Elisha Cook, Jr. Movies
American actor Elisha Cook Jr. was the son of an influential theatrical actor/writer/producer who died early in the 20th Century. The younger Cook was in vaudeville and stock by the time he was fourteen-years old. In 1928, Cook enjoyed critical praise for his performance in the play Her Unborn Child, a performance he would repeat for his film debut in the 1930 film version of the play. The first ten years of Cook's Hollywood career found the slight, baby-faced actor playing innumerable college intellectuals and hapless freshmen (he's given plenty of screen time in 1936's Pigskin Parade). In 1940, Cook was cast as a man wrongly convicted of murder in Stranger on the Third Floor (1940), and so was launched the second phase of Cook's career as Helpless Victim. The actor's ability to play beyond this stereotype was first tapped by director John Huston, who cast Cook as Wilmer, the hair-trigger homicidal "gunsel" of Sidney Greenstreet in The Maltese Falcon (1941). So far down on the Hollywood totem pole that he wasn't billed in the Falcon opening credits, Cook suddenly found his services much in demand. Sometimes he'd be shot full of holes (as in the closing gag of 1941's Hellzapoppin'), sometimes he'd fall victim to some other grisly demise (poison in The Big Sleep [1946]), and sometimes he'd be the squirrelly little guy who turned out to be the last-reel murderer (I Wake Up Screaming [1941]; The Falcon's Alibi [1946]). At no time, however, was Cook ever again required to play the antiseptic "nerd" characters that had been his lot in the 1930s. Seemingly born to play "film noir" characters, Cook had one of his best extended moments in Phantom Lady (1944), wherein he plays a set of drums with ever-increasing orgiastic fervor. Another career high point was his death scene in Shane (1953); Cook is shot down by hired gun Jack Palance and plummets to the ground like a dead rabbit. A near-hermit in real life who lived in a remote mountain home and had to receive his studio calls by courier, Cook nonetheless never wanted for work, even late in life. Fans of the 1980s series Magnum PI will remember Cook in a recurring role as a the snarling elderly mobster Ice Pick. Having appeared in so many "cult" films, Elisha Cook Jr. has always been one of the most eagerly sought out interview subjects by film historians. ~ Hal Erickson, All Movie Guide- 1957
Fittingly directed by Illinois native and bad-guy filmmaker Don Siegel, this action-packed film stars Mickey Rooney as the unflinching, trigger-happy member of the infamous Dillinger gang that besieged the Midwest circa 1933. Rooney is Lester "Baby Face Nelson" Gillis and Carolyn Jones his gun moll, Sue, in this fictionalized tale of a scrawny street tough turned psychotic gangster. After being released from prison, Nelson goes to work for mob boss Rocca (Ted De Corsia), who eventually recognizes that a madman is in his service and turns him in to the cops. Managing to elude capture, Nelson kills Rocca and takes Sue with him. He then joins Dillinger's gang in a series of savage robberies, obliterating anyone who gets in his way. Inevitably, FBI agents ambush and injure Nelson, who finally admits his own ruthlessness to himself and Sue, conceding that he would even murder children if necessary. He orders Sue to kill him before he commits any more savage acts. This is a coarse and deliberately aggressive film, distinguished by Rooney's frenzied performance as an unruly and deranged criminal. ~ Don Kaye, All Movie Guide
- Starring:
- Mickey Rooney, Carolyn Jones, (more)
Based on a 1941 movie entitled Shepherd of the Hills, this is the story of a gunfighter who decides to return home after 17 years to make amends with his son. The son blames him for his mother's death and the reconciliation is difficult. Although there are many side action lines -- old enemies still gunning for him and new friends not sure who to root for -- the main theme is that of the interaction between father and son. The push toward one last battle is made secondary. Short on plot, this film features good performances by Jack Palance and Anthony Perkins. ~ Tana Hobart, All Movie Guide
- Starring:
- Jack Palance, Anthony Perkins, (more)
- 1957
