Elizabeth Robinson Movies
Australian filmmaker known for such classics as The Chant of Jimmie Blacksmith and Six Degrees of Separation, Fred Schepisi tells this story about a group of lifelong chums coming to terms with their friend's death, based on a prize-winning novel by Graham Swift. When Jack Dodd (Michael Caine) passes on, his three best buddies (Tom Courtenay, Bob Hoskins, and David Hemmings) along with his son (Ray Winstone) carry out his last wish -- to have his ashes cast off the pier of the seaside town of Margate, where he and his beloved wife honeymooned and where he hoped to retire. As the group venture to the coast in a large black Mercedes, they reminisce about their younger, wilder days. Eventually, they end up in a pub where, in a haze of beer and tears, secrets are unveiled. Meanwhile, Jack's wife, Amy (Helen Mirren), visits the mentally disabled daughter that Jack refused to acknowledge. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi
- Starring:
- Michael Caine, Bob Hoskins, (more)
An airy romance in the tradition of classic Hollywood comedies of the Depression Era, Simply Irresistible (1999) also presses into service the food-obsessed magical realism of Like Water for Chocolate (1992). Sarah Michelle Gellar stars as Amanda Shelton, the chef at Southern Cross, a trendy Tribeca restaurant she inherited from her legendary mother. Not the most inspired of culinary artists, Amanda is running the establishment into the ground, until a cab-driving, Cupid-like guardian angel (playwright Christopher Durang) intervenes with a magical crab that puts Amanda in the path of slick spin master Tom Bartlett (Sean Patrick Flanery). Tom is opening a restaurant for his boss Jonathan Bendel (Dylan Baker), who wants to assure the eatery is no less than a four-star affair, but the temperamental French chef is giving fits to Bartlett and his secretary Lois (Patricia Clarkson). Enter Amanda, who falls head over heels for Tom, love suddenly bestowing upon her the gift of infusing her dishes with powerful amorous emotions that overwhelm diners with a rapturous ecstasy. ~ Karl Williams, Rovi
- Starring:
- Sarah Michelle Gellar, Sean Patrick Flanery, (more)
- 1997
- R
- Add The Last Time I Committed Suicide to Queue Add The Last Time I Committed Suicide to top of Queue
While Neal Cassady never gained fame as a writer, he was a pivotal figure among the Beat poets and novelists of the 1950s. A close friend of most of the seminal figures in the Beat movement, Cassady's free-wheeling, larger-than-life personality was a major influence on Jack Kerouac, who used him as the inspiration for the character Dean Moriarity in On the Road, and he was a founding member of Ken Kesey's post-Beat, pre-hippie "Merry Pranksters," driving their now-famous psychedelic bus (whose destination, then as now, was "Furthur"). The Last Time I Committed Suicide is loosely based on several incidents from Cassady's life, as well as an eight-page letter that he wrote to Kerouac about some complicated events in his love life. In the late 1940s, 20-year-old Cassady (Thomas Jane) was living in Denver and working the late shift at a tire factory when he became involved with Joan (Claire Forlani), a sad young woman with a suicidal bent, and befriended Harry (Keanu Reeves), a cheerful but past-his-prime alcoholic. Cassady also found himself the target of the affections of Cherry Mary (Gretchen Mol), a sexy 16-year-old whose mother, Mrs. Greenway (Christine Rose), doesn't much care for him; he also encountered Ben (Adrien Brody), a shy young poet whose interest in Cassady seemed to be more than just literary. Footage of the real Neal Cassady can be found in the documentary on the Beat Movement, The Source. ~ Mark Deming, Rovi
- Starring:
- Thomas Jane, Keanu Reeves, (more)
Jon Amiel directed this satire on mistaken-identity thrillers and the spy genre, scripted by Robert Farrar, Tim John, and Oliver Butcher from Farrar's unpublished novel, Watch That Man. In the female lead, Joanne Whalley returned to films after a three-year absence, choosing to do so with director Amiel. Farrar's Hitchcockian-style story focuses on naive Blockbuster Video clerk Wallace Ritchie (Bill Murray) who travels from Des Moines, Iowa, to London to celebrate his birthday with his wealthy younger brother, James (Peter Gallagher). When he turns up on the same night that James has plans to attend a high-profile client dinner party (that he hopes will bring him millions from a German investment firm), James needs to keep Wallace away during the evening, so he gives Wallace a ticket to the participatory Theater of Life. The theater game requires Wallace to assume a character and interact with actors portraying people in dramatic situations.
