Didier Sauvegrain Movies

Touted in many circles as a response to The Dreamers (2003) -- Bernardo Bertolucci's ode to Paris in May 1968 -- Philippe Garrel's Regular Lovers (aka Les Amants Réguliers) explores the same events cinematically but undertakes a wholly unique aesthetic and temporal approach. The director follows his central characters, a young man named François and his clique of friends, as they experience the aftermath of the events and grapple with their attempts to understand what has just occurred. Garrel's familiarity with The Dreamers came by default; his son, Louis, starred in that earlier work, and plays François in this film. ~ Nathan Southern, All Movie Guide

Two people with a similar fetish for the exotic Asian fabric have an odd relationship in this off-beat French romance set in 1914. In the beginning, Marie enters a Paris department store and carefully heads for the fabric part. With cat-like caution she moves beside a bolt of silk, suddenly pouncing upon it, slashing the fabric with a straight razor and the pressing its cool satiny smoothness to her body until she faints with pleasure. Upon regaining consciousness, Marie finds herself booked for shoplifting and sent to a psycho ward where she meets Doctor Gabriel who asks her surprisingly intimate questions about her fetish for stealing silk in public. He seems to relish every erotic detail. Knowing that she is unable to control her passionate urges, she decides that she needs to be imprisoned. While serving her time and finally leaning to read and write, Dr. Gabriel fights the Germans in North Africa. A wound prompts his discharge and this gives him the chance to pen his case study of Marie, "The Scream of the Silk." The newly literate Marie reads the article, sees herself and sends him a heartfelt letter of thanks. Gabriel responds, confessing that he too is a 'silko-phile' with a similar obsession. Via their letters, the two slowly fall in love while Gabriel's doting housekeeper watches over him. ~ Sandra Brennan, All Movie Guide

Jacques Rivette directed this richly detailed six-hour drama based on the story of Joan of Arc. In Part one, "Les Batailles," Jeanne the Maid (Sandrine Bonnaire) leaves her childhood home in Domremy after hearing what she is sure was the voice of God. She believes that she can help lead France to victory on the battlefield, and she persuades Charles, dauphin of France (Andre Marcon) to allow her to guide his troops. Part two, "Les Prisons," concerns the sad aftermath of Jeanne's defeat at Orleans. Jeanne is sent to prison, where in two separate trials she is tried for heresy and impersonating a man, with both her life and the sanctity of her mortal body at stake. A four-hour version, with each of the two parts trimmed down to two hours, is also available. ~ Mark Deming, All Movie Guide

Sarraounia was co-produced by financiers in both France and the country of Burkina Faso (formerly known as The Upper Volta). Mixing equal parts fact and fiction, this historical epic traces the rise of 19th-century Queen Sarraounia of Azna. Sarraounia holds her place in a traditionally patriarchal society by sheer physical strength -- and, according to legend, she is also an accomplished sorceress. In 1899, two xenophobic French officers go on a mission to thwart the uprising of Sultan Rabah in the Cameroon. Ignoring orders from the French government, these renegade officers kill anyone who crosses their path. But then they come face to face with Queen Sarraounia . . . . Lynn Watts plays the title role in this 130-minute adaptation of the popular book by Abdoulaye Mamani. ~ Hal Erickson, All Movie Guide

Meant to be an action-packed thriller about city gangs fighting for a piece of a lucrative drug shipment, this mindless, violent, stereotyped series of killings ruins credibility by its own excesses. A crooked, neo-Nazi police inspector supplies his gangland cohorts with weapons to slaughter the Vietnamese, black, and Arab gangs fighting for the upper hand in the drug trade. Before the final showdown, an undercover cop (Daniel Auteuil) tries to prevent the bloodshed and faces one defeat after another as his connections and informants are killed. ~ Eleanor Mannikka, All Movie Guide

Roads to the South is often omitted from the "official" lists of Joseph Losey's films, principally because it was made for French television rather than theatres. Conceived by screenwriter Jorge Semprun and star Yves Montand as a sequel to Alain Resnais' La Guerre est Finie, the film details the further misadventures and disillusionments of Larrea, an aging old-line leftist (Montand). We find the protagonist a member of the European Establishment, embittered because he has been shut out from the radical movement of the 1970s. Now a wealthy author, Larrea from time to time yearns for the excitement of his antifascist days, but the parade has passed him by. He ultimately reverts to his old ways, with startlingly violent results. Co-scripted by director Losey Roads to the South was originally titled Les Routes du Sud. ~ Hal Erickson, All Movie Guide

The furniture factory in which all the young guys in this film work is also full of older workers who make fun of their long hair, which for them is a badge of their independence. The boss, particularly, thinks long hair on men is dirty. When they refuse to cut their hair, he finds an excuse to fire them. The meaning of long hair is felt particularly deeply for one fellow, a painter, who, when he succumbs to his fathers' pleas that he cut his hair, turns his paintings to the wall and burns himself to death. ~ Clarke Fountain, All Movie Guide