Edward Cooper Movies

This film is not only a revealing glimpse into the workings of the O.S.S. (Office of Strategic Services) during WW II, but it is also a full-fledged spy thriller. An excellent cast includes James Cagney, Karl Malden, E.G. Marshall, and Red Buttons. Cagney stars as an O.S.S. training officer, bent upon discovering a German traitor within his ranks while at the same time completing highly dangerous espionage assignments. The risks increase when one of his men is murdered from within, and Cagney, convinced he knows who the murdering infiltrator is, vows revenge. Authentic O.S.S. film footage make this film historically significant as well as entertaining. ~ All Movie Guide

A scientist discovers that he can live forever by receiving gland transplants every ten years. Unfortunately, the unwilling donors must be killed for him to survive, something that doesn't bother the scientist until he falls in love. The girl, innocent of his grisly secret, falls for him too. Unfortunately, he is due for a new transplant and the endocrinologist who has been doing the operation gets a guilty conscience and refuses to help him any more. Desperate to remain young, the scientist finds someone else. This time though, Scotland Yard gets wind and begins investigating. The girl finds out, and remains true to the scientist causing him to abandon his mad quest for eternal youth. ~ Sandra Brennan, All Movie Guide

In this crime programer, Arsene Lupin (Charles Korvin) is an expert jewel thief from France who, while aboard a train, notices that Stacie (Ella Raines), a beautiful woman from England, is travelling with a large and valuable emerald. Lupin steals the gem, but he becomes so infatuated with Stacie that he reroutes himself to Great Britain in order to return it to her. However, while in the process of doing so, he discovers that her cousin Bessie (Gale Sondergaard) is planning to murder Stacie in order to claim her inheritance. Lupin is determined to intervene to save Stacie's life, but doing so puts him at risk of being captured by Ganimard (J. Carrol Naish). ~ Mark Deming, All Movie Guide

Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, particularly the U.S. When Blimp finally did premiere in the States in 1945, it screened in a drastically cut version. The sweeping story covers several decades. It begins at the tail end of the Boer War, when handsome young British officer Clive Candy, recently back from the battlefront, is infuriated by his discovery that Deutschland papers have played up the British atrocities in South Africa, propagandistically. He grows so irate, in fact, that he travels to Germany to address the problem. Once there, he meets an attractive British educator, Edith Hunter (Deborah Kerr) who spends her days teaching English as a second language to German students. They grow close, but Candy so aggravates the local indigenes that he winds up in a duel with a German officer, Theo Kretschmar-Schuldorff (Anton Walbrook). The men wound each other and are sent to the same hospital, where they become friends. Candy - who doesn't yet realize he's fallen in love with Edith -- senses that Theo and Edith are attracted to one another, and encourages the couple's marital union. Candy subsequently returns to England, then falls for and marries Barbara (again played by Kerr), a nurse who bears a strong resemblance to Edith. She later dies, but Candy meets a third woman during WWII, Johnny (Kerr a third time), assigned to drive him from one locale to another during his campaigns. Meanwhile, Theo - disgusted by Nazi atrocities -- absconds to England, where he reencounters his old friend, now a prattering old shuffler rapidly approaching the end of his career and raving continuously about Nazi conduct (or lack thereof) in battle. Powell and Pressberger adapted Colonel Blimp from a comic strip; it became one of the hallmarks of their careers. ~ Sidney Jenkins, All Movie Guide

In this B- romance, an innocent young man endeavors to find his fortune in the Big Apple and ends up finding a dog instead. Fortunately, the furry fellow belongs to a successful businessman's daughter who convinces her daddy into giving the newcomer a job. When the earnest young man discovers errors in company files, he tells the boss, gets a promotion and a fiancee-- the boss's daughter, of course. ~ Sandra Brennan, All Movie Guide

20th Century-Fox evidently adored "triangle" comedies like Wife, Husband and Friend; apparently so did Loretta Young, who appeared in most of these films. Young plays the wife of businessman Warner Baxter, while "friend" Cesar Romero is an amorous singing teacher who convinces Young that she has a future in opera. To show up his wife, Baxter takes lessons from diva Binnie Barnes--and as it turns out, he's the one with the ideal operatic voice. The romantic quadrangle is resolved when Baxter makes a disastrous stage debut, whereupon Romero and Barnes exit and Baxter and Young realize the error of their ways. Wife, Husband and Friend was remade in 1949 as Everybody Does It, with Paul Douglas (of all people) as the would-be Caruso. ~ Hal Erickson, All Movie Guide

Both film versions of Phillip Barry's stage comedy Holiday have their merits, but the 1938 version has the added advantage of supercharged star power. Katharine Hepburn and Doris Nolan play Linda and Julia Seton, two daughters of a very well-to-do family. Linda feels a bit lost in the shuffle as sister Julia prepares to marry self-made financier Cary Grant. Hepburn has always rebelled against her privileged trappings, and finds a kindred spirit in the unorthodox, iconoclastic Grant. On the verge of compromising his down-to-earth values with his marriage to the wealth-obsessed Nolan, Grant chooses instead to plight his troth with soul-mate Hepburn, celebrating his "liberation" by doing several cartwheels. Donald Ogden Stewart is careful to bring the pre-Depression frivolities of the Barry play up-to-date, first by changing the character of Grant's best friend (played in both films by Edward Everett Horton) from a lazy socialite to a dedicated professor, and by including several lines indicating how out of touch the privileged classes are--and choose to remain--with 1930s realities. The only element in which the remake does not improve on the original is in the casting of Hepburn's alcoholic younger brother; charming though Lew Ayres is in the 1938 film, he is still outclassed by Monroe Owsley in Holiday (1930). Katharine Hepburn managed to temporarily defray her "box office poison" onus when Holiday proved to be a success; alas, her next film, Bringing Up Baby (which reteamed her with Grant), was a financial bust, compelling her to return to Broadway--where she made a spectacular comeback in another Philip Barry play, The Philadelphia Story. ~ Hal Erickson, All Movie Guide

