Bibi Andersson Movies

After exploring his disillusionment with religion in his previous films, Ingmar Bergman adopted a humanistic approach for this classic study in isolationism. Legendary Scandinavian director Victor Sjöström stars as Isak Borg, an aging medical professor who reassesses his life while journeying to his former university to receive an honorary degree. Borg travels with his estranged daughter-in-law Marianne (Ingrid Thulin) and revisits many of the landmarks of his past, conjuring up memories of his family and of his onetime sweetheart Sara (Bibi Andersson). Returning to the present, he meets a teenage girl who resembles the long-departed Sara. She hitches a ride with the professor and Marianne, as do a ceaselessly bickering married couple. These new characters eventually become intertwined with Borg's hazy flashbacks and fantasies, as the old man recalls the disappointments and disillusionments that have left him cold and guilt-ridden, attributes emphasized when he encounters his equally cold and resentful son. Bookending Borg's odyssey of self-discovery are a series of symbolic images at the beginning of the film (a clock without hands, a man without a face) and a hauntingly beautiful finale, in which professor is beckoned back to the "perfect" world he left behind so many years earlier. This classic art movie remains one of Bergman's most accessible films and one of the most influential European art movies of its generation. Its intense focus on one man's thoughts, regrets, and memories set the tone for innumerable psychological character studies in its wake. ~ Hal Erickson, All Movie Guide

Much better known in the U.S. as The Magician, this award-winning, surreal, evocative drama stars Max von Sydow as the title character and features several of Sweden's top performers. Set in the 1840s in Stockholm, the mystery and enigma of life and death itself are embodied in Vogler, the magician who runs "Vogler's Magnetic Health Theater." When his traveling show arrives in town, the police commissioner, a doctor, and a civil servant are intent on putting his supernatural powers to the test. As the pendulum swings between fearful images and moments of comic relief, the mysterious Mr. Vogler defies analysis. In 1959, Ansiktet was given the "Best Film" prize at the British Academy Awards, the "Best Foreign Film" prize at the New York Film Critics Awards, and two prizes at the Venice Film Festival. ~ Eleanor Mannikka, All Movie Guide

Even into the 1960s, Yugoslavian films played up the contributions of their partisan underground during World War II. Square of Violence is a loose, unacknowledged reworking of the 1943 film Hostages. When partisans kill 30 Nazi officers in a bombing, the Germans respond by taking 300 Yugoslav hostages. Broderick Crawford, the man responsible for the bombing, must weigh the importance of keeping the identities of his comrades secret against the lives of the 300 captives. This is the directorial debut of Leonardo Bercovici. ~ Hal Erickson, All Movie Guide

In this Scandinavian melodrama, a Swedish lieutenant journeys to a lonely island off the coast of Lapland for a summer of badly needed rest and relaxation. Once there, the soldier rents a hunting lodge from an aging local. Soon he encounters his landlord's lovely daughter who, while finding the stranger attractive, is put off by her innate distrust of men. With patience, he shows that men can indeed be trusted; he also introduces her to love. Unfortunately, the girl gets quite jealous when her father's lovely mistress also begins flirting with the stranger. The father is an abusive and jealous man; he cannot help but notice that his formerly passive daughter and mistress have begun standing up to him. To get even, he sends for the wealthy baron who once courted his daughter. He then informs his daughter that her lover, the soldier, has also been carrying on with his mistress. The lass disbelieves him until she sees the truth for herself, and the utterly distraught young woman agrees to marry the baron. The father then makes a play for his former mistress who spurns him and flees into the snowy mountains. It is an unfortunate coincidence that the soldier should choose that time to fire a signal shot to his lover, for his gun triggers off a deadly avalanche that sweeps the hapless mistress to her doom. The father goes mad with grief and burns down his hunting lodge. Later the lieutenant tries to smooth it all over with the daughter, but she is disconsolate and rejects him. ~ Sandra Brennan, All Movie Guide