Not to be confused with the film noir classic Thunder Road, Plunder Road is nonetheless a fine little thriller on its own. Gene Raymond stars as the head of a robbery gang, whose latest caper involves the heist of a gold shipment from a US Mint train. To throw the cops off the track, the gang splits up and goes off in three directions. Two of the gang's gold-laden trucks are captured by the police, but the third makes it all the way to LA. At this point, Raymond melts down the gold and disguises it as fittings for his luxury car. On the verge of getting away scot-free, Raymond is involved in a freeway accident. Cast as Gene Raymond's gun moll is soap-opera favorite Jeanne Cooper (the mother of actor Corbin Bernsen). ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Raymond, Jeanne Cooper, (more)
The Killing was director Stanley Kubrick's first major film effort -- though, like Kubrick's earlier films, it was economically produced with an inexpensive cast. In a variation of his Asphalt Jungle role, Sterling Hayden plays veteran criminal Johnny Clay, planning one last big heist before settling down to a respectable marriage with Fay (Colleen Gray). Teaming with several cohorts, Johnny masterminds a racetrack robbery. The basic flaw is that all the crooks involved are losers and small-timers who find themselves in way over their heads despite their supposed cleverness. None of the participants is more pathetic than George Peatty (Elisha Cook Jr.), who is goaded into the robbery by his covetous and far-from-faithful wife (Marie Windsor). As in a Greek tragedy, Johnny's best-laid schemes go awry. Prominently featured in the cast of The Killing are offbeat character actors Tim Carey and Joe Turkel, who'd show up with equally showy roles in future Kubrick productions. The Killing is based on the novel Clean Break by Lionel White. ~ Hal Erickson, All Movie Guide
- Starring:
- Sterling Hayden, Coleen Gray, (more)
- 1956
Nightclub singer Ilona Vance (Vera Ralston) is Accused of Murder in this Republic programmer. And from the looks of things, Ilona is guilty; she was, after all, the last person to see crooked lawyer Hobart (Sidney Blackmer) alive. But Lt. Roy Hargis (David Brian) is convinced that Ilona is innocent, and he intends to prove it. Except for the mildly surprising denoument, there is little in Accused of Murder that is not thoroughly predictable. Star Vera Ralston, the wife of Republic chieftan Herbert J. Yates, is her usual expressionless self. ~ Hal Erickson, All Movie Guide
- Starring:
- David Brian, Vera Ralston, (more)
- 1955
Republic's Trucolor process is shown off to good advantage in the outdoors actioner Timberjack. Sterling Hayden and David Brian star as Chipman and Brunner, a pair of rugged lumbermen who vie for the attentions of Lynn Tilton (Vera Ralston). The richer and more powerful of the two, Brunner would seem to have the advantage, but Chipman is handsomer. It also turns out that Chipman is more honest; Brunner has already killed several men in his climb to the top, and has cheated Chipman out of his rightful property. Lynn is won over to Chipman's side when she discovers that Brunner was responsible for the death of her father (Adolphe Menjou). Timberjack was based on a novel by Dan Cushman. ~ Hal Erickson, All Movie Guide
- Starring:
- Sterling Hayden, Vera Ralston, (more)
The Indian Fighter is trail guide Kirk Douglas, who agrees to shepherd a wagon train through Sioux territory. Douglas tries to convince the Sioux to leave his charges alone, but such hotheads as drunken white trader Walter Matthau and embittered Indian brave Harry Landers escalate the tensions. Douglas is forced to go "mano y mano" with Landers; Douglas wins, but refuses to kill Landers, having lost his taste for killing. But when Matthau and his partner Lon Chaney Jr. contrive to rob the Indians of their gold, Sioux chief Eduard Franz prepares to wipe out the settlers. Only when Douglas risks life and limb to bring Matthau and Chaney Jr. to justice does Franz relent. Somehow, Kirk Douglas manages to link up with two leading ladies in The Indian Fighter: his Italian "discovery" Elsa Martinelli and his own ex-wife Diana Douglas (wouldn't you liked to have been a fly on the wall at that casting call?) The first film assembled by Douglas' own Bryna Productions, The Indian Fighter is a particular treat when seen in color; incredibly, its first network telecast in 1962 was in black and white. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Elsa Martinelli, (more)
- 1955
