Joan Copeland Movies

In the Disney-animated adventure Brother Bear, Joaquin Phoenix provides the voice of Kenai, a young Native American boy whose brother, Sitka (voice of D.B. Sweeney), is killed by a mother bear protecting her cubs. With revenge in mind, Kenai sets out into the woods only to find himself magically transformed into a bear himself. Seeing the world through the eyes of his prey, Kenai is forced to learn a lesson about nature and life. On a comic footnote: Brother Bear also features the voices of Rick Moranis and Dave Thomas as Rutt and Tuke, moose characters reminiscent of their beer-guzzling McKenzie brothers from SCTV and Strange Brew; because this is a family-oriented cartoon - and it would be inappropriate for the moose to quaff beer -- the two moose express a fondness for eating wheat hops instead. ~ Matthew Tobey, All Movie Guide

The black CEO of a magazine publishing firm is murdered. The detectives put the pieces together and collar a rabidly racist suspect. After the D.A.'s office takes over the case, the suspect's defense attorney serves up a curve ball by arguing that racism is a "mental defect." This is the first Law & Order episode in which the terrible events of September 11, 2001 were acknowledged. ~ Hal Erickson, All Movie Guide

A suicide investigation is turned over to homicide when it is revealed that the white victim may have been killed because she adopted a black baby. While trying to determine the baby's paternity, the detectives and the lawyers unearth some unpleasant secrets in the past of one of the suspects. But do these secrets have any bearing on the killing -- and even if they do, will they ever be heard by a jury? ~ Hal Erickson, All Movie Guide

A black student is murdered, and the main suspect claims that she had been previously drugged and raped by the dead man. The parents of the victim insist that the girl is lying and demand that the DA's office prosecute the case to the fullest extent of the law. The outcome hinges upon two mutually dependent "airtight" alibis. ~ Hal Erickson, All Movie Guide

A woman under the care of fertility doctor Jordan Delbert (David Margulies) dies under suspicious circumstances. An investigation reveals that Delbert has illegally donated his own sperm to expedite at least 31 pregnancies. In trying to prosecute Delbert, the D.A.'s office is stymied by the laws of confidentiality -- not to mention the fiercely self-protective "don't ask, don't tell" stance taken by the doctor's past patients. ~ Hal Erickson, All Movie Guide

Nehemiah Persoff guest stars as elderly Jewish tailor David Steinmetz, who willingly confesses "I killed the woman I love" when police find the body of his invalid wife in their apartment. Steinmetz insists that his wife begged him to help her commit suicide, but the facts do not bear this out. And then Stone (Michael Moriarty) unearths evidence that Steinmetz, who claims to have been a Holocaust survivor, may actually have been a Nazi collaborator. The climax of the story brings Stone into open conflict with Steinmetz's fiercely protective daughter (Diane Venora). ~ Hal Erickson, All Movie Guide

A double homicide yields two likely suspects: Melanie Cullen (Shirley Knight), widow of the male victim, and Douglas Phillips (David Lansbury), the obsessive ex-boyfriend of the female victim. The key to the case ultimately rests in the hands of Melanie's son, James (Geoffrey Nauffts). Jerry Orbach, who would later join the series' regular cast as detective Lennie Briscoe, is here seen in the adversarial role of the Cullens' defense attorney, Frank Lehrman. ~ Hal Erickson, All Movie Guide

A frustrated writer helps save a woman being railroaded by the law -- or is she? -- in this comic mystery with romantic overtones. Phil Blackwood (Tom Selleck) is a best-selling mystery novelist who has run into a bad case of writer's block. Hoping to find inspiration for his next book, Phil goes to the city courthouse and witnesses the arraignment of Nina Ionescu (Paulina Porizkova), a beautiful Romanian immigrant who is accused of killing a man with a pair of scissors. For Phil, it's love at first sight, and after sneaking into jail disguised as a priest, he makes her an offer. Phil offers to let her stay at his house, and he provides her with an alibi -- she can claim that she couldn't have committed the crime, because she was with him at the time of the attack. Nina agrees, but after Phil encounters a handful of dangerous foreign agents, Nina's acrobatic parents, and a highly suspicious district attorney, he begins to wonder if Nina might have committed the murder after all. Her Alibi also features William Daniels as Sam, and James Farentino as Frank Polito; the song "Falling In Love" was written and recorded for the film by Randy Newman. ~ Mark Deming, All Movie Guide

