Harry H. Corbett Movies

Released in the US as A Boy Ten Feet Tall, Sammy Going South is a rugged youngster's-eye-view adventure set in South Africa. 10-year-old orphan Sammy (Fergus McClelland), who resides in Port Said, tries to locate his only relative, who lives 5000 miles away across the desert in Durban. After the death of his first guide, an erstwhile peddler, Sammy is rescued by a wealthy tourist (Constance Cummings). Not anxious to return to Port Said, Sammy escapes his benefactress and links up with a crafty old hunter/diamond smuggler (Edward G. Robinson), whose life is saved by the boy. When the police search for Sammy, they arrest the old man, who has been a fugitive for years. When Sammy is finally united with his Aunt (Zena Walker), he learns that the old smuggler has willed him his fortune. Released in the US at 88 minutes, Sammy Going South was restored to its full 118 minutes for television. ~ Hal Erickson, All Movie Guide

One of several satirical films in the British "Carry On" series, this is a broad spoof of horror films in general and of Universal monster movies in particular. The buffoonish heroes -- a pair of inept Scotland Yard inspectors named Bung and Slowbottom -- are investigating the disappearance of several women in the vicinity of Hocomb Woods when they cross paths with mad scientist Dr. Watt (Kenneth Williams) and his slinky, sexy vampire sister Valaria (Fenella Fielding), both of whom have been turning the abducted women into statues. Joining in the fun are the resident werewolf, the mummy, a pseudo-Frankenstein monster and a gaggle of ghouls resurrected by Watt's diabolical experiments. Goofy fun for those looking for a decidedly British take on Addams Family-style monster antics. ~ Cavett Binion, All Movie Guide

Herbie Hassler (Telly Savalas) and Marty Miller (Warren Oates) are American gangsters who plan to rob an opulent aristocratic home of valuable art treasures. Under the orders of crime boss Nick Marco (Cesar Romero), the duo charms Lady Fitzmore (Edith Evans), a wealthy dowager and proprietress of a monied estate. The plan is to work in collaboration with a British gang lead by Finley (Harry H. Corbett). When the time comes to initiate the big heist, the sentimental American crooks can't bring themselves to rob their eccentric but lovable hostess. They confess the plan and work with Lady Fitzmore and Lord Fitzmore (Nicky Henson) in an effort to catch their British burglar counterparts in this delightful crime comedy. ~ Dan Pavlides, All Movie Guide

After years of suffering through lookalike MGM musicals (at least, that was his complaint), Howard Keel was able to sink his teeth into a dramatic role in the British Floods of Fear. Serving a life term for murder, Donavan (Howard Keel) breaks out of jail with sadistic convict Peebles (Cyril Cusack), taking along a wounded guard (Harry H. Corbett) as hostage. It is Donavan's intention to exact revenge against the man who framed him, but this will have to wait: a driving rainstorm is threatening to precipitate a raging flood. Taking refuge in the tiny house owned by the terror-stricken Elizabeth (Anne Heywood), the convicts and their captives nervously wait out the storm. Slowly, Elizabeth and Donavan are drawn to one another, while Peebles threatens to erupt into a fit of homicidal rage at any moment. When the flood reaches the danger level, Donavan performs several self-sacrificial acts of courage, prompting Elizabeth to try to save him from ruining what's left of his life. ~ Hal Erickson, All Movie Guide

The 1972 British farce Percy was about the world's first penis transplant; Percy's Progress constitutes the sequel, with Leigh Lawson taking over for Hywel Bennett in the leading role. The plot concerns a chemical that contaminates the world's water supply; as a result, every man is rendered impotent -- -except Percy. Percy's Progress was also released as It's Not the Size That Counts. ~ Hal Erickson, All Movie Guide

In this British wartime comedy, a group of captured con-artists must choose between jail terms or military service. Naturally they choose the army. Once they are assigned to a post they set up successful gambling and liquor operations. When they go overseas, they do the same thing. They are then asked to start a social club to boost morale. They do so, and the operation is only a hair's breadth away from being a brothel. They attempt to keep the joint a secret from visiting Parliamentary members, but it is not long before the cathouse is out of the bag. ~ Sandra Brennan, All Movie Guide

Maggie Smith makes her film debut in this outing as an aristocrat whose sheltered existence is shattered by the arrival of George Nader. Nader is a fugitive from justice who can expect no help from his fellow criminals. He takes refuge in Smith's home, entreating her to shield him from the police. She draws closer to Nader after the latter is accidentally shot. The film was adapted from a novel by Donald McKenzie. ~ Hal Erickson, All Movie Guide

Filmed on location, Shake Hands With the Devil is set in Ireland during the "troubles" of 1921. James Cagney plays a brilliant medical professor who doubles as head of the Irish Republican Army. Cagney convinces one of his more pacifistic students, Don Murray, to join the underground struggle against British rule. Murray suffers a crisis of conscience when his sweetheart Dana Wynter is taken hostage by the IRA and is slated for execution by the zealous Cagney. Several members of Dublin's Abbey Players appear in supporting roles in Shake Hands With Devil. Watch for Richard Harris in the small part of Terence O'Brien. ~ Hal Erickson, All Movie Guide

More of a corny propaganda film for a British social engineering policy program of the 1960s than a serious attempt to tackle an issue, this youth drama is notable chiefly because it features an early performance by David Hemmings, four years before he rose to prominence in Blow-Up (1966). Bert (Hemmings), Bill (David Andrews), and Johnnie (Ray Brooks) are a trio of juvenile delinquents in Bristol who lose their driver's licenses after a 100 mile-per-hour accident on their motorcycles. Bored without their speed machines and alienated in their economically-depressed factory town, they assemble a rock band with the aid and encouragement of Smith (Kenneth More), the choir director of a local church who offers his facilities for rehearsal space. The band becomes involved with a youth awards program devised as a community outreach vehicle by the Duke of Edinburgh and the British government, and despite some lingering moments of dissension, they begin to turn their lives around, encouraged all the while by a hopeful adult community. ~ Karl Williams, All Movie Guide

Steptoe and Son was the British TV precursor to the American sitcom Sanford and Son. Wilfred Brambell, the "clean old grandfather" from the Beatles' A Hard Day's Night, starred in the "Fred Sanford" role as an irascible cockney junk dealer. Harry H. Corbett was the British series' "Lamont", albeit a far more oafish character. This theatrical-feature adaptation of Steptoe and Son tends to stretch the premise rather than develop it. Still, the stars do their best with the mediocre material at hand. And, to be fair, the film was popular enough to inspire a sequel, 1973's Steptoe and Son Ride Again. ~ Hal Erickson, All Movie Guide

This video contains a trio of episodes from the popular British sitcom that chronicles the hilarious travails of a junk man and his son. ~ Sandra Brennan, All Movie Guide

This video contains a trio of episodes from the popular British sitcom that chronicles the hilarious travails of a junk man and his son. ~ Sandra Brennan, All Movie Guide

This British comedy comes from Ray Galton and Alan Simpson, writers of the hit television program Steptoe and Son. Harry H. Corbett (who played Steptoe, Jr. on the tube) is Hemel, a canal-cruising bargee who is dead-set against marriage. He goes about his freewheeling ways until he finds out that he has impregnated one of his playthings (Julia Foster). Unfortunately for him, the young woman's father (Hugh Griffith) is the lock-keeper and he is not about to get out of this predicament without a vow or two. ~ Kristie Hassen, All Movie Guide