Clancy Cooper Movies

Convicted stars Glenn Ford as a hotheaded young man convicted of manslaughter. Broderick Crawford plays a sympathetic warden (formerly a tough DA) who tries to help Ford adjust to prison life, eventually giving the lad responsibilities in the warden's office. Ford witnesses the killing of a stoolie by another convict (Millard Mitchell), but adheres to the prison "code" and refuses to talk, even though it means he will be accused of the killing. Mortally wounded by a guard in a subsequent fracas, the real murderer confesses and Ford escapes the electric chair--into the arms of the warden's daughter (Dorothy Malone), with whom he has fallen in love. Convicted was the third film version of Martin Flavin's 1929 stage play The Criminal Code. ~ Hal Erickson, All Movie Guide

Jimmy Durante plays the patriarch of a down-on-their-luck family of acrobats, who suddenly finds a great deal of money hidden in his house amid the depths of the Great Depression. The authorities suspect Durante of being a thief, but in fact the culprit is a benevolent little squirrel named Rupert. This clever critter has been pilfering money from the obnoxious, wealthy miser who lives in the adjoining house and who decided to stash most of his funds in the wall separating the two residences. The stop-motion animation is the handiwork of George Pal. ~ Hal Erickson, All Movie Guide

Marsha Hunt seems far too mature and intelligent for the pulpish goings-on in Mary Ryan, Detective. Still, Hunt was a pro (for that matter, she still is), and she managed to survive this Columbia "B" without egg on her face. Assigned to get the goods on a notorious fence, detective Mary Ryan (Hunt) poses as a prison inmate to gain the confidence of one of her quarry's confederates. Upon being sprung from jail, Mary goes to work for the fence--and, predictably, nearly gets bumped off when her ruse is revealed. Featured in the cast are such crime-meller habitues as John Dehner, Ben Welden, Paul Bryar and Ralph Dunn. ~ Hal Erickson, All Movie Guide

In this compelling and unusual psychological melodrama Ann Sutton (Gene Tierney), a woman tormented by her secret kleptomania seeks help from a unscrupulous hypnotist David Korvo (Jose Ferrer). Although she is married to a successful psychiatrist (Richard Conte), and has no need to steal the items which she could easily purchase, she finds herself powerless to control her urge. She is finally caught when she attempts to steal a brooch from a department store but she is saved by Korvo who persuades the store not to prosecute. Grateful and desperate for help, Ann allows Korvo to treat her. Korvo, taking advantage of Ann's vulnerability, hypnotizes her and sends her to the home of a former mistress whom he has stolen money from and subsequently murdered when she threatened to turn him in to the police. Ann is charged with the murder. Convinced of his wife's innocence, Richard must crack Korvo's seeming airtight alibi. Richard tricks Korvo into returning to the scene of the crime to find some evidence in the exciting conclusion. This unusual tale of murder and mental illness was written by a blacklisted Ben Hecht under the pseudonym "Lester Barstow" and bears a striking resemblance to another Hecht thriller, Alfred Hitchcock's Spellbound. ~ Linda Rasmussen, All Movie Guide

Though her acting range was limited, Wanda Hendrix was cute as all get out, and this cuteness is pretty much all that's required from her in Song of Surrender. The film is set in a small town of the early 1900s. Hendrix is cast as Abigail Hunt, the young bride of fiftyish museum curator Elisha Hunt (Claude Rains). Their connubial bliss is threatened when attorney Bruce Eldridge (Macdonald Carey) falls in love with Abigail, and she with him. When her neighbors discover her indiscretions, Abigail is driven from town. It is only during a near-tragedy that Abigail realizes that her true place is with her aging husband. Still, the script manages to wangle a happy ending for everyone concerned. Of interest in Song of Surrender is the utilization within the plotline of several vintage Enrico Caruso recordings. ~ Hal Erickson, All Movie Guide

In this musical drama set at the turn-of-the-century, a saloon singer marries a wealthy attorney and then begins fooling around with a series of lovers, including a boxier, his manager, and a powerful owner of a railroad who takes her to New York where she becomes a Broadway star. Unfortunately, her happiness is short-lived when her sordid past catches up with her, and she is shot. Songs included the title song "Sweetie Pie," "I'd Be Lost Without You," "Ace in the Hole," and "Sweetheart of the Blues." ~ Sandra Brennan, All Movie Guide

Eagle-Lion studios inaugurated its new "big budget" western policy with 1948's The Man From Texas. James Craig stars as the El Paso Kid, who can't make up his mind whether to be an upstanding, decent citizen or a masked bandit. He continues to vacillate all through the picture, much to the dismay of his wife Zoe (Lynn Bari, in a rare sympathetic performance). Among those benefitting from the Kid's "good" spells is the Widow Weeks (Una Merkel), who's in danger of losing her farm. Singing star Johnnie Johnston wanders in and out of the proceedings as a frontier balladeer, occasionally commenting upon the action -- a device later used to better effect in Lang's Rancho Notorious and Zinneman's High Noon. ~ Hal Erickson, All Movie Guide