Focusing on idiosyncratic characters and culture-clash comedy, rather than on the high-tech action its title might suggest, writer-director Peter Wang's The Laserman dramatizes the personal and professional struggles faced by a young Chinese-American scientist. When a bungled experiment leads to the death of his lab assistant, laser specialist Arthur Weiss (Marc Hayashi) is forced to reevaluate his life. His family provides little solace, as his attempts to deal with his mother (Joan Copeland), a Jewish woman obsessed with Chinese culture, and his brother (Tony Leung), a petty thief, lead only to more stress. Things begin to look up for Arthur when he receives a offer from a mysterious company to resume his research, but he soon discovers that his employers hope to use his developments for questionable ends, placing him in a disturbing moral crisis. Wang crowds the film with oddball personalities, opting for a quirkier sort of comedy than in his earlier A Great Wall, a more realistic look at the Chinese-American experience. Although the sheer number of these supporting characters and subplots often threatens to overwhelm the film, it attracted positive critical response for its offbeat humor. ~ Judd Blaise, All Movie Guide

This pilot film for the TV detective series Cagney and Lacey stars Loretta Swit as Chris Cagney and Tyne Daly as Mary Beth Lacey. C and L are NYPD undercover officers, spending their first week on the job disguised as hookers. It's all part of a plan to flush out the person who's been going around beating up prostitutes. The storyline, which also includes the murder of a diamond merchant, shifts from Cagney and Lacey's street duty to their constant struggle against sexism at precinct headquarters and at home. Executive producer Barney Rosenzweig claimed that he'd come up with the idea of Cagney and Lacey after reading a Molly Haskell piece concerning the patronizing treatment of women in films. First telecast on October 8, 1981, the pilot film for Cagney and Lacey held its own opposite the season premiere of Taxi, leading to a weekly series which lasted from 1982 to 1988. But when the series proper went into production, Loretta Swit was replaced by Meg Foster, who in turn was replaced by Sharon Gless (later the wife of executive producer Rosenzweig). ~ Hal Erickson, All Movie Guide

New York's Roseland ballroom was in 1977 the traditional gathering place of senior citizens who wanted briefly to relive the good old days. Appropriately, the cast of Merchant/Ivory's Roseland includes a quartet of always-welcome showbiz veterans: Teresa Wright, Lou Jacobi, Helen Gallagher. The episodic storyline is unified by an unending flow of vintage hit songs, including "Slow Boat to China", "Stranger in Paradise" and "Rockin' Chair". The most effective vignette involves cleaning-lady Skala, whose minimum-wage job supports her weekly ballroom nostalgia-fests. The film was written by Merchant-Ivory perennial Ruth Prawer Jhabvala. ~ Hal Erickson, All Movie Guide

Scripter Paddy Chayevsky altered his successful stageplay for this routine cinematic version of Middle of the Night, emphasizing the self-centered interests of the relatives and friends who surround Jerry Kingsley (Fredric March). Jerry is a widower, a lonely but successful clothing manufacturer who falls in love with Betty Preisser (Kim Novak), one of his employees. The employee-boss relationship is one hurdle the erstwhile couple have to overcome, another is the thirty-year difference in their ages, and the last is the attitudes of the couples' relatives -- each close relative (mother, daughter, sister) feels marginated by the relationship, left out in the cold, forgotten. These attitudes do not bode well for any future walk up the aisle. Director Delbert Mann is best known for his 1955, award-winning Marty. ~ Eleanor Mannikka, All Movie Guide