What is so rare, and cherishable, as an Ingmar Bergman comedy? All These Women concerns the sexual misadventures of cello-playing Jarl Kulle. Amidst his many romantic pursuits, the egotistical Kulle endeavors to get his life story published, "bribing" a writer by agreeing to perform the latter's musical compositions. Bergman regulars Eva Dahlbeck, Harriet Andersson and Bibi Andersson costar in All These Women, while the screenplay was cowritten by another stalwart member of the director's stock company, Erland Josephson. Originally titled For Att Inte Talla om alla dessa Kvindor, All These Women is better known in English-speaking countries as Now About All These Women. ~ Hal Erickson, All Movie Guide

Frontier scout Jess Remsberg (James Garner) is crossing the desert when he spots a dead army scout and group of Apaches pursuing someone -- it turns out to be a white woman, Ellen Grange (Bibi Andersson); he gets her away from them and returns her to her home and her husband Willard (Dennis Weaver), who seems much more upset that the horse she was riding when she left is dead than he is glad that she is back. Ellen was kidnapped by the Apaches two years before and rescued a year after that, and had fled a town where her husband and everyone else had treated her as an outcast since her return. Apart from preventing her from being raped by some drunken townsmen, however, Remsberg barely has time to worry over what goes on between them, as he has a mission of his own -- tracking down the men who murdered his wife, a Comanche woman. A key clue is in the hands of the town marshal in Fort Conchos and to get there he has to scout for a cavalry unit bringing horses, ammunition, and fresh recruits to the fort, with Grange and his wife -- and the infant son she had by the Indian chieftain who took her as his squaw -- going along, with ex-buffalo soldier-turned-horse wrangler Toler (Sidney Poitier). Their party ends up under siege by Chata (John Hoyt), the Apache Indian chief and grandfather to Ellen Grange's baby, who has jumped the reservation; he wants his grandson back, and the ammunition the troop was carrying, and also intends on killing Ellen for inadvertently causing the death of his son. They all end up trapped in a box canyon while Remsberg tries to survive to get help from Fort Conchos. If this all sounds complicated, it's not, especially as told by director Nelson, in a straightforward, unpretentious, brisk, and decidedly violent fashion that anticipates his own Soldier Blue, made four years later. Every plot element links up neatly in this script, which quite effectively recalls (and weaves together) elements of the book and the movie Hondo as well as any number of revenge westerns of the 1960's. ~ Bruce Eder, All Movie Guide

A sister (Bibi Andersson) and brother (Per Oscarsson) become lovers in this incestuous costume drama set in 18th-century Sweden. The sex-starved siblings carry on their tawdry and illicit affair at a time when moral debauchery and decadence ran rampant. The literal translation of the Swedish title is Brother And Sister Bed. ~ Dan Pavlides, All Movie Guide

In this Swedish feature, the bright and colorful carnival atmosphere of Rio is contrasted by life in the neighboring town of Niteroi. The poor town festers with poverty, prostitution and hopelessness and serves as a gathering place for derelict alcoholics who jump ship from many countries. The characters are plagued by tremors, illness and personal and moral degradation as they live out the rest of their miserable lives waiting for their inevitable demise at the hands of demon alcohol. Pappila (Bibi Andersson) tries to collect a $3,000 reward from the Swedish consulate for the safe return of one of the poor unfortunates who is near death in this depressing film. Max von Sydow also stars in this feature. ~ Dan Pavlides, All Movie Guide

This Swedish feminist drama focuses upon three women in a traveling troupe of thespians performing Aristophanes' Lysistrata. Each of the women has some serious problems and fears to overcome. The husband of one has two lovers. The lover of another will not marry her, and the third's husband stays home to care for the kids. ~ Sandra Brennan, All Movie Guide

Liv Ullmann plays the widowed, crippled Anna Fromm, who while traveling on a remote island calls upon reclusive ex-convict Andreas (Max von Sydow) in order to use his telephone. After Anna leaves, Andreas discovers she's left her purse behind; he opens it, hoping to find some identification. A letter in the purse details Anna's unhappy marriage and the depths of her loneliness. Eventually, Anna moves in with Andreas, who has become more closely acquainted with her through the intervention of Anna's friends Ellis and Evan Vergerus (Bibi Andersson and Erland Josephson). But tensions and conflicts ensue, and threaten to destroy the burgeoning relationship between Anna and Andreas. ~ Hal Erickson, All Movie Guide