Alan Corduner Movies

From director Beeban Kidron, Antonia & Jane is a look at an enduring friendship between a pair of decidedly opposite people. Beautiful, sophisticated, and self-assured, Antonia (Saskia Reeves) has it all -- or so it seems to the pudgy wallflower Jane (Imelda Staunton), who secretly resents the fact that her own inner light is invariably extinguished whenever her glamorous friend enters a room. The fact that Antonia stole and married Jane's first lover only makes matters worse. While Jane vents her feelings in her therapist's office, Antonia herself secretly longs to be more like Jane, who is always off in search of new adventures and experiences. Petricia Leventon and Alfred Hoffman also star. ~ Matthew Tobey, All Movie Guide

A regular guy adds some much-needed drama to his life in this comedy. Peter Rooker (Marcus Thomas) is a man who has come to a crossroads in his life -- he's just been given his walking papers by his girlfriend, has lost interest in his job, and is looking for something new in his life. Filled with ennui, one evening Peter walks into a small theater where a community drama company is holding auditions for a production of Cyrano de Bergerac. While Peter has no acting experience and stumbles through his impromptu audition, director Edwina (Clare Higgins) thinks there's a great Cyrano lurking inside him, and gives him the title role. Before long, Peter has gained a new circle of friends, dominated by eccentric small-time actors Michael (John Corbett) and Grace (Amy Smart), who are playing Christian and Roxanne, and a new enthusiasm for life. But as it happens, both Peter and Michael have become infatuated with Grace, and as Peter tries to find a way to win her attention, Edwina begins to wonder if casting Peter was such a good idea after all. Bigger Than the Sky was the first dramatic feature from actor-turned-director Al Corley. ~ Mark Deming, All Movie Guide

Produced for British television, Daniel Deronda was adapted from George Eliot's final novel, written in 1874 (and first filmed in 1921). As was her habit, Eliot laid bare the hypocrisy and venality of Victorian-era "class culture," at the same time admitting that a certain amount of conformity was necessary if one hoped to survive in a world where nonconformity was not only looked down upon but actively suppressed. Essentially, both the novel and the TV presentation are comprised of two separate stories, linked together by the titular Daniel Deronda (Hugh Dancy), a young man of Jewish heritage. In the main narrative, Daniel is attracted to the spoiled, headstrong Gwendolen Harleth (Romola Garai), who is reluctantly poised to enter into a marriage of convenience with the wealthy, snobbish, and intensely anti-Semitic Henleigh Grancourt (Hugh Bonneville). This romantic intrigue is played against the curious relationship between Daniel and the Zionist visionary Mordecai (Daniel Evans), who tirelessly proselytizes in favor of a permanent homeland for the Jewish people. Things come to a head when Daniel finds himself falling in love with Mordecai's sister Mirah (Jodhi May). Originally telecast in three parts on the BBC beginning December 7, 2002, Daniel Deronda was re-edited as a two-parter for the PBS anthology Masterpiece Theatre, where it first aired on March 30, 2003. ~ Hal Erickson, All Movie Guide

Inspired by a true story, director Edward Zwick's epic World War II drama Defiance tells the tale of three Jewish Eastern European brothers (Daniel Craig, Liev Schreiber, and Jamie Bell) who narrowly escape certain death at the hands of the Nazis, subsequently vowing to avenge the deaths of their loves ones by launching a desperate battle against the forces that seek to exterminate their entire race. The year is 1941, and the setting is Nazi-occupied Poland. The Final Solution is in full effect, and the Jews of Eastern Europe are being slaughtered wholesale. Tuvia (Craig), Zus (Schreiber), and Asael (Bell) have miraculously managed to escape into the dense surrounding forest. Having played in these woods since childhood, the brothers have a distinct advantage over their adversaries, and soon decide that simply surviving is not enough. In order to make a difference, they must take action, but in order to take action they will need support. As whispers of their bravery take wind, others like them appear determined to lay their lives on the line for the cause of freedom. Tuvia has become the de facto leader of the group, but he's still somewhat reluctant to take on such a heavy responsibility and his brother Zus expresses concern that his idealistic plan will ultimately bring about the group's downfall. With winter setting in, everyone works to create a functioning community that will help them endure the frigid months that lie ahead, and Asael reluctantly finds himself caught in the crossfire of his older siblings' rivalry. Is it possible to keep faith alive in a time when the world seems devoid of humanity and survival becomes a way of life? ~ Jason Buchanan, All Movie Guide

"Fat Man" and "Little Boy" were the nicknames given the atomic bombs that were dropped over Hiroshima and Nagasaki in the waning days of World War II. This elaborately assembled film is the story of the events leading up to the dawn of the atomic age. Paul Newman plays General Leslie Groves, a hard-nosed career soldier who in 1942 finds himself the reluctant "nursemaid" to a group of idealistic scientists in Los Alamos, New Mexico. As the military head of the top-secret Manhattan Project, Groves intends to have the operation run by the book--and failing that, to have things his way at all costs. The film's storyline narrows down to a battle of egos between Groves and atomic scientist J. Robert Oppenheimer (Dwight Schultz), in his own way as contentious and childishly single-purposed as the general. ~ Hal Erickson, All Movie Guide

