to a sexual one by transforming Hildy Johnson into a woman (played by Rosalind Russell) with Cary Grant as her old flame Walter. It was again remade by Billy Wilder in 1974 with Jack Lemmon, Walter Matthau, Carol Burnett, and a young Susan Sarandon. ~ Hal Erickson, All Movie Guide

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Starring:
Adolphe MenjouPat O'Brien, (more)
1930  
 
This third film version of Rex Beach's rugged Yukon novel The Spoilers was also the first talkie adaptation. This time, Gary Cooper and William "Stage" Boyd are cast as gold prospector Glennister and crooked Alaska politician McNamara. In partnership with Dextry (James Kirkwood), Glennister is the proud owner of the Midas gold mine, but McNamara and the corrupt Judge Stillman (Lloyd Ingraham) conspire to gain control of the mine, using legal but highly unethical maneuvers. Preparing to shoot each other full of holes, Glennister and McNamara are temporarily dissuaded by Glenister's sweetheart Helen (Kay Johnson), who suggests that the courts handle the dispute. But saloon owner Cherry Malotte (Betty Compson), jealous of Helen, lies to Glennister, telling him that Helen and McNamara are conspiring to cheat him again. Matters come to a head when Glennister and McNamara settle their differences with a spectacular fistfight. During filming of The Spoilers, the stars of the 1914 version William Farnum and Tom Santschi showed up frequently on the set, ostensibly to serve as "technical advisers" for the climactic set-to (one suspects that their advice was merely for the benefit of the Paramount publicity department). The Rex Beach story would be filmed again in 1942 with John Wayne and Randolph Scott, and yet again in 1955 with Jeff Chandler and Rory Calhoun. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperKay Johnson, (more)
1930  
 
After briefly relinquishing the role to Basil Rathbone, William Powell was back as S. S. Van Dine's amateur detective Philo Vance in The Benson Murder Case. Keeping abreast of the times, the film uses the 1929 Stock Market Crash as a plot motivator. Crooked stockbroker Anthony Benson (Richard Tucker) betrays several of his clients for his own gain then retreats to the safety of his palatial hunting lodge. It isn't long before Benson turns up dead, obliging his house guest Philo Vance to wade through the myriad of suspects. Among the likely culprits is gigolo Adolph Mohler, played by Paul Lukas, who would himself essay the role of Philo Vance in 1935's Casino Murder Case. The Benson Murder Case brought the Philo Vance series to a temporary close; it would be three years before Vance, again impersonated by William Powell, appeared on-screen in The Kennel Murder Case. ~ Hal Erickson, All Movie Guide

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Starring:
William PowellNatalie Moorhead, (more)
1930  
 
In this drama, a prominent society woman causes a scandal when she begins a torrid affair with the dashing lifeguard who saved her from drowning at a recent beach party. Her angry husband retains an attorney and files for divorce. More trouble ensues when his lawyer begins falling for his client's wife as well. ~ Sandra Brennan, All Movie Guide

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Starring:
Clive BrookDan Healy, (more)
1929  
 
Although Broadway star Hal Skelly never quite made it in films, it wasn't for lack of trying. In Woman Trap, Skelly is cast against type as hard-bitten police sergeant Dan Malone, whose mission in life is to rid his community of gangsters. The revelation that Dan's own brother Ray (Chester Morris) is the secret head of all local criminal activities does not weaken Dan's resolve in the least. The barely relevant title is a reference to "heroine" Kitty Evans (Evelyn Brent), the wife of a minor gang functionary. Screenwriter Joseph L. Mankiewicz, presumably on a dare, makes a brief appearance as a crime reporter. Woman Trap was an expansion of a one-act vaudeville sketch by Edwin Burke. ~ Hal Erickson, All Movie Guide

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Starring:
Hal SkellyChester Morris, (more)
1929  
 
In this dark drama, based on a play by Ward Morehouse, the life of a tough newspaperman is chronicled. The man is a work-a-holic, and the demands of his job cause him to miss all the pleasures of his life. Because he is working on a story, he misses the birth of his daughter. He is not there for her wedding, and when she dies in labor--he is not there. Later the reporter begins reflecting upon all he missed out on. When he is interviewed by a Yale graduate about his career, the newspaperman strongly advises the young student to get out of it, because it is a poisonous business. ~ Sandra Brennan, All Movie Guide

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Starring:
Walter HustonCharlie Ruggles, (more)
1929  
 
In this early "talkie," William Powell stars as sophisticated detective Philo Vance, who is brought in to investigate the killing of multi-millionaire Tobias Greene. Vance brings together a handful of likely suspects, but it soon becomes apparent he hasn't found the guilty party when all nine of the possible candidates also wind up dead. Vance starts taking a closer look at Greene's mourning family -- as well as the circumstances under which he earned his fortune. Based on the novel by S.S. Van Dine's novel, The Greene Murder Case also stars Jean Arthur, Florence Eldridge, and Ullrich Haupt. ~ Mark Deming, All Movie Guide

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Starring:
William PowellFlorence Eldridge, (more)
1928  
 
This solid gangster flick from director Lewis Milestone was based on a stage play and earned a Best Picture nomination at the Academy Awards. Louis Wolheim stars as Nick Scarsi, a tough-guy bootlegger with political connections that enrage a local police captain, McQuigg (Thomas Meighan). In order to get rid of his enemy, Nick use his influence to get McQuigg transferred to an out-of-the-way duty post, which only further inflames the determined cop's animosity. In the meantime, Nick's brother Joe (George Stone) is about to get himself in trouble with a beautiful singer, Helen (Marie Prevost), and Nick tries to prevent a match-up by humiliating her at a party. After Joe kills an innocent pedestrian in a car accident, he's arrested under a phony name. To get even with the brothers, Helen alerts the police that Joe is a big-time gangster's brother, putting Nick, who has also killed a police officer, at the mercy of McQuigg and a district attorney (Sam De Grasse). Tragically, stars Wolheim and Prevost would both be dead by the early 1930's, he of cancer and she of starvation and alcoholism. ~ Karl Williams, All Movie Guide

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Starring:
Thomas MeighanMarie Prevost, (more)

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