Wally Rose Movies

Inspired by the radio program of the same name, Night Editor features Charles D. Brown as the editor of the New York Star. In flashback, the editor tells the tale of police lieutenant William Gargan, who forsakes his happy home life for the love of no-good society dame Janis Carter. Both Gargan and Carter begin cheating on their respective spouses, and while on a romantic rendezvous the couple witnesses a murder. They can't report the crime without revealing their own infidelities, a dilemma which leads to blackmail, double-crossing and a second murder attempt. A twist ending caps this snappy little 65-minute morality play. The script of Night Editor was based on the story "Inside Story" by Scott Littleton, previously dramatized on the Night Editor radio series. ~ Hal Erickson, All Movie Guide

Burt Lancaster had one of his first starring roles in this hard-hitting prison drama. Capt. Munsey (Hume Cronyn) is a cruel, corrupt prison guard who has his own less-than-ethical ways of dealing with inmates, enough so that Joe Collins (Lancaster) -- the toughest inmate in the cell block -- has decided to break out. Collins tries to persuade Gallagher (Charles Bickford), the unofficial leader of the inmates and editor of the prison newspaper, to join him, but Gallagher thinks Collins' plan won't work. However, Collins does have the support of his cellmates, most of whom, like himself, wandered into a life of crime thanks to love and good intentions. Tom Lister (Whit Bissell) was an accountant who altered the books so he could buy his wife a mink coat. Soldier (Howard Duff) fell in love with an Italian girl during World War II and took the rap for her when she murdered her father. Collins pulled a bank job to raise money to pay for an operation that could possibly get his girl out of a wheelchair. And Spencer (John Hoyt) made the mistake of getting involved with a female con artist. After Munsey drives Tom to suicide and prevents Gallagher from obtaining parole, Gallagher joins up with Collins and his men in the escape attempt. Director Jules Dassin would next direct the influential noir drama The Naked City; six years later, he would move to Europe after political blacklisting prevented him from continuing to work in the United States. ~ Mark Deming, All Movie Guide

In this drama, a California artist abandons his work to become a New York prizefighter after he falls in love with a married nightclub singer. Her husband was a fighter, but suffered a crippling accident in the ring and was unable to fulfill his lifelong dream of becoming the world champion. The husband decides to live out his dream through the artist and begins tutoring him. Things go well until the hubby discovers that the artist has been sleeping with his wife. He then begins giving the artist bad advice so he will get creamed in the ring. Fortunately for the artist, he wins the Big Fight. ~ Sandra Brennan, All Movie Guide

The Milkman is a low-key variation of a theme explored in such slapstick festivals as The Fuller Brush Man and The Yellow Cab Man. Donald O'Connor plays Roger Bradley, who hopes to become a top-flight milkman to please his father (Henry O'Neill), the owner of the milk company. Jimmy Durante co-stars as Breezy Albright, the older milkman who teaches Roger the ropes. After several comic set pieces, the plot rears its ugly head in the form of John Carter (Jess Barker), the nephew of rival milk-company proprietress Mrs. Carter (Elizabeth Risdon). Carter has gotten mixed up with a nasty bunch of gamblers, led by Mike Morrel (William Conrad). This leads to an exciting, albeit chucklesome finale wherein Roger, Breezy and ingenue Chris Abbott (Piper Laurie) combine forces to rout the bad guys. ~ Hal Erickson, All Movie Guide

Spartacus (Kirk Douglas) is a rebellious slave purchased by Lentulus Batiatus (Peter Ustinov), owner of a school for gladiators. For the entertainment of corrupt Roman senator Marcus Licinius Crassus (Laurence Olivier), Batiatus' gladiators are to stage a fight to the death. On the night before the event, the enslaved trainees are "rewarded" with female companionship. Spartacus' companion for the evening is Varinia (Jean Simmons), a slave from Brittania. When Spartacus later learns that Varinia has been sold to Crassus, he leads 78 fellow gladiators in revolt. Word of the rebellion spreads like wildfire, and soon Spartacus' army numbers in the hundreds. Escaping to join his cause is Varinia, who has fallen in love with Spartacus, and another of Crassus' house slaves, the sensitive Antoninus (Tony Curtis). The revolt becomes the principal cog in the wheel of a political struggle between Crassus and a more temperate senator named Gracchus (Charles Laughton). Anthony Mann was the original director of Spartacus, eventually replaced by Stanley Kubrick, who'd previously guided Douglas through Paths of Glory. The film received 4 Academy Awards, including Best Supporting Actor for Ustinov. A crucial scene between Olivier and Curtis, removed from the 1967 reissue because of its subtle homosexual implications, was restored in 1991, with a newly recorded soundtrack featuring Curtis as his younger self and Anthony Hopkins standing in for the deceased Olivier. ~ Hal Erickson, All Movie Guide

