Jackie Coogan Movies

This romantic melodrama centers on a love triangle shaped by the restless, dissatisfied girl friend of a crop-duster who refuses to marry her. ~ Sandra Brennan, All Movie Guide

For his film directorial debut, producer Dore Schary selected a longtime pet property: Miss Lonelyhearts, Nathaniel West's trenchant 1933 novel. Montgomery Clift delivers a haunting performance as journalist Adam White, assigned by his cynical editor Adam Shrike (Robert Ryan) to take over a newspaper advice column. Signing himself Miss Lonelyhearts, White is appalled by the human misery pouring out of the letters sent to him (one of his correspndents was born without a nose), but Shrike insists that anyone who'd write to such a column is fake. To find out for himself, White looks up one of the correspondents, unhappily married Fay Doyle (Oscar-nominated Maureen Stapleton). His pity for the seriously disturbed Fay nearly leads to tragedy (in the novel, there's no "nearly"). Meanwhile, Shrike tries to contend with his own tottering marriage to his wife Florence (Myrna Loy). In additional to shortening the title to Lonelyhearts, Dore Schary made a number of radical changes in the original, adding an overabundance of "meaningful" dialogue and softening the character of Florence Shrike. Purists were enraged by Schary's liberties, while critics carped at his perfunctory direction; audiences, however, seemed to like the film. ~ Hal Erickson, All Movie Guide

Dave Brewster (Adam Williams) arrives to take his new job as an electronics technician at a top-secret Air Force base in California. With him are his wife Anne (Peggy Webber) and their two children, Bud (Mikel Ray) and Ken (Johnny Crawford), who are all apprehensive about this sudden transplant, as well as the spartan existence that all of the families live under. No sooner do they arrive, however, then Bud and Ken see a strange light in the sky pointing to the beach, and soon after that seem to be receiving increasingly powerful -- and detailed -- telepathic communications from an unseen source. The boys are drawn, along with the children from the other families, to a lonely cave near the beach, where an alien presence, in the form of a huge (and ever-growing) brain, has hidden itself. At first, it uses the children to try and persuade the more reasonable of the parents that their project -- a missile called The Thunderer, which will place a hydrogen bomb in orbit, capable of being used on any target in the event the United States is threatened -- is too dangerous to complete. But the parents aren't prepared to listen, either because they don't understand the danger, or because they genuinely believe in the conduct of the Cold War, as in the case of Hank Johnson (Jackie Coogan); or because they're too angry and belligerent, like Joe Gamble (Russell Johnson), who is at a dead-end in his job and has taken to alcoholism and abusing his wife (Jean Engstrom) and stepson (Johnny Washbrook). As the launch approaches and the children's entreaties are ignored, the alien takes more direct action with their help, and they soon find a potential ally in in Dr. Wahrman (Raymond Bailey), the inventor of The Thunderer, who is also the only man on the project smart enough to realize that he may not have all the answers. But the military head of the project (Richard Shannon) is stil prepared to launch The Thunderer, regardless of its inventor's doubts. ~ Bruce Eder, All Movie Guide

The Buster Keaton Story is the sublimely inaccurate life story of immortal film comedian Buster Keaton, played by Donald O'Connor. The film begins with young Buster appearing in his parents' circus acrobatic act (the real Keatons never appeared in a circus, but were vaudevillians instead). After Buster's dad dies (an event that actually occurred when Keaton was in his 30s and already a star), the boy strikes out on his own. He makes it into silent films as a top slapstick comic (this much is accurate), but his private life is complicated by two loves, a "sweet" girl (Ann Blyth) and a wealthy temptress (Rhonda Fleming) (Buster was married three times, but not to either one of the ladies depicted in this film). When talkies come in, Buster is browbeaten by autocratic director Peter Lorre (all of Keaton's talkies were directed by Eddie Sedgwick, one of his best friends) and finds himself unable to handle dialogue (no comment). He turns to drink (true) and destroys himself in Hollywood (partly true). But through the love of good girl Ann Blyth, Buster makes a comeback in vaudeville, and finally decides to get married and settle down for the first time in his life (Buster did tour in vaudeville with wife Eleanor Norris, who was wife number three and whom he met nine years after the advent of talkies). The nicest thing about The Buster Keaton Story was that the amount Paramount paid Keaton for permission to film his "life story" ($50,000) was large enough for Buster to remain financially solvent for the rest of his life. ~ Hal Erickson, All Movie Guide

In this teenage exploitation drama, a young woman secretly marries. The trouble begins after her husband is killed while drag racing. She bears his child, but she cannot prove that she was married. Caring nothing for the child, she spends her time hitting on a jazz trumpeter who takes her to Las Vegas. Soon she figures out that he is not interested in marriage. She takes off and marries a DJ. ~ Sandra Brennan, All Movie Guide

