Clyde Cook Movies

The hero of The Maze turns out to be a giant frog, but that's hardly the most unbelievable aspect of this one-of-a-kind melodrama. It all begins when Scotsman Gerald McTeam (Richard Carlson) is called away to his ancestral mansion just before his marriage to Kitty (Veronica Hurst). Several weeks pass before it dawns on Kitty and her aunt Mrs. Murray (Katherine Emery, who narrates the film) that Gerald may not be coming back. The two women head to the mansion, where Gerald refuses to see them. The household servants likewise refuse access to Kitty and her aunt, but the two women intend to get to the bottom of the mystery, the solution of which seems to be somewhere in the huge maze in the rear of the castle. And that's all that can be revealed without giving the game away. Lensed in 3D, The Maze was one of two fascinating fantasy films directed in 1953 by production designer William Cameron Menzies: the other was Invaders from Mars. ~ Hal Erickson, Rovi

Though scheduled for production as early as 1950, the Bowery Boys' Loose in London didn't go before the cameras until 1953. In this outing, Sach (Huntz Hall) is told that he's a relative of Sir Percy, the Earl of Walsingham (Walter Kingsford). In short order, Sach, his pals Slip (Leo Gorcey), Chuck (David Condon) and Butch (Bennie Bartlett), and sweet-shop proprietor Louie (Bernard Gorcey) head to the Earl's estate in London. Immediately ingratiating themselves with the ailing nobleman, the boys give the old fellow a new lease on life--which doesn't sit well with the rest of the Earl's relatives, who are greedily awaiting his demise so that they may claim his inheritance. In desperation, the other relatives plan to kill the Earl, but they're foiled by Slip, Sach and company. This leaves Sach the sole heir to the Earl's fortune--at least that's what he thinks! Written by "Three Stooges" alumni, Elwood Ullman and Edward Bernds (who also directed), Loose in London is an enjoyable hour's worth of nonsense. ~ Hal Erickson, Rovi

The novel The Big Bow Mystery by Israel Zangwill had been filmed in 1928 as The Perfect Crime and again in 1934 as The Crime Doctor. This 1946 version was the best and marked the directorial debut of Don Siegel. It also paired the popular duo of Peter Lorre and Sydney Greenstreet for the last time. Greenstreet plays George Grodman, a veteran Scotland Yard chief who is forced out after a murderer that he helped convict is found innocent after his execution. His successor is the pompous Buckley (George Coulouris), who vows to do much better. Lorre plays Victor Emmric, an artist illustrating a crime book that Grodman is writing. A tenant in a building near Grodman's apartment is found dead by a landlady who summons Grodman to the scene. The victim's door appears to have been locked from the inside. Chief Buckley fingers Clive Russell (Paul Cavanagh), a friend of Grodman. With only circumstantial evidence, the superintendent railroads Russell into a conviction that carries the death sentence. Grodman tries to prove his friend innocent, but the only woman who can provide Russell an alibi is dead. ~ Michael Betzold, Rovi

Paramount Pictures did their patriotic duty with this World War II era musical, with a number of the studio's biggest stars making cameo appearances. Tony West (George Raft), his sister Kitty (Grace McDonald), and their father Nick (Charles Grapewin) tour together as The Three Wests, a failing act just scraping by in the latter days of vaudeville. With job opportunities drying up on the East Coast, Tony persuades the family to take their chances in California, and for once luck is with him. Not long after arriving in Hollywood, Tony is hired as a chorus boy on a musical starring Latin bombshell Vera Zorina (Gloria Vance). Cocky Tony offers Vera some much-needed advice on her dancing. She's intrigued by his confidence, and a romance blooms; soon, the two marry. Tony becomes a major star as Vera's on and off screen dancing partner, but when World War II breaks out, Tony's conscience gets the better of him. Tony is 4-F because of a bad knee, but he's ashamed to admit this, even to Vera, who thinks he's avoiding the service out of cowardice. Vera eventually gives Tony his walking papers, and desperate to show his support of our troops, Tony organizes an all-star U.S.O. revue bringing much needed entertainment to America's fighting men overseas. Follow the Boys also features guest shots by Marlene Dietrich, W.C. Fields (demonstrating trick billiard shots), Orson Welles (doing his magic act), Dinah Shore, The Andrews Sisters, Jeanette MacDonald, Sophie Tucker, Randolph Scott, Lon Chaney Jr., and Maria Montez, among many others. ~ Mark Deming, Rovi

A Warner Bros. attempt to ape the success of the Universal horror films, The Mysterious Doctor is a moody little piece centering around a series of decapitations. These outrages are being committed in a cloistered English village, and the perpetrator is supposedly a legendary headless ghost. For a while, suspicion falls upon the village idiot (Matt Willis), but the true culprit is mad doctor John Loder, who is using the "ghost" legend to cover up his Nazi activities. Eleanor Parker, a recent Warners contractee, is around to scream and look terrified. Mysterious Doctor wraps everything up in 57 minutes. ~ Hal Erickson, Rovi

In this drama set at the end of WW I, Sgt. Jocko Wilson leaves England to return to Australia. He brings with him, two Belgian orphans whom he will raise as his own. He later sends the girl to boarding school while his son becomes the Australian lightweight boxing champion (the Sgt. himself was a former boxer). He uses his considerable prize money to buy an estate and then turns it into a hotel. Years pass and suddenly a singer whom Jocko loved and left in England reappears. Though she is quite wealthy, she is still angry at being jilted. she ends up winning the hotel in a card game. When WW II erupts, she and Jocko renew their love. Meanwhile the brother and sister discover that they are not related and are free to act on the mutual attraction they had been fighting for so long. ~ Sandra Brennan, Rovi

The once-notorious theatrical chestnut White Cargo was toned down for public consumption in this 1942 MGM-ized adaptation (the property had been previously filmed in England in 1929). More sullen than sexy, Hedy Lamarr stars as Tondelayo, the libidinous African native girl who nearly drives rubber-plantation manager Langford (Richard Carlson) to ruin and madness. Though warned by local English magistrate Witzel (Walter Pidgeon) not to "mammy-palaver" with the natives, Langford falls hopelessly in love with Tondelayo, marrying her in defiance of convention and anti-miscegenation laws. Alas, the restless Tondelayo soons tires of married life, just as Langford wearies of his bride's near-manic possessiveness. She tries to come on to Witzel, who'll have none of it, then plots to rid herself of her husband by systematically poisoning him during a bout of fever. A studio-imposed prologue and epilogue set in the 1940s was inserted to assure the audiences from the outset that Langford would eventually wise up and divest himself of the troublesome Tondelayo. Though corny and campy in the extreme, White Cargo is one of the films for which Hedy Lamarr is best remembered. ~ Hal Erickson, Rovi

When World War I hero Alvin York agreed to sell the movie rights to his life story to Warner Bros., it was on three conditions: (1) That the film contains no phony heroics, (2) that Mrs.York not be played by a Hollywood "glamour girl" and (3) That Gary Cooper portray York on screen. All three conditions were met, and the result is one of the finest and most inspirational biographies ever committed to celluloid. When the audience first meets young farmer Alvin York (Cooper), he's the cussin'est, hell-raisin'est critter in the entire Tennessee Valley. All of this changes when York is struck by lighting during a late-night rainstorm. Chalking up the bolt from the blue as a message from God, York does a complete about-face and finds Religion, much to the delight of local preacher Rosier Pile (Walter Brennan). Despite plenty of provocation, York vows never to get angry at anyone ever again, determining to be a good husband and provider for his sweetheart Gracie Williams (Joan Leslie). When America goes to war in 1917, York elects not to answer the call when drafted, declaring himself a conscientious objector. Forced to go to boot camp, he proves himself a born leader, yet still he balks at the thought of killing anyone. York's understanding commanding officer Major Buxton (Stanley Ridges) slowly convinces the young pacifist that violence is sometimes the only way to defend Democracy. Later on, while serving with the AEF in the Argonne Forest, Sergeant York sees several of his buddies, including his Bronxite best pal Pusher Ross (George Tobias), killed in an enemy ambush. His anger aroused, York personally kills 25 German soldiers, then single-handedly captures 132 prisoners. As a result, York becomes the most decorated hero of WW1, celebrated by no less than General John J. Pershing as "the greatest civilian soldier" of the war. The film won Gary Cooper his first Academy Award, and also picked up an Oscar for Best Film Editing. Not surprisingly, it ended up as the highest-grossing film of 1941. ~ Hal Erickson, Rovi

In the 1580s, the Sea Hawks -- the name given to the bold privateers who prowl the oceans taking ships and treasure on behalf the British crown -- are the most dedicated defenders of British interests in the face of the expanding power of Philip of Spain. And Captain Geoffrey Thorpe (Errol Flynn) is the boldest of the Sea Hawks, responsible for capturing and destroying more than 50 Spanish ships and ten Spanish cities. His capture of a Spanish galleon, however, leads to more than he bargained for, in a romance with the ambassador's niece (Brenda Marshall) and the first whiff of a plan to put Spanish spies into the court of Elizabeth I (Flora Robson). Thorpe's boldness leads him to a daring raid on a treasure caravan in Panama which, thanks to treachery within Elizabeth's court, gets him captured and, with his crew, sentenced to the life of a slave aboard a Spanish ship. Meanwhile, Philip of Spain decides to wipe the threat posed by Elizabeth's independence from the sea by conquering the island nation with his armada. Thorpe, though chained to an oar, knows who the traitor at court is and plans to expose him and Philip's plans, but can he and his men break their bonds and get back to England alive in time to thwart the plans for conquest?

The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, Rovi

Based on a classic tale from Rudyard Kipling, this melodrama chronicles the desperate attempt of a painter to finish his greatest painting before he goes blind. His affliction is due to a war wound and his final project is to paint a portrait of London's most notorious prostitute. Trouble begins when the hooker falls deeply in love with the artist. Unfortunately, social mores forbid their union and this frustrates the wanton woman. Meanwhile, the artist feverishly continues to paint her. The result is exquisite. Unfortunately, by this time, the whore can no longer contain her frustrated rage, and unbeknownst to the painter whose sight is nearly gone, viciously slashes it. Later the artist takes his prized work and shows it to his best friend, a military officer, in a heartbreaking scene. Afterward the two colleagues head down to fight in the Sudan. There, the devastated painter begs the officer to allow him to participate in one final, glorious charge atop a shining white stallion. ~ Sandra Brennan, Rovi

Though John Barrymore is top-billed in Bulldog Drummond's Peril, the aging matinee idol is consigned to the supporting role of Inspector Nielsen. Drummond is portrayed by John Howard; once more, he is on the verge of marrying the ever-patient Phyllis Clavering (Louise Campbell). And yet again, the ceremony is interrupted by a late-breaking crime. The villains this time are trying to steal synthetic diamonds. Bulldog Drummond's Peril was the 5th in Paramount's B-picture "Drummond" series. ~ Hal Erickson, Rovi

Arrest Bulldog Drummond was the last of Paramount's "B" film series based on Sapper's two-fisted soldier of fortune, and also the final appearance by John Howard as Drummond. In this one, Drummond's honeymoon with his beloved Phyllis (Heather Angel) is postponed for the umpteenth time when Drummond is framed for the theft of a new ray-gun device (which looks like a reconditioned movie projector). Though designed for "the good of mankind", the gun will be a deadly force if it falls into "the wrong hands"--which in this case belong to goggle-eyed reprobate George Zucco and his gang. Still a fugitive, Drummond gives chase to the real crooks, with the help of several friends and associates, as well as the unofficial approval of Scotland Yard inspector Nielsen (H.B. Warner). Drummond narrowly escapes being dunked into a slime pit before he brings the crooks to justice. ~ Hal Erickson, Rovi