Sharon Schaffer Movies

Adrenaline loving director Tony Scott teams with iconic action producer Jerry Bruckheimer for this high flung sci-fi action thriller concerning a New Orleans based maverick ATF agent named Doug Carlin (Denzel Washington) who is brought in on a top secret government program to catch the terrorist (Jim Caviezel) responsible for a ferry bombing that kills hundreds. Able to do what most law enforcement officers only dream of, Carlin is now able to look back in time at the perpetrator's movements, and at the life of the innocent woman whose death would set the events into motion. Carlin's instincts tell him that something is amiss, however, and while the government agent who tapped him for the job (Val Kilmer) and the team of ultra-cool scientists who run the project (Adam Goldberg, Erika Alexander) tell him one story about the quantum physics behind this marvel of technology, the hotshot agent suspects that there is a greater power at their fingertips--one that might not just solve the crime at hand, but prevent it. ~ Jason Buchanan, All Movie Guide

A pair of New York City cops collaborate on a plan to rob a cash-packed subway train in this action-comedy. Charlie (Woody Harrelson) and John (Wesley Snipes) are not just co-workers and close friends but also foster brothers. Because of this family connection, the reluctant John becomes involved in the more capricious Charlie's far-fetched scheme to rob the "money train" that collects the subway's daily grosses. Charlie needs the money for gambling debts, and robbing the train would have the added benefit of angering Charlie's and John's harsh, corrupt boss Captain Patterson (Robert Blake). Romantic interest is provided by a fellow police officer (Jennifer Lopez) who sparks rivalry between the brothers, but the film's main interest is in the violent events that surround the attempted heist, which naturally proves more complicated than planned. The film attempts to capitalize on the chemistry between Snipes and Harrelson, who had previously had a hit comedy with White Men Can't Jump (1992), but Joseph Ruben's unexceptional direction and a bland screenplay by Doug Richardson and David Loughery make the film less distinctive than its predecessor. ~ Judd Blaise, Rovi

The idea of fusing teen sex-comedy and horror genres into a boffo box-office bonanza seems like classic braindead Hollywood-think... but somehow, beyond all reason, the makers of this film manage to pull it off. Much of the credit goes to director Fran Rubel Kuzui (Tokyo Pop) who chooses wisely to let the jokes and action rip by so quickly that viewers won't have time to realize there's practically nothing going on. Also excellent is Kristy Swanson as the bubble-headed cheerleader who learns from a Van Helsing-ish stranger (Donald Sutherland) that she's, like, the reincarnation of this pure female warrior and stuff, destined to rid the world -- or at least the Valley -- of vampires. No sooner is the Buffster being schooled in the ways of vampire butt-kicking (much to the consternation of meek pretty-boy beau Luke Perry) than the lead vampire (Rutger Hauer) and his leering cronies show up -- and leading up the pack is none other than Pee-Wee Herman himself, Paul Reubens. Fans of this film's popular TV offspring will appreciate the fang-sharp humor but may be surprised to find little evidence of the spooky atmosphere that permeates the series -- though there are some inspired moments, particularly the ridiculous death-by-ruler scene. ~ Cavett Binion, Rovi

In this vaguely allegorical science fiction-crime film, a Los Angeles cop tries to solve the murder of his best friend with the help of his new partner -- a member of a star-faring alien race. In the near-future world of Alien Nation, the "Newcomers" are a race of formerly enslaved humanoids seeking refuge and integration into Earth society. These unusual immigrants face anger and resentment from some humans, including Matthew Sykes (James Caan), a cop whose partner, Tug (Roger Aaron Brown), was killed in a shoot-out with several Newcomers. In order to get some insight into Newcomer society and track down the "slags" who killed Tug, Sykes volunteers to take on a new partner, Sam "George" Francisco (Mandy Patinkin), the first alien ever promoted to the rank of detective. As Sykes tries to overcome his bigotry against George and his kind, who eat raw beaver and get drunk on spoiled milk, the friendly, helpful George soon learns the identity of Tug's killer: William Harcort (Terence Stamp), a pillar of Newcomer society who is secretly manufacturing the same powerful narcotic that was used to enslave his race. It's up to Sykes and George to stop Harcort before he turns his fellow Newcomers into drooling addicts and pulls the skeletons out of his race's closet for all of humankind to see. Omen 3 director Graham Baker made his screenwriting debut with Alien Nation, as did co-writer Rockne S. O'Bannon. Kenneth Johnson, creator of the miniseries V, would adapt Alien Nation into a weekly television show in 1989 and several made-for-TV movies in the mid-'90s. ~ Brian J. Dillard, Rovi

Edward Delacorte (Robert Vaughn) is the director of the U.S. Drug Enforcement Agency who incurs the wrath of the Paradorian dictator General Belmondo (Oliver Reed) when the general's drug-dealing son is arrested. The irate dictator orders a plane carrying students from Loyola Marymount to be hijacked and flown to his South American country. Ten young women including Edward's daughter Lucy (Lisa Rinna) are held prisoner. Belmondo threatens to torture and kill them all unless his son is released within 72 hours. Piranhas feast on human flesh and the femmes create quite a stir themselves when they prove to be adept at handling semi-automatic weapons to fight the forces of the despotic dictator. ~ Dan Pavlides, Rovi

Of the three "mortgage on the farm" films of 1984 (Country and The River were the other two), Places in the Heart is the only one set during the Depression. After her husband is killed, Sally Field is forced to take over the debt-ridden Texas family farm herself. Though slightly embittered by the fact that a black man was responsible for her husband's death, Field accepts the help of another African-American, Danny Glover. She is also given aid and comfort by her blind boarder, John Malkovich. Despite almost insurmountable odds, Field manages to bring in the cotton crop and to hold her farm and family together. Throughout the film, director Robert Benton stresses the importance of solidarity in facing down disaster, underlining this point with a remarkable surrealistic finale, in which the "live" members of the cast are seen singing a hymn with the characters who have "died" in the course of the film. Places in the Heart won Sally Field her second Academy Award. ~ Hal Erickson, Rovi

Expanding on their Saturday Night Live characters, John Belushi and Dan Aykroyd star as Jake and Elwood Blues, two white boys with black soul. Sporting cool shades and look-alike suits, Jake and Elwood are dispatched on a "mission from God" by their former teacher, Sister Mary Stigmata (Kathleen Freeman). Said mission is to raise $5000 to save an orphanage. In the course of their zany adventures, the Blues Brothers run afoul of neo-Nazi Henry Gibson, perform the theme from Rawhide before the most unruly bar crowd in written history, and lay waste to hundreds of cars on the streets and freeways of Chicago. In case you aren't swept up in the infectuous nuttiness of the brothers Blue, you might have fun spotting film's legion of guest stars, including James Brown, Cab Calloway, Aretha Franklin, Ray Charles, John Candy, Carrie Fisher, Steve Lawrence, Twiggy, Paul Reubens (aka Pee-Wee Herman), Frank Oz, and Steven Spielberg. ~ Hal Erickson, Rovi