Jose Soto Movies

A drug dealer is murdered, and it appears that the killer is the father of a teenager who died from an overdose. But both the detectives and lawyers are stopped in their prosecutorial tracks by the accused man's parish priest Father Hogan (Denis O'Hare), who insists that he, himself, is the guilty party. The question: Should this confession be accepted at face value, or should the investigation proceed until all the facts are on the table? ~ Hal Erickson, All Movie Guide

Neil Simon adapted this 1997 comedy from his 1972 play, first filmed in 1975 with Walter Matthau and George Burns as two feuding veteran vaudevillians reuniting to do a television special. For this new version, Simon updated the period and characters into a tale of two comedians (Woody Allen, Peter Falk), once popular in the 1950s. Their successful comedy team split up, but now Warner Brothers wants to bring them back together for cameos in a movie that's "funnier than Home Alone" -- so with salaries of $75,000 each, how can they refuse? Filmed in New York, this movie premiered December 28, 1997 on Hallmark Hall of Fame (CBS). ~ Bhob Stewart, All Movie Guide

A pair of New York City cops collaborate on a plan to rob a cash-packed subway train in this action-comedy. Charlie (Woody Harrelson) and John (Wesley Snipes) are not just co-workers and close friends but also foster brothers. Because of this family connection, the reluctant John becomes involved in the more capricious Charlie's far-fetched scheme to rob the "money train" that collects the subway's daily grosses. Charlie needs the money for gambling debts, and robbing the train would have the added benefit of angering Charlie's and John's harsh, corrupt boss Captain Patterson (Robert Blake). Romantic interest is provided by a fellow police officer (Jennifer Lopez) who sparks rivalry between the brothers, but the film's main interest is in the violent events that surround the attempted heist, which naturally proves more complicated than planned. The film attempts to capitalize on the chemistry between Snipes and Harrelson, who had previously had a hit comedy with White Men Can't Jump (1992), but Joseph Ruben's unexceptional direction and a bland screenplay by Doug Richardson and David Loughery make the film less distinctive than its predecessor. ~ Judd Blaise, All Movie Guide

A Hispanic woman unexpectedly discovers a new outlook on life after taking a new job in this heartfelt, observant comedy-drama. Young Bronx mother Lisette (Lauren Velez) has enough to deal with without taking a job, as she is struggling to raise her three young children and keep her marriage to bicycle messenger Chino (Jon Seda) afloat. When Chino is jailed after committing a robbery, however, Lisette turns to the want ads to find a new source of income. Expecting a one-time modeling gig, she stumbles into a position as assistant to Stephen Price (Griffin Dunne), a white music executive handling Latino music. Lisette proves a natural at the job, finding a new sense of purpose and self-assurance. Unfortunately, Chino isn't particularly grateful for her efforts, especially after hearing a rumor that Lisette has been cheating on him with Stephen. Director Darnell Martin populates her debut film with a mosaic of colorful supporting characters, ranging from Lisette's transsexual brother (Jesse Borrego) to Chino's meddling mother (Rita Moreno). Though the film presents a relatively old-fashioned story of self-realization, the knowing presentation of a multi-racial Bronx neighborhood enhances its vital feel. ~ Judd Blaise, All Movie Guide

The body of an unidentified teenaged girl is found floating in the river. The investigation conducted by Logan (Chris Noth) and Cerreta (Paul Sorvino) leads to several illegal sweatshops operating in New York, and an insidious racket which makes virtual slaves out of immigrant teens. In order to bring the villains to justice, Assistant D.A. Stone (Michael Moriarty) exhumes a century-old case. ~ Hal Erickson, All Movie Guide

A young mother and her daughter end up on the streets in this grim made-for-television movie. Mare Winningham stars as Theresa Johnson, a young mother whose life falls apart when she finds herself suddenly single, unemployed and homeless. With nowhere to turn, Theresa and her daughter Hillary (Grace Johnston) drift through the social system, wandering from shelter to shelter with little hope for the future. Gripping in its portrayal of the cycle of poverty, the film offers no simple solutions -- much like real life. ~ Bernadette McCallion, All Movie Guide