Waldo Roeg Movies

At the 1998 Cannes Film Festival, American independent director Todd Haynes (Safe) received the "Artistic Achievement" award for this re-creation of the UK glam rock scene of the early '70s. Glam rock star Brian Slade (Jonathan Rhys Meyers), who does a character named Maxwell Demon, predicts his own death onstage. As per his prediction, this happens, but when the killing is exposed as a hoax, it marks the end of Slade's stardom. A decade later, in 1984, Brit reporter and former Slade fan Arthur Stuart (Christian Bale), who witnesses the hoax murder, gets the assignment to do a "Whatever Happened To..?" article, and the film's plot suddenly goes into a prismatic Citizen Kane mode, reflecting various angles on Slade's life and career. Arthur visits the wheelchair-bound Cecil (Michael Feast), who discovered Slade, and then tracks Slade through his early life and his initial encounter with outrageous, maniacal American singer Curt Wild (Ewan McGregor). Slade's rise begins as manager Jerry Divine (Brit comedian Eddie Izzard) moves in to take over the performer's career. Ex-wife Mandy Slade (Toni Collette), interviewed by Arthur in a dimly lit nightclub, has memories going back to their initial 1969 Sombrero Club encounter. Their marriage paralleled his Bowie-like ascent to fame as an innovative, bisexual rock star pushing the limits. Idolized by teens, Slade teamed up for a while with the drug-addicted Wild. Eventually, the marriage of Mandy and Slade comes to an end, and she hasn't seen him in seven years when she's interviewed by Arthur. The soundtrack features vintage music by Bryan Ferry, Lou Reed and Brian Eno, plus new tunes. Some background on the making of Velvet Goldmine is documented in producer Christine Vachon's book Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (Avon, 1998) by Vachon with Slate film critic David Edelstein. ~ Bhob Stewart, All Movie Guide

Maverick filmmaker Sally Potter, who won acclaim in 1993 with the gender-bending, history-warping Orlando, returns to her dancing roots with The Tango Lesson. Potter wrote, directed, and starred in the film, also assembling the soundtrack, dancing, and even singing the film's final song. Potter was trained as a dancer in London in the 1970s before turning to film. Here, she plays Sally, a character who is essentially herself. Sally is a screenwriter suffering from writer's block and dissatisfaction with her own project, a murder mystery movie called Rage which focuses on the fashion industry. To take a break, she travels to Paris, where she sees the dancer Pablo Veron perform the tango. She becomes obsessed with the dance and offers Veron a part in her film in exchange for lessons. The two become deeply involved as dancers and as lovers, and their emotional intimacy threatens the success of their dancing together. The film is shot mostly in black and white, except for some dream sequences in which Sally fantasizes about her film project. Veron performs many modern dance numbers, including tap and ballroom dancing, as part of his tango repertoire. ~ Michael Betzold, All Movie Guide

Loosely based on a story by Honore de Balzac, this historical drama is set in Egypt in 1798, as Napoleon was leading the French army into the Middle East. Officer Augustin Robert (Ben Daniels) has been assigned to escort artist Jean-Michel Venture de Paradis (Michel Piccoli), who is to record and catalog his findings as he studies the archeological and artistic treasures of the region before they're destroyed in battle. Augustin and Venture find themselves separated from the platoon with which they travel, and as they split up in hopes for finding water and shelter, Venture is driven mad by thirst and resorts to drinking his paints to survive. However, Augustin is befriended by a wild leopard, and he develops an unspoken communication with the animal that saves his life and teaches him a new understanding of other creatures. A Passion in the Desert was produced, directed, and adapted for the screen by Lavinia Currier; it was her first feature film. ~ Mark Deming, All Movie Guide

A scientist finds himself walking a fine line between reason and fantasy in this family-oriented drama. Dr. Jonathan Dempsey (Ted Danson) is an American scientist who has devoted his career to searching out the truth behind contemporary legends and psudeo-scientific phenomena like Bigfoot, which has not gained him much credibility among his peers. Dempsey's superior, Dr. Mercer (Harris Yulin), has a new project that would seem to be right up his alley -- Mercer wants Dempsey to travel to Scotland to prove once and for all that there is no such thing as the Loch Ness Monster. Dempsey takes the assignment and settles into a small hotel near the Loch run by Laura MacFeteridge (Joely Richardson), a single mother with a young daughter, Isabel (Kirsty Graham). Isabel strikes up an immediate friendship with Dempsey while her mother soon takes a more mature interest in the American scientist, but most of the locals don't take kindly to the notion of an outsider flying in to prove that Nessie isn't real, especially the town's self-proclaimed monster expert the Water Bailiff (Ian Holm). What Dempsey does learn about Nessie surprises him a great deal -- and so does his decision about what to do with his findings. Jim Henson's Creature Shop pitched in for the special effects sequences with Nessie. Loch Ness was released theatrically in Europe, but had its American premiere as a network television presentation. ~ Mark Deming, All Movie Guide

Eleven-year-old Charlotte Burke, the neglected daughter of Ben Cross and Glenne Headley, passes out on the school playground and dreams of visiting a house she'd previously drawn in her composition book. She imagines another visit to her "paper house" while playing hide-and-seek. Experimenting, Burke draws a figure in the window of the house; the next time she dreams, she meets a young boy, as lonely as she. Convinced that she wields a large degree of power in her pencil, Burke draws a picture of her father, Cross, hoping that in doing so he will return home. But Burke is dissatisfied with the picture, and crosses it out--whereupon Cross shows up in her dreams as a murderous stalker. What happens next is a maelstrom of psychological horror, told completely from the child's point of view. Paperhouse is based on Marianne Dreams a novel by Catherine Storr. ~ Hal Erickson, All Movie Guide