Dagmar Schwarz Movies

This is the second film in a trilogy by director Axel Corti on the effects of Nazism on Austria and Austrians. In this story, set at the beginning of World War II, a group of refugee Jews have successfully fled to New York City, and despite the fact that they are technically safe from the Nazis, they have any number of daunting obstacles to overcome. One of the survivors, a teen who was rescued by Ferry, the hero whose story is told in the first film of the series, plans to go to Santa Fe, New Mexico, with the idea of becoming a cowboy. Instead, he discovers a whole community of emigres and artists living in New York, and opts to fight for his adopted country. ~ Clarke Fountain, All Movie Guide

Bruce Beresford (Driving Miss Daisy) delivers this fact-based drama about one of the most fascinating private lives of the 20th century. Alma Schindler (Sarah Wynter) was one of the most renowned young beauties in turn-of-the-century Vienna, sought after as a romantic conquest by some of the most famous men in the city, including the artist Gustav Klimt (August Schmolzer). She is won, however, by the most challenging and enigmatic artistic figure of them all, composer/conductor Gustav Mahler (Jonathan Pryce). His one demand is that she give up her own aspirations as a composer, which she has nursed for years. She agrees, and their marriage proves to be a devoted yet loveless union, producing two children but leaving Alma bereft of affection. She suppresses her frustrations as her husband's star rises, sublimating her ambitions completely. His career advances yield extraordinary music but equally notable controversies, and the marriage is riven by stress. When their oldest daughter dies, Alma's health is broken. While convalescing at a sanitarium, she meets another patient, Walter Gropius (Simon Verhoeven). He is gentle and attentive, and they begin an affair, which her husband accidentally learns of later. Their marriage survives, but Mahler also knows that he is a doomed man because of a damaged heart. After his death, Alma Mahler marries Gropius, an ambitious young architect with revolutionary ideas. Their marriage lasts but a few years, for Alma is drawn to another man, the artist Oskar Kokoschka (Vincent Perez). Kokoschka is young, iconoclastic, and daring -- all of the things that the career- and status-oriented Gropius isn't. Their affair yields a renowned painting of Alma that Kokoschka calls Bride of the Wind, a depiction of their passion amid a storm-swept background. They also conceive a child that Alma decides not to carry to term. She returns to Gropius for a time, while Kokoschka sells the painting for enough money to buy a commission in the army, and he is reported killed in action during World War I. Finally, after leaving Gropius, Alma meets a gifted author, Franz Werfel (Gregor Seberg), whom she marries. Her past catches up with her in an odd way, however, when Kokoschka returns, having survived the war and captivity -- he is still obsessed with Alma, to the point that he walks around Vienna in the company of a life-size doll of her, which he destroys in a fit of anger one night at a party. Meanwhile, in Alma's life with Franz Werfel, she finally finds peace and fulfillment, even as a composer -- the movie ends with a 1925 recital at which soprano Frances Alda (Renee Fleming) performed Alma Mahler Werfel's songs. ~ Bruce Eder, All Movie Guide