Santa's black-sheep brother gets a much-needed shot at redemption in this holiday comedy reuniting actor Vince Vaughn and director David Dobkin (Clay Pigeons, Wedding Crashers). It's not easy being the brother of a benevolent and beloved saint, and no one knows that better than Fred Claus (Vaughn). After struggling for years to live up to the example set by his younger sibling Nicholas (Paul Giamatti), Fred has finally given up. These days Fred is working as a repo man taken to stealing the items he repossesses, and his shady tactics have just landed him in jail. While Mrs. Claus vehemently insists that Fred fend for himself, Nicholas refuses to sit idly by as his brother rots in jail and agrees to set bail if Fred will repay the debt by coming to the North Pole and help make toys for the upcoming Christmas season. But Fred isn't nearly as productive as your average elf, and he's got quite an attitude to boot. With Christmas fast approaching and Fred threatening to sideline Nicholas' entire finely tuned operation, the brother that always struggled to get out from under his sibling's substantial shadow finds out just how far the patience of a saint can be pushed before jolly old Santa reaches his breaking point. ~ Jason Buchanan, All Movie Guide

Previously the inspiration for Francis Ford Coppola's Apocalypse Now (1979), the dark novella Heart of Darkness by Joseph Conrad, a parable about greed-inspired colonialism, was adapted into this television movie by offbeat filmmaker Nicolas Roeg. Ambitious sailor Marlow (Tim Roth) is employed by a British trading company. His mission is a journey to a remote colony in the Belgian Congo, the source of the consortium's profitable supply of ivory, where he's to retrieve some stranded cargo. As he travels upriver visiting the trading stations which acquire the precious commodity through exploitative barter with natives, Marlow hears wild tales of Kurtz (John Malkovich), a hugely-successful company manager whose post is deep in the jungle. It seems that Kurtz is revered as a god by the locals, both worshipped and greatly feared. Reaching Kurtz's compound, however, Marlow finds that the man has become a fiend, committing blasphemous atrocities and driven mad by power and disease. Malkovich was nominated for a Screen Actors Guild Award and a Golden Globe for his performance as Kurtz. ~ Karl Williams, All Movie Guide

While filming "Buchman," the documentary about his family, Paul (Paul Reiser) pays a visit to his childhood neighborhood with dad Burt (Louis Zorich). As both Buchmans recall events which transpired in their old apartment building, Paul's pregnant wife, Jamie (Helen Hunt), sits fuming in the offices of her gynecologist, Joan Golfinos (Suzie Plakson). It seems that Paul has forgotten all about his appointment to hear his baby's heartbeat.... ~ Hal Erickson, All Movie Guide

The joys and horrors of female friendship are explored in writer/director Sandra Goldbacher's Me Without You. Bold, brash, and fashionable Marina (played by Anna Popplewell as a child, and Anna Friel as a teen and adult) comes from a broken home. Her mother, Linda (Trudie Styler, who executive produced Guy Ritchie's first two films, and is also Sting's wife) is a hip young divorcée who apologizes every time she yells at her children. Holly (Ella Jones as a child, Michelle Williams of Dawson's Creek and Dick as a teen and adult) is a timid bookworm, mildly ashamed of her Jewishness, and easily goaded into more outrageous behavior by Marina. Holly's mother (Deborah Findlay) tells her early on not to expect too much from men. She helps lower her daughter's expectations by telling her, "Some people are pretty people, and some are clever people, which is more important than looks." As girls in the early '70s, Marina and Holly form a pact to become "Harina," inseparable best friends. Next-door neighbors, they are never apart for long. But Holly harbors a secret crush on Marina's older brother, Nat (Oliver Milburn), and when the girls are teens, and Marina finds out about Holly's feelings, she does her best to keep the two apart. In college, when Holly bonds with a lit-crit professor, Daniel (Kyle Maclachlan), over Andrei Tarkovsky and Ingmar Bergman, Holly feels compelled to sabotage their budding relationship, by seducing Daniel first. Eventually, Nat, despite his lingering fondness for Holly, gets seriously involved with a French actress, Isabel (Marianne Denicourt). As the girls get older, their differences become more apparent to Holly, and she begins to question their friendship. The film covers three decades, with songs and costumes appropriate to each era. ~ Josh Ralske, All Movie Guide

Ann-Margret stars in the made-for-cable movie Nobody's Children, filmed on-location in Bucharest, Romania, and based on a true story. Ann-Margret and Jay O. Sanders star as the real-life Carol and Joe Stevens, a married couple from Detroit who are unable to conceive a child of their own. They travel to Bucharest in 1990, just following the end of Ceausescu's regime, where a secret police controls the populace and state institutions are filled with abandoned children. The Stevenses bear witness to the deplorable conditions under which the unwanted babies must live as well as the extreme poverty and illness of the other Romanian children. French doctor Stephanie Vaugier (Dominique Sanda) helps Carol wade through the bureaucracy so she is able to adopt two children and return to the States. Originally aired on the USA television network in March of 1994. ~ Andrea LeVasseur, All Movie Guide

Actor, writer, and director Tim Blake Nelson adapts this grim look at the Holocaust from his own play, based on Miklós Nyiszli's book, Auschwitz: A Doctor's Eyewitness Account. The film centers on the Sonderkommando: Jewish concentration camp prisoners whose job was to herd their fellow Jews into the gas chamber, and to dispose of the bodies following the execution. In return, these prisoners received food and a little more time before their own executions. As the members of the sonderkommando struggle to orchestrate what would be the only armed insurrection in Auschwitz, a group of them discover a 14-year-old girl who somehow survived the gas chamber. The girl becomes a symbol for their own spiritual salvation and they become obsessed with keeping the girl alive, even if it endangers the uprising that could save thousands. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide