Pat Corley Movies

Fed up with an escalating crime rate and an increasingly ineffective police force, blue-collar New Yorkers Willie and Cy (Carroll O'Connor and Ernest Borgnine) join a citizen's vigilante group. Their efforts to act as an auxiliary police force are comically inept, but director Ivan Passer lulls us into laughter only to catch us unprepared when he wants to play things in dead seriousness. After finally proving their worth as after-hours cops, Willie and Cy are euphoric; this lasts just long enough for Cy to be killed. Constantly changing its tone and point of view, Law and Disorder struck just the right nihilistic note in the 1970s. Modern viewers may not be quite as responsive, though many will cheer Willie's final act of defiance against the Big Apple. ~ Hal Erickson, All Movie Guide

First telecast May 16, 1977, Alexander: The Other Side of Dawn is the gender-switch follow-up to the 1976 TV movie Dawn: Portrait of a Teenage Runaway. While Dawn concentrated on the sordid descent of a young girl into crime and prostitution, Alexander devotes its time to the exploits of a teenaged boy (Leigh J. McCloskey), whose character was introduced in the earlier film. A former Oklahoma farm boy, Alexander takes to the streets of LA, where he becomes a hustler and gigolo. After falling in love with Dawn (Eve Plumb), Alexander strives to escape his dead-end world and begin life anew. Director John Erman uses moody overtones to capture the darkness and despair of Alexander's life. Erman, an accomplished director of television movies, also directed the highly-acclaimed, touching AIDS drama, An Early Frost. ~ Hal Erickson, All Movie Guide

The misfit kiddie baseball team from the first film is given the opportunity to play in a Junior League match between double-header games at the Houston Astrodome. Two obstacles stand in their way: beloved teammate Timmy Lupus (Quinn Smith) has broken his leg, and the team has no adult coach. Attempting to change their luck, star player Kelly Leak (Jackie Earle Haley) tries to talk his estranged dad (William Devane) into coaching and locates a self-proclaimed hotshot pitcher named Carmen Ronzonni (Jimmy Baio). Watch for quickie cameos by real-life Houston Astros members Robert J. Watson, Enos Cabell, Roger Metzger, James Richard, Joe Ferguson, Ken Forsch, William Virdon, and Cesar Cedeno. ~ Hal Erickson, All Movie Guide

Hal Ashby's 1978 melodrama examines the impact of the Vietnam War on the "war at home" among the men who fought it and the women in their lives. Left alone in Los Angeles when her gung-ho Marine husband Bob (Bruce Dern) heads to Vietnam in 1968, proper wife Sally Hyde (Jane Fonda) decides to volunteer at the V.A. hospital where her new friend Vi (Penelope Milford) works. There she meets Luke Martin (Jon Voight), a former high-school classmate and Marine who has returned from 'Nam a bitter paraplegic. As their relationship grows, Sally sees the effect of the war on the soldiers after they come back, inspiring her to rethink her priorities; Luke's spirits begin to lift, and a hospital tragedy helps focus his anger toward meaningful protest. After a Hong Kong visit with her increasingly withdrawn husband, Sally finds a love and companionship with Luke that she had never known with her husband. Once Bob comes home with his own injury, however, the three must find a way to deal with a changing world and with a system that betrayed the men fighting for it. ~ Lucia Bozzola, All Movie Guide

Joseph Wambaugh's The Onion Field is based on an actual 1963 case. L.A. plainclothesmen Karl Hattinger (John Savage) and Ian Campbell (Ted Danson) routinely investigate a pair of suspicious types, Greg Powell (James Woods) and Jimmy Smith (Franklin Seales). Unexpectedly, Powell pulls a gun on the cops, then forces them into a deserted onion field, where he kills Campbell in cold blood. Hattinger manages to escape, and through his eyewitness account, Powell and Smith are arrested. But that is not that. Thanks to their knowledge and manipulation of the quicksilver legal system, Powell and Smith manage to evade prosecution for years. Meanwhile, Hattinger goes through hell on earth, tortured with guilt over the fact that he lived while Campbell died so ignominiously. ~ Hal Erickson, All Movie Guide

Bette Midler stars as Rose in this somber drama loosely based on the life of the late Janis Joplin. She plays an ill-fated singer who succumbs to the pressures of performing by indulging in drugs and alcohol. Her sweetheart Dyer (Frederic Forrest) is the former chauffeur who naively tries to save her from self destruction, while her British manager Rudge (Alan Bates) is ultimately blamed for not preventing her inevitable fall. The story mirrors any one of a number of popular singers who have fallen victim to the excess of success. Midler and Forrest were nominated for Oscars for their performances, with Best Editing laurels given to Timothy O'Meara and Robert Wolf. The Rose was a box office smash and was the plum role that elevated Midler to star status in the eyes of the public and Hollywood. ~ Dan Pavlides, All Movie Guide