The Actress is based on Years Ago, one of several autobiographies by actress/playwright Ruth Gordon. Jean Simmons stars as blossoming teenager Ruth Gordon Jones, who is determined to become a famous stage star despite the objections of her stubborn ex-sea captain father Clinton Jones (Spencer Tracy). Papa wants Ruth to become a physical-education instructor, but she wants none of this. With the covert help of her understanding mother (Teresa Wright), Ruth seeks out stage work--any stage work. Ultimately, it is Papa who dips into the Jones family's limited coffers to bankroll his daughter's first big break. The Actress represented the movie debut of Anthony Perkins, here cast as Ruth Gordon Jones' gawky boyfriend. ~ Hal Erickson, All Movie Guide

This off-beat western is set in a remote western town that has made it illegal for men to enter. The town is owned by a powerful female gambler whose reign is toppled by a handsome and persistent cowboy. ~ Sandra Brennan, All Movie Guide

Originally slated for release by Eagle Lion, Skipalong Rosenbloom purchased by United Artists -- who gave it a cursory theatrical release before selling the film to television. As it turned out, TV was the appropriate medium for this heavy-handed satire of video westerns. Former boxing champ Maxie Rosenbloom plays a lampooned variation of Hopalong Cassidy, with all the standard western cliches in evidence. "Skipalong" Rosenbloom is depicted as the star of a heavily commercialized TV kiddie show, presided over by a smarmy announcer. The plot proper finds "Skipalong" at odds with western bad guy Butcher Baer, played by Rosenbloom's onetime ring opponent Max Baer. Others in the cast are Jackie Coogan, Fuzzy Knight and Hillary Brooke, who seem to be having fun with the dreadful material foisted upon them. ~ Hal Erickson, All Movie Guide

The popular wartime catchphrase "Kilroy Was Here" was affixed to this minor campus comedy. Jackie Cooper plays peripatetic ex-sailor John J. Kilroy, who is assumed to be the Kilroy. Once John finds himself in college on the GI bill, he finds that his fame is also a curse: none of the "right" people want anything to do with him because of his WW2 notoriety. Even worse, John insists upon retaining his friendship with navy buddy Pappy Collins (Jackie Coogan), a "lowly" cabdriver. By film's end, of course, Kilroy and Collins have washed their hands of the campus snobs, but not before several slapsticky complications. At the time of its release, Kilroy Was Here was exploited on the basis of its teaming of former child stars Cooper and Coogan, who work together quite well consider the material they're given. Not unlike 1946's Snafu, Kilroy Was Here ran into some censorship trouble because of the sexual connotations of its inspiration (a line drawing of a face, with a phallic nose resting between two ball-shaped cheeks!) ~ Hal Erickson, All Movie Guide

Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide

It's hard to go wrong with such stars as Bob Hope, Burns & Allen, Martha Raye and Edward Everett Horton, and College Swing doesn't-go wrong, that is. The film begins in 1738, when a pact is drawn up between the Alden family and a highly respected Colonial college: If any female member of the family can pass her college exams within a 200-year period, ownership of the institution will be turned over to her. Comes 1938, and the last of the Alden girls, giddy Gracie Alden (Gracie Allen, of course) hires glib-tongued tutor Bud Brady (Bob Hope) to help her pass her exams. She also tries to win over no-nonsense professor Hubert Dash (Edward Everett Horton), who has no intention of handing his college over to a blithering idiot like Gracie. Once she has inherited the place, however, Gracie turns it into a jumpin'-jivin' joint, complete with jitterbugging students, swing bands and remote radio broadcasts. Though George Burns' role is nearly nonexistent, he does get to indulge in his patented cross-talk with Allen. Others contributing to the fun are Ben Blue, Jerry Colonna, Betty Grable, and Grable's then-husband Jackie Coogan. Highlights include Allen's spirited Irish jig and her endearing song duet with Edward Everett Horton. College Swing is the sort of high-powered, all-star entertainment that is virtually impossible to reproduce today. ~ Hal Erickson, All Movie Guide

Based on the novel by Mark Twain, Huckleberry Finn stars Junior Durkin in the title role, Jackie Coogan as Tom Sawyer, Mitzi Green as Becky Thatcher and Clarence Muse as Jim the slave. The film hopscotches around the book, ignoring such highlights as the Grangeford-Shepherdson feud and devoting too much time to such minor incidents as Huck and Tom's "orchestrated" rescue of Jim. The basic storyline begins when Huck's no-good Pap (Warner Richmond) kidnaps the boy from his guardian, the Widow Douglas. Huck stages his own "death" and escapes down the Mississippi on a raft, in the company of Tom Sawyer and escaped slave Jim. The threesome link up with two confidence men, the King (Oscar Apfel) and the Duke (Eugene Pallette). The unscrupulous pair plan fleece the grieving family of a recently deceased man of wealth, but Huck falls in love with one of the victims of the scam (Charlotte Henry) and thwarts the villains. Huckleberry Finn was Paramount's followup to 1930's Tom Sawyer, with many of the principal actors repeating their roles. This 1931 version of Huckleberry is easy to take, but somewhat threadbare when compared to later remakes. ~ Hal Erickson, All Movie Guide