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Wendell Corey Movies

The son of Congregationalist minister, Wendell Corey was pursuing a brief career as a washing machine salesman when he showed up at the rehearsals for a community play to pick up a friend. Invited by the director to read for a part, Corey found he liked performing, and eventually turned pro in summer stock. After a string of Broadway flops, Corey finally scored a success in the original 1945 production of Elmer Rice's Dream Girl. Entering films with a Paramount contract in 1946, the incisive, sharp-eyed Corey spent the next fifteen years alternating between leads (File on Thelma Jordon), "best friend" supporting characters (Rear Window), and, most effectively, villains (The Big Knife). On TV Corey starred in the weekly series Harbor Command (1957) and The Eleventh Hour (1961-63). Intensely interested in politics, Corey was once the president of the Academy of Motion Picture Arts and Sciences and the director of the Screen Actors, and served on the Santa Monica City Council; he ran for but did not win California's Republican congressional seat. ~ Hal Erickson, Rovi
1953  
 
Set against the backdrop of the French Revolution, this 1953 television production centers on the love triangle between two men who each pine for the same woman. Just as the men come to terms with the complexities of the relationships, one of them is compelled to make an extraordinary sacrifice. ~ Jason Buchanan, Rovi

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Starring:
Wendell CoreyCarleton Young, (more)
 
1966  
 
This spy-thriller pokes fun at James Bond movies as it tells the story of a master American spy who must protect a scientist from Russian agents who want his formula for stopping alien spores that turn human flesh into fungus. ~ Sandra Brennan, Rovi

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1958  
 
This first episode of Alfred Hitchcock Presents' fourth season is adapted from a short story by Roald Dahl, with a new climactic twist added by veteran screenwriter Casey Robinson (Kings Row, The Snows of Kilimanjaro, etc.). James Donald plays Harry Pope, a hard-drinking, racially bigoted plantation owner living in the jungles of India. Late one night, Pope feels something moving in his bed. Terrified, he summons his overseer, Timber Woods (Wendell Corey), telling him that a huge, poisonous snake is sleeping right on his chest. With delicious irony, Woods engages the services of a native doctor (Arnold Moss) to save Pope's life. ~ Hal Erickson, Rovi

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1959  
 
Bob Hope plays a 19th-century insurance agent whose miserable sales record prompts his boss to send him out West, where he can (supposedly) do little harm. Hope manages to sell a $100,000 life insurance policy--to outlaw Jesse James (Wendell Corey), one of the worst "risks" in history! In his efforts to get the policy back, Hope finds himself being mistaken for Jesse, which is all part of the outlaw's plan to get Hope killed and thereby collect the policy money himself. But with the help of beauteous Rhonda Fleming (the essentially honest beneficiary to Jesse's policy), Hope gains a reputation as a lightning-fast gunslinger. In the inevitable shoot-out with the James gang, Hope is helped out by several famous Westerners, including Gary Cooper, Roy Rogers, Gene Autry, James "Maverick" Garner, and even Tonto (Jay Silverheels). ~ Hal Erickson, Rovi

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Starring:
Bob HopeRhonda Fleming, (more)
 
1949  
 
In this light drama, Clark Gable once again played his stock-in-trade role of a rogue with a heart of gold. Charlie King (Gable) runs a casino, but, in a business that thrives among the unscrupulous, Charlie takes pride in running an honest game and treating his customers with fairness and respect. However, Charlie's wife Lon (Alexis Smith) doesn't care if he runs a fair game -- she regards gambling as a dirty and corrupt business, and no matter how honest Charlie may be, he's still involved in a wicked activity. Charlie's son Paul (Darryl Hickman) is also against him; when Paul gets in trouble and Charlie bails him out of jail, he refuses to leave with him, instead going home with mother. Charlie invites Paul to see what his casino is like, and Lon agrees that Paul should know just what his father does. ~ Mark Deming, Rovi