Adapted by Don M. Mankiewicz from his own novel, Trial is a surprisingly timely story of how justice can sometimes be compromised by "special interests". It all begins when Mexican youth Angelo Chavez (Rafael Campos) is placed on trial for the murder of a white teenaged girl. Battling the lynch-mob mentality in and out of the courtroom is relatively inexperienced defense attorney David Blake (Glenn Ford). Believing that anything done on behalf of his client is for the common good, Blake approves the organization of an "Angelo Chavez Society" to pay the boy's court costs and ostensibly see that justice is done in the face of small-town prejudice. Soon, however, Blake discovers that both he and his client are being used as dupes by a Communist lawyer, who hopes that Chavez will be found guilty and executed, thereby creating a martyr for the Red cause. Much was made in 1955 of the fact that the presiding judge is a black man, played by Juano Hernandez. A bit creaky at times, Trial nonetheless still packs a wallop when shown today. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, Dorothy McGuire, (more)
- 1955
Upon his release from prison, gangster Dan Varrel (Gene Barry) vows to kill Lois Williams (Nancy Gates), the woman responsible for his brother's death. Catching up to Lois, Dan is surprised to find a lonely, impoverished, and thoroughly depressed young woman who all but begs him to put her out of her misery. Almost instantly, Dan changes his tune and does everything he can to help Lois pull herself out of her doldrums and gain a new lease on life -- but his motives are not entirely altruistic! "Salvage" had been previously dramatized on the radio anthology Suspense, with Burt Lancaster in the leading role. ~ Hal Erickson, All Movie Guide
- 1954
Newcomer Kelly Ryan plays Kate, The Outlaw's Daughter, in this medium-scale western. Led astray by outlaw leader Jess (Bill Williams), Kate joins Jess' gang and follows in her dad's footsteps. Town marshal Dan (Jim Davis) tries his best to reform the girl, but this proves difficult inasmuch as Kate holds Dan responsible for her father's death. Only after most of the bad guys have been decimated by Dan does Kate discover the true identity of her dad's murderer. Having fallen in love with Kate, marshal Dan offers to let her escape prosecution, but she's made of sterner stuff than that. ~ Hal Erickson, All Movie Guide
- Starring:
- Bill Williams, Jim Davis, (more)
- 1954
Though heavily advertised as Delmar Daves' Drum Beat, this film owed its existence to producer-star Alan Ladd. The star is cast as a veteran Indian fighter Johnny MacKay, who because of his close relationship with the Medoc tribe is sent out to negotiate a peace treaty. Once he has arrived in Medoc territory, Johnny (Ladd) must contend with the misspent emotions of his childhood sweetheart Toby (Marisa Pavan), the sister of Indian chief Manok (Anthony Caruso). Jealous over Johnny's relationship with pretty Nancy Meek (Audrey Dalton), Toby has cast her lot with renegade warrior Captain Jack (Charles Bronson), who honors no treaties. Though the film has a Native American villain, Drum Beat is largely sympathetic to the plight of the Indian. Based on a true story, the film is distinguished by J. Peverell Marley's breathtaking exterior photography, and by Victor Young's ballad-like musical score. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Audrey Dalton, (more)
- 1954
Determined to figure out the connection between Clark Kent and Superman, Lois Lane engages the services of private detective Homer Garrity (Elisha Cook Jr., cast decidedly against type). Unfortunately, both Lois and Homer are kidnapped by a trio of crooks, whereupon cub reporter Jimmy Olsen (Jack Larson) attempts to rescue them by impersonating a private eye--homburg, trenchcoat, Bogart-like lisp and all. Not surprisingly, Jimmy soon finds himself in as much trouble as the two kidnapees, and it is Superman (George Reeves) who ends up rescuing everybody (with a little assistance from the judo-savvy Garrity!) ~ Hal Erickson, All Movie Guide
The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance). The moment that Wilson shows he means business by shooting down hotheaded farmer Frank Torrey (Elisha Cook Jr.) is the film's most memorable scene: after years of becoming accustomed to carefully choreographed movie death scenes, the suddenness with which Torrey's life is snuffed out -- and the force with which he falls to the ground -- are startling. Shane knows that a showdown with Wilson is inevitable; he also knows that, unintentionally, he has become a disruptive element in the Starrett family. The manner in which he handles both these problems segues into the now-legendary "Come back, Shane" finale. Cinematographer Loyal Griggs imbues this no-frills tale with the outer trappings of an epic, forever framing the action in relation to the unspoiled land surrounding it. A.B. Guthrie Jr.'s screenplay, adapted from the Jack Schaefer novel, avoids the standard good guy/bad guy clichés: both homesteaders and cattlemen are shown as three-dimensional human beings, flaws and all, and even ostensible villain Emile Meyer comes off reasonable and logical when elucidating his dislike of the "newcomers" who threaten to divest him of his wide open spaces. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Jean Arthur, (more)
