Anthony Corlan Movies

1974  
 
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A young girl in the 13th century is sent to a nunnery in Portugal. There she is subjected to torture, rape and whippings, but she escapes with a Jewish man named Abraham. She soon takes on a Muslim lover, who leads an invading army that castrates rapists. Amazingly enough, some of this story is actually based on historical fact. ~ Brian Gusse, All Movie Guide

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Starring:
Florinda Bolkan
1971  
PG  
Though not as widely known as Hammer's popular Dracula and Frankenstein series, this is one of the studio's more stylish and intelligent projects. The tale is set in 17th century Serbia in the tiny burg of Stettel, whose residents live in fear of an encroaching plague. The frightened villagers welcome the arrival of a colorful traveling troupe dubbed "Circus of Nights," unaware that the visiting entertainers pose a far more deadly threat: the entire company is composed of shape-shifting vampires capable of transforming themselves into animals to stalk their prey. The group's leader, the most powerful monster of the bunch, has returned to the village to exact revenge on those who murdered his cousin one hundred years earlier. Less a standard Hammer monster melodrama than a surreal journey through dark fantasy (reminiscent of Jean Rollin's erotic vampire series), with an unexpected (but not entirely inappropriate) surplus of nudity and bloodletting. The film's creepy highlights include the chilling extended prologue and scenes of vampire trapeze performers transforming into bats in mid-leap. ~ Cavett Binion, All Movie Guide

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1970  
PG  
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One of the more accomplished entries in Hammer's Dracula series (which would soon lapse into creative anemia during the 1970s), this fourth installment finds Christopher Lee in top form as the Count, who returns to menacing life after three middle-aged swingers decide to dabble in black magic to bolster their sagging sex lives. Dracula is reborn when the trio's blood-drinking rituals lead to the destruction of his devil-worshipping colleague Lord Courtley (Ralph Bates), whereupon the Count unleashes his deadly wrath on those responsible, even involving members of their families in his scheme of revenge, which culminates in a dramatic finale in a recently reconstructed cathedral. Fine direction from Hammer regular Peter Sasdy enlivens a middling script, and an early appearance from the lovely Linda Hayden (later to star in the eerie Blood on Satan's Claw) is a definite plus. ~ Cavett Binion, All Movie Guide

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Starring:
Christopher LeeGeoffrey Keen, (more)
1970  
R  
Based on a novel by Harry Kressing, Something for Everyone must hold some sort of record for having the largest number of unsympathetic characters within a single film. Mercenary layabout Michael York talks himself into a footman's job at the estate of dissipated countess Angela Lansbury. In his efforts to advance himself socially and monetarily, York stops at nothing--including murder. He is eventually roasted on his own spit, courtesy of Lansbury's gross, ugly daughter Jane Carr. Guiding the debauched destinies of the characters is none other than Broadway luminary Harold Prince. The film has also been released as The Rook and Black Flowers for the Bride. ~ Hal Erickson, All Movie Guide

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Starring:
Angela LansburyMichael York, (more)
1969  
PG  
Heron of Foix (Assaf Dayan) hears the call of the ocean and leaves his school in Paris to walk to the sea. He meets the fair Claudia (Anjelica Huston) and the two fall in love and journey together to escape the ongoing Hundred Years War. They witness the brutal and bloody murder of a peasant who is drawn and quartered by the sadistic Sir Meles (John Hallam), the unforgiving tax collector who hates the poor. The couple seeks refuge in a monastery where the Father Superior (Anthony Nicholis) refuses their request to be married. This slow-paced but beautifully lensed feature marks the screen debut for Anjelica Huston. ~ Dan Pavlides, All Movie Guide

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Starring:
Assaf DayanAnjelica Huston, (more)

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