Wendell Corey Movies

Hell's Half Acre was written directly for the screen by Steve Fisher, whose I Wake Up Screaming remains one of the definitive "film noirs". The scene is a rundown section of Honolulu, where there dwells a group of wannabes, hasbeens and never-weres. While trying to go straight in this environment, ex-racketeer Chet Chester (Wendell Corey) is shaken down by his former criminal cohorts. Chester's girl friend Rose (Nancy Gates) kills one of his tormentors, whereupon Chester takes the blame, assuming that he's still got enough pull to get off with a light sentence. Meanwhile, Dona Williams (Evelyn Keyes) arrives on the scene, certain that Chester is her long-lost husband. When Rose is murdered, Chester escapes from jail, intending to prove Dona's innocence--and to square accounts with the 10-year-old son he never knew he had. Elsa Lanchester provides much-needed laughs as a dotty cabdriver. Dismissed upon its first release, Hell's Half Acre is now considered one of the most durable of Republic's mid-1950s features. ~ Hal Erickson, All Movie Guide

Set against the backdrop of the French Revolution, this 1953 television production centers on the love triangle between two men who each pine for the same woman. Just as the men come to terms with the complexities of the relationships, one of them is compelled to make an extraordinary sacrifice. ~ Jason Buchanan, All Movie Guide

The tougher postwar screen image of James Stewart is given a good workout in the fact-based Carbine Williams. In 1952, the world at large knew Marsh Williams as the developer of the US Army's M-1 carbine rifle. The film builds up to this event by detailing Williams' previous existence as a bootlegger and embittered prison inmate, sentenced to 30 years at hard labor for killing a revenue agent. After enduring the rigors of chain-gang life and solitary confinement, Williams (Stewart) gets his mind off his troubles by dreaming up a new type of automatic-gun piston. He is encouraged in this endeavor by prison warden H. T. Peoples (Wendell Corey), previously Williams' bitterest enemy. As Williams continues to develop his innovative weaponry notions, his wife Maggie (Jean Hagen) and Warden Peoples try to overcome penal bureaucracy to win a pardon for Williams. Some TV prints of Carbine Williams have been colorized by computer; despite this artistically offensive practice, the strong dramatic and human values of the story still shine. ~ Hal Erickson, All Movie Guide

Rich, Young and Pretty succinctly describes Jane Powell, the heroine of this frothy MGM musical. Vacationing in Paris with her father, Jim Stauton Rogers (Wendell Corey) -- a cattle baron-turned-politician, Elizabeth Rogers (Powell) falls in love with handsome Andre Milan (Vic Damone, in his film debut). She also learns to her surprise that her Gallic mother, Marie (Danielle Darrieux), is not dead as she's been led to believe, but very much alive and very much involved with suave South American Paul Sarnac (Fernando Lamas). The plot is merely there to provide breathing space for the film's ten -- count 'em, ten -- musical numbers. If Rich, Young and Pretty resembles a Deanna Durbin picture at times, it may because it was produced by Durbin's discoverer, Joseph Pasternak. ~ Hal Erickson, All Movie Guide

Barbara Stanwyck and Walter Huston give standout performances in this dark, psychological western, which Martin Scorsese has compared to the work of Dostoevsky. T.C. Jeffords (Huston) is a cunning and highly successful ranch owner who has announced his engagement to a wealthy socialite, Flo Burnett (Judith Anderson). This news is not warmly received by his daughter Vance (Stanwyck); she had a romance of her own with gambler Rip Darrow (Wendell Corey) foiled by her father, and Vance does not care for her light-headed stepmother-to-be. Vance is driven into a violent rage by T.C.'s Machiavellian actions, and when he kills a good friend of Vance's (a ranch hand he believes was helping Mexicans squat on his land), she swears revenge on her father and joins forces with Darrow to see that violent justice is done. The Furies proved to be Walter Huston's last film; he died within a few months of its release. ~ Mark Deming, All Movie Guide

Harriet Craig is the third film version of George Kelly's Pulitzer Prize-winning play Craig's Wife. Joan Crawford stars as the title character, a thoroughly selfish woman who prizes her house and her possessions above all else. Harriet Craig is even willing to spoil the business opportunities of her husband Walter (Wendell Corey) to avoid losing her precious home. When her self-involvement causes turbulence in the romantic life of her cousin (K.T. Stevens), and when her husband's eyes are finally opened to his wife's true nature, Harriet Craig is at long last hoist on her own petard. ~ Hal Erickson, All Movie Guide