At the corner phone booth, the initial call should begin the evening of innocent fun. However, the phone instructions Wallace receives are actually intended for an assassin, part of a scheme to end the current UK regime and revive the Cold War. The real assassin gets the call from the Theater of Life. Blissfully unaware, Wallace walks without fear into a complex web of intrigue involving defense ministers, call girls, and Russian hitmen. For Wallace, all the world's a stage, and he's amazed at the skill of the actors, including beautiful enigmatic Lori (Joanne Whalley) -- while Wallace's pursuers are mystified by their adversary's fearlessness in the face of threats, torture and bullets. Farrar got the idea for this comedy from a chance remark at a party: "The inspiration came from a dinner party, when somebody told me about these strange live theater performances which were all the rage in England in the '80s. The idea was to telephone for instructions if you wanted to take part. My immediate reaction was, 'Wouldn't it be fabulous if somebody got the wrong number, and it all went hopelessly wrong?'" Filming took place in London's East End (Three Mills Studios), at a variety of London locations, and just outside London at the Elstree Film Studios. ~ Bhob Stewart, Rovi
At the corner phone booth, the initial call should begin the evening of innocent fun. However, the phone instructions Wallace receives are actually intended for an assassin, part of a scheme to end the current UK regime and revive the Cold War. The real assassin gets the call from the Theater of Life. Blissfully unaware, Wallace walks without fear into a complex web of intrigue involving defense ministers, call girls, and Russian hitmen. For Wallace, all the world's a stage, and he's amazed at the skill of the actors, including beautiful enigmatic Lori (Joanne Whalley) -- while Wallace's pursuers are mystified by their adversary's fearlessness in the face of threats, torture and bullets. Farrar got the idea for this comedy from a chance remark at a party: "The inspiration came from a dinner party, when somebody told me about these strange live theater performances which were all the rage in England in the '80s. The idea was to telephone for instructions if you wanted to take part. My immediate reaction was, 'Wouldn't it be fabulous if somebody got the wrong number, and it all went hopelessly wrong?'" Filming took place in London's East End (Three Mills Studios), at a variety of London locations, and just outside London at the Elstree Film Studios. ~ Bhob Stewart, Rovi
- Starring:
- Bill Murray, Peter Gallagher, (more)
Mel Gibson, long-time heartthrob of the silver screen, came into his own as a director with Braveheart, an account of the life and times of medieval Scottish patriot William Wallace and, to a lesser degree, Robert the Bruce's struggle to unify his nation against its English oppressors. The story begins with young Wallace, whose father and brother have been killed fighting the English, being taken into the custody of his uncle, a nationalist and pre-Renaissance renaissance man. He returns twenty years later, a man educated both in the classics and in the art of war. There he finds his childhood sweetheart Murron (Catherine McCormack), and the two quickly fall in love. There are murmurs of revolt against the English throughout the village, but Wallace remains aloof, wishing simply to tend to his crops and live in peace. However, when his love is killed by English soldiers the day after their secret marriage (held secretly so as to prevent the local English lord from exercising the repulsive right of prima noctae, the privilege of sleeping with the bride on the first night of the marriage), he springs into action and single-handedly slays an entire platoon of foot soldiers. The other villagers join him in destroying the English garrison, and thus begins the revolt against the English in what will eventually become full-fledged war. Wallace eventually leads his fellow Scots in a series of bloody battles that prove a serious threat to English domination and, along the way, has a hushed affair with the Princess of Wales (the breathtaking Sophie Marceau) before his imminent demise. For his efforts, Gibson won the honor of Best Director from the Academy; the movie also took home statuettes for Best Picture, Cinematography, Makeup, and Sound Effects. ~ Jeremy Beday, Rovi
- Starring:
- Mel Gibson, Sophie Marceau, (more)
