Fermi Reixach

An obsessive French perfumer with a highly developed olfactory sense and an all-consuming drive to capture the essence of love eventually resorts to murder in his unrepentant quest to find the key ingredient for his recipe in director Tom Tykwer's adaptation of author Patrick Suskind's best-selling 1985 novel. Born in a fetid fish market and raised in a dilapidated orphanage, Jean-Baptiste Grenouille (Ben Whishaw) toiled his childhood away in a rank tannery run by the thuggish Grimal (Sam Douglas). Subsequently obsessed by smell, Grenouille's keen olfactory sense becomes so finely tuned that it eventually overpowers such human qualities as love and compassion. Though he has indeed discovered the unmistakable scent of a woman, Grenouille finds it impossible to connect with the fairer sex on any sort of meaningful level. Roaming the streets of Paris late one night, Grenouille catches the scent of a young girl selling plums and impulsively strangles her, later sniffing her nude corpse in a twisted attempt to preserve the distinctive scent in his memory. After persuading legendary perfumer Giuseppe Baldini (Dustin Hoffman) to take him on as an apprentice, Grenouille travels to the town of Grasse in Southern France in order to learn the art of enfleurage at a firm run by the highly respected Mme. Arnulfi (Corinna Harfouch). It is there that Grenouille becomes dangerously drawn to the vestal aroma of the young and beautiful Laura (Rachel Hurd-Wood), the daughter of widower merchant Antione Richis (Alan Rickman). Soon driven to madness by such a pure scent, the spellbound Grenouille continues to claim the lives of the numerous young girls in a tragic attempt to bottle the impossibly elusive smell of virginal womanhood. ~ Jason Buchanan, All Movie Guide

This uneven historical drama tries but fails to give any insight into the cultural differences between Arabs and Christians in 12th-century Spain. The harem is unattractive and is erratic, not erotic. The feature is further plagued by poor production and lack of a coherent storyline. ~ Dan Pavlides, All Movie Guide

The angst of middle age attacks an otherwise level-headed advertising executive in this routine drama from Jaime Camino. The unhappy ad man punches out a traffic cop in the middle of yet another exasperating gridlock and ends up on the wrong side of a set of bars to cool his ardor for awhile. After he gets out, he makes friends with a bank robber and brings him home, where long involved exchanges with his wife do nothing to help him make up his mind about his mid-life crisis. Meandering from pillar to post, both the ad exec and the script seem to have become lost at sea. ~ Eleanor Mannikka, All Movie Guide