No one is as good as Barbara Stanwyck when she's bad. Here Stanwyck plays Thelma Jordon, a woman who late one night shows up in the office of happily married Assistant DA Cleve Marshall (Wendell Corey) to seek help in solving the string of robberies at her wealthy aunt's estate. Before Cleve can stop himself, he and Thelma are involved in an illicit affair. But Thelma is a mysterious woman, and Cleve can't help wondering if she is hiding something. His suspicions are confirmed when Thelma confesses to him that she is married to Tony Laredo, though she swears that she never wants to see him again. When Thelma's aunt is found murdered, Cleve's suspicions are aroused once again, but he is too love-struck to keep himself from being drawn into the complicated series of events that ultimately lead to his ruination. Siodmak directs with his usual skill and polish, but the film really belongs to Barbara Stanwyck who is magnificent as Thelma. Unlike the usual cold, passionless femme fatale of film noir, Thelma has a heart and a conscience. She comes to love Cleve, and has concern for his life and his future. However, despite her wish that her life could be different, she realizes that she belongs in Tony's world, and despite her attempts to sacrifice herself to save Cleve, he is doomed, by his love for her and by his own weaknesses. The File on Thelma Jordan is a romantic, unusual mystery, with a great performance and superior direction. ~ Hal Erickson, All Movie Guide

In this light drama, Clark Gable once again played his stock-in-trade role of a rogue with a heart of gold. Charlie King (Gable) runs a casino, but, in a business that thrives among the unscrupulous, Charlie takes pride in running an honest game and treating his customers with fairness and respect. However, Charlie's wife Lon (Alexis Smith) doesn't care if he runs a fair game -- she regards gambling as a dirty and corrupt business, and no matter how honest Charlie may be, he's still involved in a wicked activity. Charlie's son Paul (Darryl Hickman) is also against him; when Paul gets in trouble and Charlie bails him out of jail, he refuses to leave with him, instead going home with mother. Charlie invites Paul to see what his casino is like, and Lon agrees that Paul should know just what his father does. ~ Mark Deming, All Movie Guide

On the run from the cops, bootleggers Frankie Madison (Burt Lancaster) and Noll Turner (Kirk Douglas), find themselves racing up to an enormous roadblock. The two split up, agreeing that if one was caught, the other would operate their nightclub and save half the profits for his partner. The unlucky Madison is caught and when released from prison 14 years later, he returns to claim his money. Turner, never intending to split the money, tries to distract Madison by offering him the affections of his girlfriend Kay (Lizabeth Scott). Madison's brother Dave (Wendell Corey), Turner's accountant, help's Turner by doctoring the books to hide the lucrative profits of the club. Madison is enraged that he has been swindled by his friend and his brother, and Dave finally helps Madison get his revenge and Kay's love. Byron Haskin, in his directorial debut, brings a post-war idealism into the ordinarily cynical noir sensibility. Wendell Corey is particularly fine as Madison's cowardly brother, who manages to redeem himself, and Lizabeth Scott is touching as the vulnerable, romantic Kay. ~ Linda Rasmussen, All Movie Guide

When Lucille Fletcher took on the challenge of expanding her classic 30-minute radio suspenser Sorry, Wrong Number into an 89-minute feature film, she opted on the Citizen Kane approach, filling the plotline to the brim with revelatory flashbacks. Barbara Stanwyck stars as bedridden hypochondriac Leona Stevenson, who while trying to make a call from her bedroom telephone gets her wires crossed and inadvertently overhears two men plotting a murder. Anxiously, Leona wades through telephone-company bureaucracy to trace the call, never catching on -- until it's too late -- that the murder being planned is hers. A series of flashbacks details the disintegrating marriage between the wealthy Leona and her weakling husband Henry (Burt Lancaster), and Henry's subsequent disastrous get-rich-quick schemes involving chemist Waldo Evans (Harold Vermilyea) and a surly gangster (William Conrad). It would have been a near-sacrilege to alter the radio play's ironic ending, which fortunately remains intact on film. Sorry Wrong Number was first heard on radio's Suspense series in 1943, with Agnes Moorehead as the harried Mrs. Stevenson (a role she'd repeat several times on radio and on stage). Though disappointed that she wasn't chosen to star in the film version, Moorehead took some satisfaction in the fact that a recording of the original radio program was played constantly on the set to help keep Barbara Stanwyck "in the mood". ~ Hal Erickson, All Movie Guide

Desert Fury is a rarety for the 1940s, a Technicolor "film noir." Set in a Nevada gambling town, the story concerns the various misadventures, romantic and otherwise, of Paula Haller (Lizabeth Scott), the rebellious daughter of gambling-house proprietress Fritzie Haller (Mary Astor, who steals the picture). Though no better than she ought to be, Fritzie is determined that Paula will not grow up as a "shady lady", but she'd fighting an uphill battle. John Hodiak plays crooked gambler Eddie Bendix (John Hodiak), who tries to exploit Paula's fascination with him for his own gain. Thank heaven that upright lawman Tom Hanson (Burt Lancaster) is on hand to rescue the heroine from the machinations of Bendix and his partner-in-perfidy Johnny Ryan (Wendell Corey). Desert Fury was adapted from the far racier and more explicit novel by Ramona Stewart. ~ Hal Erickson, All Movie Guide