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Starring:
Clark GableAlexis Smith, (more)
 
1964  
 
In this western, the sole survivor of an Apache ambush rides out to save a young boy who has been captured. The hero was a captured outlaw en route to his trial. ~ Sandra Brennan, Rovi

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1965  
 
In the conclusion of a three-part story, Jason McCord (Chuck Connors) manages to lure a gang of Mexican bandits into a trap at a US Army post, as part of his undercover mission on behalf of President Grant. Unfortunately, Jason is unable to convince the post's commanding officer Major Whitcomb (Wendell Corey), that he himself is not a bandit. Savoring the opportunity of executing "the coward of Bitter Creek", Whitcomb turns down McCord's demand to contact the President's office in Washington--and as time runs short, Jason must place his life is in the hands of the condemned Mexicans, the only ones in the fort who know the whole story. Unlike the rest of Branded's first-season episodes, "The Mission" was filmed in color (though whether or not it was originally broadcast in color is still a matter of dispute). ~ Hal Erickson, Rovi

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1968  
 
Chaddock (Barry Sullivan) is the straight-shooting marshall of Gloryhole, Montana. Wealthy rancher Rep Marlowe (Wendell Corey) practically owns the town by way of his gambling saloons, shady land deals and hired guns who intimidate the law-abiding citizens. Sheriff Tangley (Lon Chaney Jr.) calls on Chaddock when Marlowe holds the town hostage by damming the river and cutting off the water supply. Barbara Hale plays Sarah Cody, whose young son is killed by gunfire in the ensuing melee. The saloon girl Nora (Joan Caulfield) is a former schoolteacher forced into her tawdry occupation by the menacing Marlowe in this routine western film. ~ Dan Pavlides, Rovi

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Starring:
Barry SullivanJoan Caulfield, (more)
 
1952  
NR  
The tougher postwar screen image of James Stewart is given a good workout in the fact-based Carbine Williams. In 1952, the world at large knew Marsh Williams as the developer of the US Army's M-1 carbine rifle. The film builds up to this event by detailing Williams' previous existence as a bootlegger and embittered prison inmate, sentenced to 30 years at hard labor for killing a revenue agent. After enduring the rigors of chain-gang life and solitary confinement, Williams (Stewart) gets his mind off his troubles by dreaming up a new type of automatic-gun piston. He is encouraged in this endeavor by prison warden H. T. Peoples (Wendell Corey), previously Williams' bitterest enemy. As Williams continues to develop his innovative weaponry notions, his wife Maggie (Jean Hagen) and Warden Peoples try to overcome penal bureaucracy to win a pardon for Williams. Some TV prints of Carbine Williams have been colorized by computer; despite this artistically offensive practice, the strong dramatic and human values of the story still shine. ~ Hal Erickson, Rovi

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Starring:
James StewartJean Hagen, (more)
 
1956  
 
The Lou Gehrig Story stars Wendell Corey as the legendary New York Yankees first baseman. With only an hour at its disposal, the play is compelled to concentrate almost exclusively on Gehrig's losing battle with amyotrophic lateral sclerosis. The highlight of the drama is Lou's emotional farewell to his Yankee Stadium fans, which occurred July 4, 1939. Interestingly, close ups of Corey are matched up with stock footage of the real Gehrig during this climactic scene. Jean Hagen co-stars as Gehrig's supportive wife Eleanor. Originally presented live on the TV anthology Climax (the broadcast ran overtime, eliminating the closing credits-which would have billed Darren McGavin in the minor role of a hotheaded Yankee player), The Lou Gehrig Story is currently widely available in kinescope form. ~ Hal Erickson, Rovi

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Starring:
Jean HagenWendell Corey, (more)
 
1966  
 
This futuristic sci-fi film contains a strong message against communism. It begins in the year 2087 and presents a totalitarian world ruled by Cyborgs. They are half-machine and their are incapable of free thought. Cyborg Garth has a glitch and is a rebel who swipes a time machine and travels back to 1965. There he encounters Marx, the scientist who started it all. Garth tries to prevent him from continuing his experiments. He succeeds and future humans are spared. ~ Sandra Brennan, Rovi

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1947  
 
Desert Fury is a rarety for the 1940s, a Technicolor "film noir." Set in a Nevada gambling town, the story concerns the various misadventures, romantic and otherwise, of Paula Haller (Lizabeth Scott), the rebellious daughter of gambling-house proprietress Fritzie Haller (Mary Astor, who steals the picture). Though no better than she ought to be, Fritzie is determined that Paula will not grow up as a "shady lady", but she'd fighting an uphill battle. John Hodiak plays crooked gambler Eddie Bendix (John Hodiak), who tries to exploit Paula's fascination with him for his own gain. Thank heaven that upright lawman Tom Hanson (Burt Lancaster) is on hand to rescue the heroine from the machinations of Bendix and his partner-in-perfidy Johnny Ryan (Wendell Corey). Desert Fury was adapted from the far racier and more explicit novel by Ramona Stewart. ~ Hal Erickson, Rovi

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Starring:
Burt LancasterLizabeth Scott, (more)
 
1950  
 
Harriet Craig is the third film version of George Kelly's Pulitzer Prize-winning play Craig's Wife. Joan Crawford stars as the title character, a thoroughly selfish woman who prizes her house and her possessions above all else. Harriet Craig is even willing to spoil the business opportunities of her husband Walter (Wendell Corey) to avoid losing her precious home. When her self-involvement causes turbulence in the romantic life of her cousin (K.T. Stevens), and when her husband's eyes are finally opened to his wife's true nature, Harriet Craig is at long last hoist on her own petard. ~ Hal Erickson, Rovi

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Starring:
Joan CrawfordWendell Corey, (more)
 
1954  
 
Hell's Half Acre was written directly for the screen by Steve Fisher, whose I Wake Up Screaming remains one of the definitive "film noirs". The scene is a rundown section of Honolulu, where there dwells a group of wannabes, hasbeens and never-weres. While trying to go straight in this environment, ex-racketeer Chet Chester (Wendell Corey) is shaken down by his former criminal cohorts. Chester's girl friend Rose (Nancy Gates) kills one of his tormentors, whereupon Chester takes the blame, assuming that he's still got enough pull to get off with a light sentence. Meanwhile, Dona Williams (Evelyn Keyes) arrives on the scene, certain that Chester is her long-lost husband. When Rose is murdered, Chester escapes from jail, intending to prove Dona's innocence--and to square accounts with the 10-year-old son he never knew he had. Elsa Lanchester provides much-needed laughs as a dotty cabdriver. Dismissed upon its first release, Hell's Half Acre is now considered one of the most durable of Republic's mid-1950s features. ~ Hal Erickson, Rovi

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Starring:
Wendell CoreyEvelyn Keyes, (more)
 
1949  
NR  
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A disarming little trifle, Holiday Affair has in the years since its original release become a Yuletide perennial on television. War widow Janet Leigh hasn't the money to buy the model train that her son Gordon Gebert wants for Christmas. Robert Mitchum overhears the boy's plight, and offers to purchase the train for him, even though it will deplete his own money supply. This little gesture of kindness from Mitchum snowballs into a series of comic complications, thanks in part to the unwelcome intervention of Leigh's stuffed-shirt attorney boyfriend Wendell Corey. Harry Morgan shows up towards the end as a flustered night-court judge who helps tie some of the loose plot ends together. Based on a short story by John D. Weaver, A Holiday Affair didn't do too well at the box office, but its afterlife has been most satisfactory. ~ Hal Erickson, Rovi

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Starring:
Robert MitchumJanet Leigh, (more)
 
1948  
 
On the run from the cops, bootleggers Frankie Madison (Burt Lancaster) and Noll Turner (Kirk Douglas), find themselves racing up to an enormous roadblock. The two split up, agreeing that if one was caught, the other would operate their nightclub and save half the profits for his partner. The unlucky Madison is caught and when released from prison 14 years later, he returns to claim his money. Turner, never intending to split the money, tries to distract Madison by offering him the affections of his girlfriend Kay (Lizabeth Scott). Madison's brother Dave (Wendell Corey), Turner's accountant, help's Turner by doctoring the books to hide the lucrative profits of the club. Madison is enraged that he has been swindled by his friend and his brother, and Dave finally helps Madison get his revenge and Kay's love. Byron Haskin, in his directorial debut, brings a post-war idealism into the ordinarily cynical noir sensibility. Wendell Corey is particularly fine as Madison's cowardly brother, who manages to redeem himself, and Lizabeth Scott is touching as the vulnerable, romantic Kay. ~ Linda Rasmussen, Rovi

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Starring:
Burt LancasterLizabeth Scott, (more)
 
1953  
 
Paramount's William Pine- William Thomas production unit came up with another moneyspinner in Jamaica Run. Ray Milland plays Patrick Fairlie, a schooner master who is inveigled into salvaging a wrecked ship. Somewhere in the wreckage is a century-old bill of sale, which will prove that a huge estate is indeed the property of landowner Ena Dacey (Arlene Dahl) and her tosspot mother (Carroll McComas) and brother (Wendell Corey). Certain parties want to get their meathooks into the property, thus Fairlie is in danger of losing his life should he begin exploring the scuttled ship. Filmed on location, Jamaica Run makes excellent use of the Technicolor process. ~ Hal Erickson, Rovi

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Starring:
Ray MillandArlene Dahl, (more)
 
1954  
 
Comparatively little known today, Republic's Laughing Anne was a Late Late Show perennial in the early 1960s. One of several Republic features lensed in England in collaboration with producer Herbert Wilcox, the film stars Margaret Lockwood in the title role. A well-known Parisian cabaret singer, Laughing Anne travels to the South Seas with her ex-prizefighter boyfriend Jem Farrell (Forrest Tucker). Here she falls in love with schooner captain Davidson (Wendell Corey), but she eventually breaks off the relationship, fearing reprisals from the brutish Jem. Years later, fate brings Davidson, Anne and Jem back together, and the results are disastrous for at least two of the three. Laughing Anne was loosely based on a story by Joseph Conrad. ~ Hal Erickson, Rovi

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Starring:
Wendell CoreyMargaret Lockwood, (more)
 
1957  
G  
Loving You was the most autobiographical of all Elvis Presley's movies, and, not coincidentally, features the most naturalistic, easygoing performance of his early career. He plays Deke Rivers, a truck driver with a penchant for singing and a raw animal magnetism where women are concerned. He attracts the business interest of publicity agent Glenda Markle (Lizabeth Scott), who sees a potential gold mine in Deke. She hires him to appear with a band that she handles, fronted by aging country & western singer Tex Warner (Wendell Corey), who used to be romantically involved with Glenda and is now a client. Pretty soon he's pulling in bigger crowds and generating more excitement than Tex did during his best days (which drives the older singer to start drinking again), but also a lot more controversy, too. Deke is so provocatively sexual a presence on-stage that some citizens in the southern and border states where the band is working think that what he does is immoral. Girls can't keep away from him, their boyfriends despise what he symbolizes, and their parents are aghast, even as concert promoter Carl Meade (James Gleason) smells a fortune to be made from this boy. Glenda parlays these disputes and a ban on one of Deke's performances into a national television event. Amid all of this, Deke reveals the private, vulnerable side that no one ever knew -- that he's not even Deke Rivers (it was a name he took off a gravestone), but an orphan named Jimmy Tompkins, and that he's never had a home. He also reveals that he's attracted to Glenda, mistaking (with her encouragement) her interest in his talent with a personal involvement, but he's also drawn the the band's female singer, Susan Jessup (Dolores Hart), who could genuinely love him, and offers him a caring family of her own that would accept him. Deke and Glenda's conflicts are eventually straightened out, and Deke gets to say his piece and sing his music on network television. ~ Bruce Eder, Rovi