- 1953
Mike Hammer, author Mickey Spillane's brutal-but-eloquent private eye, made his screen debut in this cleaned-up cinemadaptation of the Mickey Spillane best-seller I, the Jury. Galvanized into action by the murder of a friend, Hammer (Biff Elliot) barges into the rarefied worlds of art collecting and psychoanalysis. Along the way, he gets beaten up several times by nameless thugs, and also administers several bloody beatings himself. He also indulges in Spillane's standard gay- and commie-bashing, with nary a "politically correct" moment in the film's 87 minutes. The finale is lifted directly from the deathless final pages of the original novel, right down to Hammer's laconic "It was easy!" The cast includes the requisite bosomy females, including Peggie Castle, Margaret Sheridan, Frances Osborne, Mary Anderson and twin sisters Tani Seitz and Dran Seitz. The male supporting players range from Preston S. Foster as Hammer's "friendly enemy-" police-department contact to an unbilled Joe Besser as an elevator operator. Originally filmed in 3D, I the Jury was released in 2D in most theaters. The property was remade in 1982, with Armand Assante as Hammer. ~ Hal Erickson, All Movie Guide
- Starring:
- Biff Elliot, Preston S. Foster, (more)
- 1953
Randolph Scott is as strong and silent as ever in Thunder Over the Plains. The scene is Texas, in the years just following the Civil War. Carpetbaggers have taken hold of the Texas government and imposed a near-dictatorship, hiding behind the legal protection of the Union Army of Occupation. Though his heart belongs to Dixie, Captain David Porter (Scott) is honor-bound to uphold the law of the land, even though it protects criminals and persecutes the innocent. Eventually, Porter reveals his true feelings as he tries to clear Texas patriot Ben Westman (Charles McGraw) from a murder charge framed by villains Standish (Elisha Cook Jr.) and Balfour (Hugh Sanders). Meanwhile, caddish Captain Bill Hodges (Lex Barker) tries to make time with Porter's long-suffering wife Norah (Phyllis Kirk). Perhaps a bit too complicated storywise for western fans, Thunder Over the Plains is right to the point when it comes to the action highlights. ~ Hal Erickson, All Movie Guide
- Starring:
- Randolph Scott, Lex Barker, (more)
Sex symbol Marilyn Monroe went dramatic in 1952's Don't Bother to Knock. Monroe plays Nell Forbes, a beautiful but suicidal young woman, recently released from a mental institution. She doesn't mention this on her resumé when she takes a baby-sitting job in a posh hotel. Jed Towers (Richard Widmark), a hotel guest, tries to make time with Nell after his own girlfriend, played by Anne Bancroft, has told him to take a hike. As Nell and Jed neck on the couch, the little girl whom Nell is tending (Donna Corcoran) surprises the spooning couple. This drives the psychotic Nell over the edge, forcing Jed to try to keep the baby-sitter from killing both herself and the child. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Marilyn Monroe, (more)
One of the oddest comedies of the 1950s, Behave Yourself! stars Farley Granger and Shelley Winters as a pair of none-too-bright newlyweds. Granger and Winters adopt a stray pooch named Archie, who unbeknownst to them has been trained as a go-between for a couple of underworld gangs. To the ever-mounting amazement of our hero and heroine, corpses begin to pile up all around them as one gang endeavors to rub out the other during a million-dollar smuggling operation. While it's quite possible to treat murder as a farcical situation-remember Arsenic and Old Lace?--the killings in this film are sometimes too graphic to induce laughter (there's nothing terribly mirth-provoking about gang flunkey Hans Conried lying dead in a bathtub with a bullet hole between his eyes). Another detriment is the casting of Granger and Winters, both of whom are woefully unsuited to their roles. In fact, such veteran villains as Lon Chaney Jr., Sheldon Leonard, Francis L. Sullivan and Elisha Cook Jr. come off funnier than the stars! The film's best sequence occurs during the closing cast credits, so try to stick around after the "THE END" title. Behave Yourself was the first coproduction between Wald-Krasna Productions and RKO Radio. ~ Hal Erickson, All Movie Guide