When a woman moves into a Victorian home, she finds a dress that, when worn, delivers her back in time in this made-for-television adventure adapted from David William's novel, Second Sight. ~ Kristie Hassen, All Movie Guide

Adapted from the novel by Pete Hamill, Flesh and Blood stars Tom Berenger as Bobby Fallon, a street punk who develops into a topnotch boxer while in prison. Upon his release, Bobby is taken under the wing of manager John Cassavetes. Outwardly tough and unmovable, Bobby is tortured with memories of his miserable childhood, which included an incestuous episode with his mother (Suzanne Pleshette). This two-part TV movie concludes with a heavyweight championship bout, bankrolled by Bobby's long-estranged father (Mitchell Ryan). Photographed with Rocky-like intensity by Vilmos Zsigismond, Flesh and Blood first aired on October 14 and 16, 1979. ~ Hal Erickson, All Movie Guide

The always-touchy issue of euthanasia has provided source material for films since the silent era. 1980's Act of Love stars Ron Howard as the brother of Mickey Rourke, who has been left paralyzed by a motorcycle accident. Howard kills Rourke with a shotgun, claiming his brother begged him to do it. He willingly gives himself up to the authorities and stands trial, hoping more for understanding than exoneration. Made for television, Act of Love was based on a true story, chronicled by author Paige Mitchell. ~ Hal Erickson, All Movie Guide

Elizabeth (Kami Cotler) finds a kindred spirit in the form of the Mountain's new schoolteacher, a brilliant young woman named Hazel (Susan Krebs). Conversely, Corabeth (Ronnie Claire Edwards) is shocked by Hazel's "progressive" ideas, especially her plans to conduct a sex-education class. As it turns out, however, Hazel has a lot more to worry about than Corabeth's outrage. Elsewhere, Ben (Eric Scott) becomes so terrified at the prospect of becoming a father that he goes out and gets roaring drunk -- just when his pregnant wife Cindy (Leslie Winston) needs him most! Virginia Walton, the newest member of the family, makes her first appearance in this episode. ~ Hal Erickson, All Movie Guide

Oliver Stone's first directorial effort for a major studio (and his second horror film after the 1974 Seizure) came shortly after the phenomenal success of Midnight Express, which was based on Stone's Oscar-winning screenplay. The director turned to Mark Brandel's obscure thriller "The Lizard's Tail" as source material for what is essentially a silly psychosexual variant on low-budget horror films like The Crawling Hand. The title appendage belongs (for a while, anyway) to smug, conceited artist Joe Lansdale (Michael Caine), who owes his success to a popular comic strip featuring a macho, Conan-type hero. After Lansdale's drawing hand is sheared off in a grisly car accident, his career, dignity, self-control and even his sanity soon begin to abandon him as well. His tenuous relationship with his wife Anne (Andrea Marcovicci) falls apart as she takes steps to improve her own self-worth -- something she had never had the strength to do before the accident. Bitter and paranoid, Joe begins to lash out in anger at everyone around him ... and becomes convinced that his severed hand has come back, wandering in fields and dark alleys and squeezing the life out of everyone it comes in contact with. The question of whether the hand is real or merely a manifestation of Lansdale's rage is never answered, even in the film's "shock" coda. At any rate, it's impossible to take the film seriously -- the crawling-hand effects are laughably shoddy for a major studio production, reflecting none of the skills of effects wizard Carlo Rambaldi, and Caine's sweaty, pop-eyed histrionics are too goofy to be convincing. On the plus side, James Horner's score is remarkably chilling, contributing a great deal to a few effective suspense scenes -- but it belongs in a better film than this. ~ Cavett Binion, All Movie Guide

Adapted by John Gregory Dunne and Joan Didion from Dunne's novel, True Confessions uses the still-unsolved "Black Dahlia" murder as the foundation for a devastating attack on big-city corruption -- in which it appears that many of the perpetrators wear clerical collars. In, 1948 Los Angeles detective Tom Spellacy (Robert Duvall) is assigned to investigate the death of a priest, who apparently suffered a heart attack while being serviced by a prostitute. Meanwhile, Tom's brother, young Catholic monsignor Des Spellacy (Robert De Niro), is reluctantly currying favor with crooked contractor Jack Amsterdam (Charles Durning), the better to finance an expansion of Des' church. The unifying factor between Tom and Des, beyond their sibling relationship, turns out to be the grisly murder of a hooker. The key words in the labyrinthine proceedings are power, ambition, and hypocrisy. ~ Hal Erickson, All Movie Guide