Harry H. Corbett Movies

The British Passing Stranger stars Hollywood actor Lee Patterson as a deserting American GI. He drifts about until he falls in with a gang of gunrunners. He wants to quit, but can't until he makes enough money to support himself and his love Diane Cilento. Just before this is possible, Cilento's ex-boyfriend blows the whistle on the crooks. Just long enough not to wear out its welcome, The Passing Stranger is a passing good little film noir. ~ Hal Erickson, All Movie Guide

After years of suffering through lookalike MGM musicals (at least, that was his complaint), Howard Keel was able to sink his teeth into a dramatic role in the British Floods of Fear. Serving a life term for murder, Donavan (Howard Keel) breaks out of jail with sadistic convict Peebles (Cyril Cusack), taking along a wounded guard (Harry H. Corbett) as hostage. It is Donavan's intention to exact revenge against the man who framed him, but this will have to wait: a driving rainstorm is threatening to precipitate a raging flood. Taking refuge in the tiny house owned by the terror-stricken Elizabeth (Anne Heywood), the convicts and their captives nervously wait out the storm. Slowly, Elizabeth and Donavan are drawn to one another, while Peebles threatens to erupt into a fit of homicidal rage at any moment. When the flood reaches the danger level, Donavan performs several self-sacrificial acts of courage, prompting Elizabeth to try to save him from ruining what's left of his life. ~ Hal Erickson, All Movie Guide

In this suspenseful crime drama, a canny American businessman living in London devises an ingenious plan to get his kidnapped son back. First he sends the required ransom. As per his plan, the abductors begin fighting amongst themselves for the loot. The death of one crook leaves behind invaluable clues to the boy's location. In the film's exciting climax, the father uses a flame-thrower to save his son. Meanwhile Scotland Yard captures the villains. ~ Sandra Brennan, All Movie Guide

Veteran British "heavy" Donald Pleasence has the 1960 programmer The Big Day all to himself. Pleasence plays a businessman who has overextended himself financially, and overplayed his hand in his personal life. His already rocky marriage is further threatened by his impatient mistress. Adding to his headaches is his go-getting brother-in-law, whose salesmanship savvy may very well lose Pleasence his job. Donald Pleasence is so much better than his material in The Big Day that it might be advisable to turn the sound down and revel in his silent emoting. ~ Hal Erickson, All Movie Guide

An unfortunate sailor (Tony Wright) gets implicated in a murder he never committed in this confusing drama by David Eady. After a bookie is murdered, the sailor is caught in an ever-tightening vice that would trap him as the killer unless he can clear himself. Along the way to struggling free and tracking down the real culprits, several unsavory characters cross his path as well as a rather interesting woman (Shirley Eaton) who sets romantic sparks flying. Although director Eady and the cast have done their best with the story, it is too thin to survive even the short running time of 69 minutes. ~ Eleanor Mannikka, All Movie Guide

More of a corny propaganda film for a British social engineering policy program of the 1960s than a serious attempt to tackle an issue, this youth drama is notable chiefly because it features an early performance by David Hemmings, four years before he rose to prominence in Blow-Up (1966). Bert (Hemmings), Bill (David Andrews), and Johnnie (Ray Brooks) are a trio of juvenile delinquents in Bristol who lose their driver's licenses after a 100 mile-per-hour accident on their motorcycles. Bored without their speed machines and alienated in their economically-depressed factory town, they assemble a rock band with the aid and encouragement of Smith (Kenneth More), the choir director of a local church who offers his facilities for rehearsal space. The band becomes involved with a youth awards program devised as a community outreach vehicle by the Duke of Edinburgh and the British government, and despite some lingering moments of dissension, they begin to turn their lives around, encouraged all the while by a hopeful adult community. ~ Karl Williams, All Movie Guide

This British comedy drama of the lower classes features actors with such thick cockney accents that some prints of the film were subtitled. James Booth stars as Charlie, a merchant seaman who returns home to the East End after two years to find that his wife Maggie (Barbara Windsor) has taken up with another man, a married bus driver named Bert (George Sewell). After taking his brother Fred (Roy Kinnear) hostage in a pub, Charlie gets a reunion with Maggie, who shows up pushing a pram. It seems she's given birth to a child, and the father's identity is uncertain. Charlie and Maggie reconcile, but not before a vicious row with Bert, who doesn't want to give up his girl. Windsor, a BAFTA Best Actress nominee for her role, also performed the film's title song. ~ Karl Williams, All Movie Guide

Alf (Joe Brown) is a young man from London's East End who tries to rise above his impoverished conditions. His parents worry that he will fall into a life of crime hanging around his neighborhood buddies. When he is inspired to write the song "What A Crazy Gang", his efforts pique the interest of a songwriting publisher. His parents still worry about Alf finding steady employment despite the promise of a financial windfall in this teen beat musical. The most famous of the groups to perform in the film are Freddy and The Dreamers, who would later score top ten hits on both sides of the Atlantic with "I'm Telling You Now", "You Were Made For Me"and the novelty smash dance hit "The Freddy." Led by frantic Freddy Garrity, his lively and comical stage machinations belied his vast musical and songwriting talents directly inspired by the late Buddy Holly. ~ Dan Pavlides, All Movie Guide

This British comedy comes from Ray Galton and Alan Simpson, writers of the hit television program Steptoe and Son. Harry H. Corbett (who played Steptoe, Jr. on the tube) is Hemel, a canal-cruising bargee who is dead-set against marriage. He goes about his freewheeling ways until he finds out that he has impregnated one of his playthings (Julia Foster). Unfortunately for him, the young woman's father (Hugh Griffith) is the lock-keeper and he is not about to get out of this predicament without a vow or two. ~ Kristie Hassen, All Movie Guide

In this British wartime comedy, a group of captured con-artists must choose between jail terms or military service. Naturally they choose the army. Once they are assigned to a post they set up successful gambling and liquor operations. When they go overseas, they do the same thing. They are then asked to start a social club to boost morale. They do so, and the operation is only a hair's breadth away from being a brothel. They attempt to keep the joint a secret from visiting Parliamentary members, but it is not long before the cathouse is out of the bag. ~ Sandra Brennan, All Movie Guide

One of several satirical films in the British "Carry On" series, this is a broad spoof of horror films in general and of Universal monster movies in particular. The buffoonish heroes -- a pair of inept Scotland Yard inspectors named Bung and Slowbottom -- are investigating the disappearance of several women in the vicinity of Hocomb Woods when they cross paths with mad scientist Dr. Watt (Kenneth Williams) and his slinky, sexy vampire sister Valaria (Fenella Fielding), both of whom have been turning the abducted women into statues. Joining in the fun are the resident werewolf, the mummy, a pseudo-Frankenstein monster and a gaggle of ghouls resurrected by Watt's diabolical experiments. Goofy fun for those looking for a decidedly British take on Addams Family-style monster antics. ~ Cavett Binion, All Movie Guide

A collection of English humor in the form of sketch film are provided on this film which was assisted by comedians Feldman and Chapman. ~ All Movie Guide

This video contains a trio of episodes from the popular British sitcom that chronicles the hilarious travails of a junk man and his son. ~ Sandra Brennan, All Movie Guide