- Starring:
- Farley Granger, Shelley Winters, (more)
- 1949
This second film version of F. Scott Fitzgerald's definitive jazz-age novel The Great Gatsby stars Alan Ladd in the title role. Jay Gatsby, formerly Jake Gatz, is a successful bootlegger with aspirations of being accepted in the highest social circles of Long Island. Once he's done this, Gatsby devotes his time to winning back the love of his former lady friend Daisy (Betty Field), now married to boorish "old-money" millionaire Tom Buchanan (Barry Sullivan). Gatsby's obsession with rekindling old flames results in disillusionment and, ultimately, tragedy. Sidelines observer Nick Carraway, the narrator of the original Fitzgerald novel, is expertly played by MacDonald Carey, while Shelley Winters makes an excellent impression as Buchanan's slatternly mistress Myrtle Wilson. Cast as Myrtle's dour optometrist husband is Howard Da Silva, who essayed a minor role in the 1974 remake of Great Gatsby. That 1974 version has unfortunately kept the 1949 Gatsby from being released to television. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Betty Field, (more)
- 1949
Virginia Mayo is Flaxy Martin in this complicated Warner Bros. melodrama. Flaxy is a bad girl but good company, especially when she's around criminal attorney Walter Colby (Zachary Scott). When Colby begins to have second thoughts about his gangster cohorts, Flaxy arranges a murder frame, forcing the attorney to go on the run. The bulk of the film is a thrill-packed chase teaming Colby with the film's resident Good Girl, Nora Carson (Dorothy Malone). Also figuring into the proceedings is Elisha Cook Jr., playing his usual shifty little creep. Director Richard L. Bare had only recently moved up from the "Joe McDoakes" comedy shorts to features when he guided Flaxy Martin with skill and aplomb. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Mayo, Zachary Scott, (more)
- 1947
Nice guys don't always finish last as can be seen in this crime drama. The story begins as a perfectly nice fellow finds himself arrested for murder. The trouble is, the man cannot remember a thing about the night of the murder. Though he insists he is innocent, all the evidence tells a different story. He was found at the scene with a bloody knife in his hand. Fortunately, a policeman friend, believes him. He gets him out of jail and together, they begin looking for the real killer. They soon find that the set-up was perpetrated by his uncle who strongly disapproved of his dating his ward. The woman who died had been the uncle's lover who was blackmailing him. To get even with them all, the uncle drugged his nephew, killed his mistress and planted the knife upon his unconscious relative. In the end, the uncle is arrested and the nephew and his lover live a long and happy life together. ~ Sandra Brennan, All Movie Guide
Somehow the titles of the films of hardcase actor Lawrence Tierney seemed to be extensions of the man's personality, as witness such films as The Devil Thumbs a Ride and Born to Kill. In the latter picture, Tierney starts the ball rolling by committing a double murder in a jealous pique. Claire Trevor discovers the bodies, but says nothing to the police; she's leaving town and doesn't want to be impeded. Trevor and Tierney meet and fall in love on the train to San Francisco. Unfortunately, Trevor is married, so Tierney shifts his affections to her sister, Audrey Long (later the wife of director Billy Wilder). He marries Long, though he keeps up his illicit affair with Trevor. When detectives investigating the murders come snooping, they are bought off by Tierney's pal Elisha Cook Jr.--who is then murdered by Tierney, who suspects that Cook is carrying on with Trevor (Cook seldom survived to the end of any of his films). When Tierney finally does face arrest, it's at the instigation of the jealous Trevor, who is shot full of holes for her trouble. Born to Kill was based on James Gunn's novel Deadlier Than the Male. ~ Hal Erickson, All Movie Guide
- Starring:
- Lawrence Tierney, Claire Trevor, (more)
- 1947