Legendary British musical-comedy favorite Jessie Matthews chalks up another winner with Head Over Heels in Love. The ever-charming Matthews plays Jeanne, a Parisian entertainer who manages to get herself in hot water with the French version of Actors' Equity and is forced to take a series of jobs under a series of assumed names. Meanwhile, a romantic triangle involving American film star Norma (Helen Whitney Bourne) and gangsters Pierre (Robert Flemyng) and Marcel (Louis Borrell) spells big trouble for all concerned -- including the plucky Jeanne. Highlighted by six sprightly song numbers, Head Over Heels in Love is our girl Jessie's vehicle all the way, and never mind the "main" plot. The film was directed by Sonnie Hale, who just so happened to be the star's husband. ~ Hal Erickson, All Movie Guide

Director Roy Del Ruth and singing star Dick Powell were raided from the Warner Bros. stables for this frothy musical comedy that features a wonderful collection of Irving Berlin songs, including "I've Got My Love to Keep Me Warm" and "Slumming on Park Avenue." Powell stars as Broadway impresario Gary Blake, who is busy putting together his latest Broadway musical starring the Ritz Brothers (as themselves) and musical comedy star Mona Merrick (Alice Faye). Mona's role as "The Richest Girl in the World" is a blunt burlesque of Park Avenue socialite Mimi Caraway (Madeleine Carroll), who catches a performance and becomes enraged at the not-so-subtle ribbing. Mimi goes backstage to protest Mona's performance to Gary, who is immediately attracted to Mimi and agrees to tone down the role. Unfortunately, Mona, who was once Gary's girlfriend, has other ideas. When Mimi and her family come to the next performance, they are shocked to discover Mona's character is even more nasty and self-centered than before. In retaliation, Mimi and her family buy out the production and Mimi makes changes that even the moony Gary objects to. ~ Paul Brenner, All Movie Guide

Based on a novel by Kathleen Shepard, Human Cargo is a lively, tongue-in-cheek melodrama purporting to expose the alien smuggling racket. Claire Trevor and Brian Donlevy star respectively as dizzy society reporter Bonnie Brewster and dedicated crime journalist Packy Campbell, who join forces long enough foil the villains. Their efforts take them from Los Angeles to Vancouver to L.A. again, with a few thrill-packed stopovers along the way and a particularly exciting climax on board the criminal mastermind's yacht. Highlights include Bonnie's efforts to pass herself off as a Frenchwoman (she manages to convince the bad guys, if not the audience) and some startlingly frank dialogue regarding drug addiction. Rita Cansino, still not yet billed as Rita Hayworth, is quite alluring as a Latina dancer who is killed off early in the proceedings by triggerman Tony Sculla (Ralf Harolde). ~ Hal Erickson, All Movie Guide

Warner Baxter and Myrna Loy star as a husband and wife who've been married ten years...but they might not make it to eleven. The husband is a businessman who has rebuilt his fortune after the 1929 crash. The wife has stood by her man through thick and thin, rich and poor. Now it's 1935, and the husband has changed due to success; he's grasping, selfish and increasingly neglectful. The wife plans to divorce him and marry their best friend Ian Hunter, but the friend, despite his own affection for the woman, engineers the couple's reunion. Based on a nostalgic novel by Richard Sherman, To Mary--with Love is another choice example of the multiple-flashback technique being utilized long before it was "discovered" for Citizen Kane. ~ Hal Erickson, All Movie Guide

Kay Francis stars as Stella Parish, a London stage favorite who suddenly disappears without a trace. British news correspondent Keith Lockridge (Ian Hunter) girdles the globe in search of Stella, who has left her beloved daughter Gloria (Sybil Jason) in the care of an aunt (Jessie Ralph). Finally locating his quarry, Lockridge learns that Stella dropped from view to hide the fact that she once served a jail sentence as an accessory to murder. He promises to kill the story for Gloria's sake, but his dispatch is inadvertently published away, forcing Stella into a tawdry career as a "freak" stage attraction (not unlike Evelyn Nesbit Shaw). After hitting rock-bottom in a burlesque show, Stella is rescued by her old director Stephan Norman (Paul Lukas), who invites her to revive the show she was starring in at the time of her disappearance. Little does she know that this comeback has been arranged by Lockridge, who hopes to atone for betraying her trust. All roads lead to a tear-stained reunion between Stella and her daughter, a denouement as inevitable as death and taxes. For years, it was believed that Errol Flynn played an unbilled bit in I Found Stella Parish, but a researcher in the late 1960s discovered that the Flynn look-alike was actually Francis X. Bushman Jr. ~ Hal Erickson, All Movie Guide

William Randolph Hearst's Cosmopolitan Productions moved from MGM to Warners with Page Miss Glory--along with Cosmopolitan's biggest commodity, actress Marion Davies. The plotline has something to do with a composite photo prepared for a magazine contest: The combined facial attributes of Garbo, Dietrich, Harlow and Kay Francis make up this picture, which wins an award for photographer Pat O'Brien. When pressed to produce his fictional "Miss Glory," O'Brien scours the country in search of the girl whose face matches the composite. And that's where lowly chambermaid Marion Davies comes in. After a dizzying taste of fame and fortune, Davies renounces her new celebrity for the love of Dick Powell. The title song of Page Miss Glory was given a more entertaining showcase in the "art deco" Warner Bros. cartoon Miss Glory. ~ Hal Erickson, All Movie Guide