- 1991
This sexually-tinged supernatural thriller involves the owner of an art gallery (Mark Hamill) who falls victim to the seductive and dangerous wiles of a coven of suburban witches -- the kind who brew their magic potions in the microwave -- when he enters a torrid affair with the smoldering Cassandra (Appolonia). When their relationship is threatened by a half-hearted devotion to his long-suffering girlfriend (Amanda Wyss), Hamill finds himself the tormented victim of a barrage of hexes, which run the gamut from horrific hallucinations to subversion of his will... and ultimately lead to madness and murder. This is a well-crafted film, but the potential for steamy eroticism is strangely underplayed for a film packaged as an "erotic thriller" -- no doubt due to an obvious lack of sexual chemistry between the two bed-wrestling leads. Perceptive viewers will probably beat the "surprise" climax to the punch. ~ Cavett Binion, Rovi
- Starring:
- Mark Hamill, Amanda Wyss, (more)
- 1988
In this romantic comedy, a grocery store employee endeavors to attract the attention of a wealthy playboy by pretending to be a high society girl. ~ Sandra Brennan, Rovi
- 1986
- R
- Add Jo Jo Dancer, Your Life Is Calling to Queue Add Jo Jo Dancer, Your Life Is Calling to top of Queue
Popular African-American comedian Jo Jo Dancer is severely burned while free-basing cocaine. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. While hovering between life and death, Dancer flashes back to his childhood, when he grew up in a brothel. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. Dancer decides to become a comic, but has a great many difficulties rising to stardom until he begins making scatological comments about race relations. Producer/director/writer Richard Pryor insists that the movie is not autobiographical. As he rises to fame, Jo Jo has problems controlling his drug addiction and womanizing. Producer/director/writer Richard Pryor insists.....Well, you've caught on by now. If one were able to excise the excruciatingly boring "introspection" scene, Jo Jo Dancer, Your Life is Calling would stand as an excellent testimonial to Richard Pryor's cutting-edge comic brilliance. ~ Hal Erickson, Rovi
- Starring:
- Richard Pryor, Debbie Allen, (more)
Beulah Land is an edited, movie-length version of the three-part TV miniseries adaptation of Lonnie Coleman's multi-part novels. The film is set in the Old South, with a time span ranging from 1827 to the postwar Reconstruction Era. Lesley Ann Warren stars as Sarah Kendrick, young belle of the Beulah Land plantation, who finds herself in love with a "damn Yankee." Sarah must also contend with a weakling brother (Paul Rudd) and a former slave (Dorian Harewood) who demands freedom as a right rather than a privilege. Beulah Land took forever to get before the cameras due to protests from black historical organizations; when it was finally telecast on October 7-9, 1980, NBC conducted a low-pressure ad campaign, as though the network was still fearful of stepping on toes despite the testimonial of a black Yale history professor, who commended the production for its "special sensitivity." ~ Hal Erickson, Rovi
- Starring:
- Lesley Ann Warren, Michael Sarrazin, (more)
- 1977
Shortly after being involved in a hit-and-run outside of Danny's bar, stewardess Robbie Parker is found murdered. Quincy (Jack Klugman) becomes involved in the situation for two reasons: Danny (Val Bisoglio) may be facing charges for serving Robin too many drinks, and the dead woman was a friend of Quincy's current amour Janet Martin (Renne Jarrett). Conducting an investigation, Quincy figures out that Robbi has had extensive plastic surgery as part of an effort to completely change her identity--and that her past was strange and sordid indeed. ~ Hal Erickson, Rovi
- 1976
A serial killer who preys on high-fashion models has a distinctive signature: he strangles his victims with rag dolls. The parents of Dana Cameron, the killer's most recent victim, commission the Angels to find their daughter's murderer. Kelly, who bears a startling resemblance to the late Dana (mainly because both characters are played by Jaclyn Smith), goes undercover as a model to flush out the villain -- who may or may not be someone working at the agency where the victims were employed. ~ Hal Erickson, Rovi
- Starring:
- Farrah Fawcett-Majors, Kate Jackson, (more)
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