This exploitation crime drama offers a fictionalized account of John Dillinger just before he became known as one of the most ruthless mobsters of the 1930s. The tale begins as Dillinger and his girlfriend try to rob her daddy's safe and get caught red-handed. Dillinger takes the fall and goes to the joint where he encounters some of America's most infamous gangsters including Pretty Boy Floyd and Baby Face Nelson. Dillinger helps them all escape and together they become some of the most fearsome criminals ever. Because he is considered Public Enemy No. 1, Dillinger decides to undergo a total face transformation. Following the operation, he kills the surgeon, who was trying to force himself on Dillinger's moll. Later, he wrongs her and this ultimately leads to tragedy for him and for her. Keep an eye out for background people dressed in 1960s clothing, quite an anomaly for a film set in the '30s. ~ Sandra Brennan, All Movie Guide

The fourth Planet of the Apes film is set in 1991, 20 years since the assassination of talking, time-traveling apes Cornelius and Zira at the end of Escape From the Planet of the Apes. The couple's infant son, Caesar (Roddy McDowall), has grown to adulthood in the care of kindly circus owner Armando (Ricardo Montalban). Meanwhile, a plague has wiped all dogs and cats from the face of the Earth; speechless primitive apes have therefore been domesticated and turned into first pets, then servants of humankind. Caesar becomes outraged at the treatment of these simian slaves and accidentally reveals his powers of speech in front of the militaristic authorities, who kill Armando when he tries to protect his friend's identity. His cover blown, Caesar kick-starts a revolution that pits chimps against humans, paving the way for eventual ape ascendency. Caesar was the second of McDowall's three Planet of the Apes characters; he also portrayed Cornelius in the first and third films and Galen in the short-lived 1974 television series. After taking over the franchise with this picture, Hollywood veteran J. Lee Thompson would become the only director to helm two Planet of the Apes films when he returned for the fifth and final installment. ~ Brian J. Dillard, All Movie Guide

The Day of the Locust is anything but a cheerful, light look at Hollywood in the '30s. It recreates both the town as well as the filmmaking world around which much of the town revolved with devastating accuracy. The movie tells the twin tales of talentless wannabe actress Faye Greener (Karen Black) and Homer Simpson (Donald Sutherland), a lovelorn accountant who couldn't care less about movies. Around this framework, a huge and intricate social network is tellingly revealed, until the film's gruesome and tragic ending. Not for those who prefer to hang onto their illusions about the glory days of Hollywood, The Day of the Locust, based on the novel by Nathanael West, is a must-see for serious film buffs. ~ Clarke Fountain, All Movie Guide

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, All Movie Guide

In The Man With Bogart's Face, an affectionate send-up of the Bogart detective films of the 1940s, Robert Sacchi plays a man who idolizes Humphrey Bogart so much he has his features altered to look exactly like his idol. He then opens up a detective agency under the name Sam Marlowe (an amalgam of the names of Bogart's characters from The Maltese Falcon and The Big Sleep). Sam hires the Duchess (Misty Rowe) as his secretary ("She looked like Marilyn Monroe and made about as much sense as Gracie Allen") and "Sam Marlowe, Private Eye" is in business. Sam gets a meager response until a shooting puts his picture in the paper and business starts to flourish. Particularly attracted to Marlowe's services are a collection of characters -- Gena (Michelle Phillips), an attractive Gene Tierney type; Commodore Anastas (Victor Buono), a Greek shipping tycoon and Sidney Greenstreet lookalike; and the mysterious Mr. Zebra (Herbert Lom doing a Peter Lorre imitation). They are all trying to find the famous Eyes of Alexander -- a priceless set of stones from a statue of Alexander the Great. Also on hand are old Hollywood pros George Raft, Yvonne DeCarlo and Mike Mazurki. ~ Paul Brenner, All Movie Guide

This made-for-TV comedy postulates that, someday, members of carpools will be selected by computer. The four so anointed herein are Harvey Korman, Peter Scolari, T.K. Carter and Stephanie Faracy. Their lives go along in their usual luckless fashion until the quarter of mismatched "poolers" find themselves in possession of a million dollars that has fallen from an armored car. But ex-cop Ernest Borgnine has his eyes on the loot as well, and the chase is on. Basically a bargain-basement It's a Mad Mad Mad Mad World, Carpool first aired October 5, 1983. ~ Hal Erickson, All Movie Guide

This family drama centers on an Irish brood in which the father and his two sons work as prizefighters. Both the boys are quite talented, but each has chosen a dramatically different means of exploiting their talent. With help from his father, the youngest boy is working for the Olympics. The eldest has involved himself with corrupt promoters. This naturally creates considerable conflict within the family ranks. ~ Sandra Brennan, All Movie Guide