Roderick Cook Movies
- 1990
In this drama, a group of impressionable students become the unwitting subjects for an evil white supremacist's schemes to twist the teachings of a prominent professor to promote a highly subversive form of neo-Nazism. ~ Sandra Brennan, All Movie Guide
- 1988
- R
Tim Daly stars in director Janet Greek's fair horror-thriller as Los Angeles attorney Jeff Mills, who rescues beautiful Miranda Reed (Kelly Preston) from being raped. As he and Miranda become lovers, Jeff learns that his new girlfriend is a witch trying to escape from an evil cult led by Aldys (Anthony Crivello), who wants to use her as a human sacrifice. Borrowing ideas from thrillers like Fatal Attraction (1987) and Tutti i Colori del Buio (1972), this borderline occult chiller co-stars genre veterans Rick Rossovich, Cary-Hiroyuki Tagawa, Stefan Gierasch, and Audra Lindley. ~ Robert Firsching, All Movie Guide
- Starring:
- Tim Daly, Kelly Preston, (more)
The title refers to the duration of the relationship between self-absorbed Wall Street shark Mickey Rourke and divorced art gallery owner Kim Basinger. Kim is looking for true love, while Mickey is searching for...gosh knows what. His notions of lovemaking include blindfolds, ice cubes, chocolate syrup, and rolling around on spent peanut shells. When the alotted 9 1/2 weeks are up, Kim has finally come to realize that Rourke has been using her. We could have told her that twenty minutes into the film. One of the definitive works in the Mickey Rourke ouevre, 9 1/2 Weeks is deliciously awful, and as such will probably endure as a Camp Classic for the next hundred years. The film is available in both R-rated and unrated versions; either way, it's a hoot. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rourke, Kim Basinger, (more)
For this film adaptation of Peter Shaffer's Broadway hit, director Milos Forman returned to the city of Prague that he'd left behind during the Czech political crises of 1968, bringing along his usual cinematographer and fellow Czech expatriate, Miroslav Ondricek. Amadeus is an expansion of a Viennese "urban legend" concerning the death of 18th-century musical genius Wolfgang Amadeus Mozart. From the vantage point of an insane asylum, aging royal composer Salieri (F. Murray Abraham) recalls the events of three decades earlier, when the young Mozart (Tom Hulce) first gained favor in the court of Austrian emperor Joseph II (Jeffrey Jones). Salieri was incensed that God would bless so vulgar and obnoxious a young snipe as Mozart with divine genius. Why was Salieri--so disciplined, so devoted to his art, and so willing to toady to his superiors--not touched by God? Unable to match Mozart's talent, Salieri uses his influence in court to sabotage the young upstart's career. Disguising himself as a mysterious benefactor, Salieri commissions the backbreaking "Requiem," which eventually costs Mozart his health, wealth, and life. Among the film's many pearls of dialogue, the best line goes to the Emperor, who rejects a Mozart composition on the grounds that it has "too many notes." Amadeus won eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and Best Actor for F. Murray Abraham. In 2002, the film received a theatrical re-release as "Amadeus: The Director's Cut," a version that includes 20 minutes of additional footage. ~ Hal Erickson, All Movie Guide
- Starring:
- F. Murray Abraham, Tom Hulce, (more)
- 1984
- PG13
This bittersweet comedy is, among many other things, a tour de force for the marvelous Anne Bancroft. The star is cast as Estelle Rolfe, an unconventional divorcee who resides in New York, in close proximity to her grown son Gilbert (Ron Silver) and his wife Lisa (Carrie Fisher). Though his wife yearns to move back to her home state of California, Gilbert cannot quite cut the silver cord that binds him to his mother. Upon learning that Estelle is dying, her dutiful son offers to honor her last request to meet the reclusive actress Greta Garbo. The rest of the film plays wonderful variations on this theme, involving such peripheral characters as a gay Garbo fan (Harvey Fierstein), an elderly Shakespearean actress (Hermione Gingold), a "female Joe Papp" director (Denny Dillon), and an ageing papparazzi (Howard Da Silva). Without giving away the ending, it is worth noting that the divine Garbo shows up in the person of playwright/lyricist/ performer Betty Comden. ~ Hal Erickson, All Movie Guide
- Starring:
- Anne Bancroft, Ron Silver, (more)
- 1984
In this undistinguished, derivative slasher movie, a homicidal maniac is accidentally released from a hospital because of a computer error and heads to the site (a sorority) of his past murders to continue his penchant for mayhem. The good but obviously witless Dr. Joan Gilmore takes off after him while the villainous hospital administrators cover up the mistake and send some staff thugs out to get both the doctor and the escaped lunatic. Gilmore poses as a sorority woman and soon finds herself menaced on all sides as the gruesome, graphic murders begin to mount. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Belinda Montgomery, Viveca Lindfors, (more)
- 1978
- PG
One of the first fictional efforts by former documentary maker Claudia Weill, Girlfriends focuses on a pair of roommates, Susan Weinblatt and Anne Munroe, played by Melanie Mayron and Anita Skinner. Anne gets married, leaving the plump, insecure Susan alone for virtually the first time in her life. A mild flirtation with a rabbi leads to a whole new life for Susan when she becomes a portrait photographer for Jewish weddings and bar mitzvahs. Claudia Weill wrote the (presumed) autobiographical screenplay with Vicki Polon. Filmed in New Jersey, Girlfriends was an expansion of a short subject subsidized by the American Film Institute. ~ Hal Erickson, All Movie Guide
- Starring:
- Melanie Mayron, Eli Wallach, (more)
- 1975
- PG
Robert Redford plays Waldo Pepper, a former World War I pilot who exaggerates his accomplishments in order to impress the rabble. After a brief rivalry with air-show entrepreneur Axel Olsson (Bo Svenson), Pepper teams with Axel to barnstorm all over the Midwest; later, after a series of unexpected (and calamitous) events, Pepper gets a job as a movie stunt pilot. On the set, he meets the film's technical advisor: former German ace Ernst Kessler (Bo Brundin), a man whom Pepper has been claiming falsely to have fought during the war, thereby advancing his own reputation. He is as disillusioned with civilian life as Pepper is, and ignoring the entreaties of the film's director, stages a genuine dogfight (sans live ammo) with his old "opponent." The Great Waldo Pepper represented the third filmic collaboration between star Robert Redford and director George Roy Hill. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Redford, Bo Svenson, (more)
- 1959
The otherwise routine story and themes of this comedy are greatly balanced by talents of Anthony Newley as Jeep Jackson, a singing idol called up to serve in the British army and Lionel Jeffries as Bertie, a fussbudget adjutant. One of Jackson's superior officers is the brash Sgt. Lush (William Bendix) whose bark is much worse than his bite. Aside from the usual army types, Caroline (Anne Aubrey), the commander's daughter, adds a romantic nuance to the story when she falls for Jackson. And as in any story about a pop singer anywhere, Jackson manages to belt out a few songs. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- William Bendix, Anthony Newley, (more)