Having struck gold with the previous season's Dillinger, the King Brothers returned to Monogram as producers of The Gangster. Adapted by Daniel Fuchs from his own novel Low Company, the film stars Barry Sullivan as flint-faced racketeer Shubunka. Shown to be a product of the slums, Shubunka spends his adulthood in pursuit of power and riches, with no time for friendship or romance. Wounded in a gangland shootout, Shubunka ruminates on his past, present and (unlikely) future, wondering if it's all been worth it. Promoted as a "psychological" drama, The Gangster has plenty of gunplay and bloodshed to satiate action fans, and a surfeit of sex appeal in the form of gangster's moll Nancy (played by Monogram's resident skating star Belita). Prominent in the supporting cast is the ineluctable Sheldon Leonard as Shubunka's chief rival, delivering a subtler variation on his patented tough-guy screen persona. The Gangster was directed by Oscar-winning art director Gordon Wiles, later a mainstay of such TV series as Land of the Lost and Rowan and Martin's Laugh-In. ~ Hal Erickson, All Movie Guide
- Starring:
- Barry Sullivan, Belita, (more)
Based upon the French film Le Jour Se Lève, The Long Night opens in the in the midst of a dire situation: ex-serviceman Joe Adams (Henry Fonda) finds himself holed up in his apartment, surrounded by policemen who soon open fire in a relentless and determined manner. Adams has been accused of murder, and as his apartment is riddled with bullets, he flashes back to how this all came about. It began when Adams met Jo Ann (Barbara Bel Geddes), who, it turns out, grew up in the same orphanage at the same time as he. They soon fall in love, but things are complicated when a magician named Maximilian (Vincent Price) enters the picture. He tells Adams that he is Jo Ann's father, but that he doesn't want her to know this. Maximilian begins spending a lot of time with Jo Ann, which makes Adams feel vaguely unsettled. He discovers that Maximilian lied -- that he is not her father but is someone who has been trying to seduce her for a long time. Maximilian goes to Adams' apartment to taunt him, with the result that Adams shoots him, thus bringing about the current state of affairs. As Adams has been recalling all of this, a crowd has gathered, including Jo Ann. She leads the crowd in protesting the police's actions, and a riot brews. With tension continuing to rise, Jo Ann desperately tries to find a way to rescue the man she loves. ~ Craig Butler, All Movie Guide
- Starring:
- Henry Fonda, Barbara Bel Geddes, (more)
The definitive Humphrey Bogart/Lauren Bacall vehicle, The Big Sleep casts Bogart as Raymond Chandler's cynical private eye Philip Marlowe. Summoned to the home of the fabulously wealthy General Sternwood (Charles Waldron), Marlowe is hired to deal with a blackmailer shaking down the General's sensuous, thumb-sucking daughter Carmen (Martha Vickers). This earns Marlowe the displeasure of Carmen's sloe-eyed, seemingly straight-laced older sister Vivian (Bacall), who is fiercely protective of her somewhat addled sibling. As he pursues the case at hand, Marlowe gets mixed up in the murder of Arthur Geiger (Theodore von Eltz), a dealer in pornography. He also runs afoul of gambling-house proprietor Eddie Mars (John Ridgely), who seems to have some sort of hold over the enigmatic Vivian. Any further attempts to outline the plot would be futile: the storyline becomes so complicated and convoluted that even screenwriters William Faulkner, Leigh Brackett, and Jules Furthmann were forced to consult Raymond Chandler for advice (he was as confused by the plot as the screenwriters). When originally prepared for release in 1945, The Big Sleep featured a long exposition scene featuring police detective Bernie Ohls (Regis Toomey) explaining the more obscure plot details. This expository scene was ultimately sacrificed, along with several others, in favor of building up Bacall's part; for instance, a climactic sequence was reshot to emphasize sexual electricity between Bogart and Bacall, obliging Warners to replace a supporting player who'd gone on to another project. The end result was one of the most famously baffling film noirs but also one of the most successful in sheer star power. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Lauren Bacall, (more)
- 1946
A loose remake of 1941's The Gay Falcon, The Falcon's Alibi is one of the better entries in RKO's "Falcon" series, and one of the few that can stand on its own merits as a "film noir." This time, amateur detective Tom Lawrence (Tom Conway), aka the Falcon, is hired by a wealthy woman's secretary to protect the lady's precious jewels. Nevertheless, the thief still manages to get away with them, which puts Lawrence hot on his trail. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Conway, Rita Corday, (more)