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Starring:
Elvis PresleyLizabeth Scott, (more)
 
1955  
 
Three witnesses point the finger at a criminal who committed a cruel murder during a robbery. ~ Rovi

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1948  
 
East Indian actor Sabu heads the cast of the location-filmed Man-Eater of Kumaon. While the film's romantic plotline is carried by native couple Naraian (Sabu) and Lali (Joanne Page), the main story concentrates on the regeneration of American society doctor John Collins (Wendell Corey). Despite his distaste for all things Indian, Collins agrees to participate in a tiger hunt. Upon meeting the residents of a Himalayan village which is being decimated by the titular man-eating tiger, the doctor gains a new perspective on his fellow man, dropping many of his inbuilt prejudices along the way. Based on the best-selling novel by Jim Corbett, Man-Eater of Kumaon is at once a rousing adventure tale and an easy-to-take sociological tract. ~ Hal Erickson, Rovi

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Starring:
SabuWendell Corey, (more)
 
1952  
 
While Shelley Winters is top-billed, Ricardo Montalban is the real star of My Man and I. Montalban plays Mexican transient farmer Chu-Chu Ramirez, determined to make something of himself and improve his lot in life. He falls in love with disillusioned alcoholic Nancy (Winters), intending to help her overcome her illness. Meanwhile, Ramirez' nasty boss Ansel Ames (Wendell Corey) is shot in an accident. Jealous over the fact that his wife (Claire Trevor) has designs on Ramirez, Ames accuses the Mexican of attempted murder. The manner in which Ames and his wife are forced to tell the truth is one of the oddest (and most compelling) sequences in all of William Wellman's work. ~ Hal Erickson, Rovi

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Starring:
Shelley WintersRicardo Montalban, (more)
 
1950  
 
Rudolph Mate directs this sentimental melodrama about a ridiculously self-sacrificing wife based on the book by Ruth Southard and starring a 12-year-old Natalie Wood. Mary Scott (Margaret Sullavan) is pregnant when she finds out that she has terminal cancer with only a few months left to live. She keeps this information a secret from her husband, Brad Scott (Wendell Corey), who is carrying on an affair with his assistant, Chris Radna (Viveca Lindfors). Mary encourages her husband to pursue Chris as a replacement wife and mother after she dies. While on a final vacation with Brad, Mary dies and leaves Chris at home babysitting their daughter, Polly (Natalie Wood). No Sad Songs for Me features an Oscar-nominated score by George Duning. ~ Andrea LeVasseur, Rovi

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Starring:
Margaret SullavanWendell Corey, (more)
 
1966  
 
This episode is a virtual dry-run for the 1970s series Dallas, except that the question posed is not "Who Shot J.R.?" but instead "Who Killed J.K.?" There is no shortage of suspects when nasty oil tycoon Jerome Klee (Wendell Corey) is murdered, but the police finally settle upon Klee's foreman Allen Winford (James Best), who had been trying to prevent Klee from cheating an impoverished farmer named Jason Rohan (Paul Brinegar). Of course, Winford is innocent--else why would Perry Mason (Raymond Burr agree to take his case? ~ Hal Erickson, Rovi

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1966  
 
A young girl is deeply traumatized after she sees her mother burned to death in a house fire and spends the rest of her youth locked in a mental hospital. By the time she is released, her father has married a nasty woman who only wants his money. Knowing that the recently returned daughter is mentally unstable, the stepmom does all she can to drive the fragile girl over the edge. Unfortunately for the conniving bride, things don't quite turn out as planned. ~ Sandra Brennan, Rovi

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Starring:
Don AmecheMartha Hyer, (more)