Having struck gold with the previous season's Dillinger, the King Brothers returned to Monogram as producers of The Gangster. Adapted by Daniel Fuchs from his own novel Low Company, the film stars Barry Sullivan as flint-faced racketeer Shubunka. Shown to be a product of the slums, Shubunka spends his adulthood in pursuit of power and riches, with no time for friendship or romance. Wounded in a gangland shootout, Shubunka ruminates on his past, present and (unlikely) future, wondering if it's all been worth it. Promoted as a "psychological" drama, The Gangster has plenty of gunplay and bloodshed to satiate action fans, and a surfeit of sex appeal in the form of gangster's moll Nancy (played by Monogram's resident skating star Belita). Prominent in the supporting cast is the ineluctable Sheldon Leonard as Shubunka's chief rival, delivering a subtler variation on his patented tough-guy screen persona. The Gangster was directed by Oscar-winning art director Gordon Wiles, later a mainstay of such TV series as Land of the Lost and Rowan and Martin's Laugh-In. ~ Hal Erickson, All Movie Guide

Lucille Ball offers a seminal version of her Lucy Ricardo TV character in Her Husband's Affairs. Ball is cast as Margaret Weldon, the wife of advertising executive William Weldon (Franchot Tone). Though Weldon is successful, Margaret can't help but feel that he'd be more successful if she were to take an active part in his business affairs. The fun really begins when Margaret tries to help Weldon promote a crackpot inventor (Mikhail Rasumny) who's come up with a revolutionary new embalming fluid. As in the previous year's The Hucksters, Madison Avenue and Big Business are targetted for a great deal of derisive ribbing. If only Her Husband's Affairs were as funny as everyone involved seems to think it is. ~ Hal Erickson, All Movie Guide

In this slick melodrama, a sort of film-noir for women, a nightclub singer has an affair with an unhappily married San Francisco doctor. Though the physician desperately wants to leave his wife, he lacks the courage to ask for a divorce. In retaliation, the singer accepts an offer to move East and start up a new club in New York. Lost without the singer, the doctor is without option until his partner suddenly dies. With a burst of inspiration, he fakes his own death and flees to New York. Later, he is horrified to learn that his death has been officially declared a homicide, and so he goes into hiding in the singer's apartment. To cope with his fear and the increasing success of his lover, the physician begins drinking heavily. This only makes him paranoid and more depressed and he begins to suspect his lover is having an affair. Upon confronting the "lover," a fight ensues, the doctor wins, and thinking he killed his rival, he takes off -- only to end up in a horrible traffic accident that leaves his face unrecognizable. Though plastic surgery gives him a new identity, it is at that time that he is arrested and sent back to California to stand trial for his own murder. Rather than burden his family with the shock that he is still alive, the doctor insists that his lover keep mum, and he stoically goes to trial where he is sentenced to Death Row. Beautifully photographed by James Wong Howe in typically expressionistic style, the film focuses on the desperation and entrapment of the characters and expresses a true bleak, fatalistic film-noir sensibility which makes this film unique in the genre. ~ Sandra Brennan, All Movie Guide

Nightmare Alley is the sordid tale of a conniving young man who, in the words of one of the film's supporting characters, ends up low because he aimed so high. Drifter Tyrone Power sweet-talks his way into a job as barker for a rundown carnival. He is fascinated by an illegal side-show attraction called "The Geek," a near-lunatic who bites the heads off live chickens and then is "paid off" with a cheap bottle of rotgut and a warm place to sleep it off. Otherwise, Power's attention is focussed on a beautiful if slightly stupid carnival performer (Coleen Gray) who works in an "electricity" act with an equally dense strongman (Mike Mazurki). Power also befriends an alcoholic mentalist (Ian Keith), who demonstrates how easy it is to fool an audience into thinking that his mind reading is genuine. When the mentalist dies after accidentally drinking wood alcohol, Power works his way into the confidence of the performer's widow (Joan Blondell), who teaches Power all the tricks and code words of the mind-reading racket. Power walks out on Blondell in favor of Cathy Downs, who marries him and becomes his partner in a classy nightclub mentalist act. But Power is dissatisfied with show business, and with the help of a beautiful but shifty psychiatrist (Helen Walker) he convinces several wealthy people that he can communicate with their dead loved ones...for a price. One elderly millionaire (Taylor Holmes) offers Power a fortune if he can conjure up the spirit of the millionaire's dead daughter. Power enlists his wife to impersonate the deceased girl, but at the crucial moment she has an attack of conscience and exposes the fraud. His career ruined, Power goes to the crooked psychiatrist for help, but she laughs in his face and calls the cops. He escapes the law by going on the bum, and before long is a drunken derelict. When he approaches a carnival for work, he is told that there is only one job open...as a "geek." When asked if he wants the job, the defeated Power replies "Mister, I was born for it." Based on a lurid bestseller by William Lindsay Gresham, Nightmare Alley was Tyrone Power's attempt to break away from romantic leads in favor of roles with more substance. The picture wasn't a success, but it proved that Power was more than just a pretty face. ~ Hal Erickson, All Movie Guide

George Taylor (John Hodiak) is a war veteran suffering from amnesia with only two clues to his past: the bitter letter from a woman who hates him and another mysterious letter signed "Larry Cravat." Taylor goes to Los Angeles to meet Cravat. It turns out that Cravat is wanted for murder and the robbery of $2 million. George becomes involved with a singer, Christy (Nancy Guild) and is chased by mobsters while on a search for the stolen money. There ensue a series of chases, an interesting plot twist and a surprise ending as John learns the true identity of Cravat.Somewhere in the Night is the quintessential "amnesia victim" as protagonist film, somewhat slow, but nevertheless, engrossing and suspenseful. ~ Linda Rasmussen, All Movie Guide