Patrick Raynal Movies

In the labyrinthine streets of 21st century Paris, where every move is monitored and ever action recorded, a mysterious kidnapping sets into motion a catastrophic series of events that could ultimately prove the downfall of civilization. The year is 2054, and the Avalon Corporation has securely woven its way into every aspect of modern living by making youth and beauty the most valued commodity around. Troubles arises in the City of Lights when a high-profile scientist named Ilona (voice of Romola Garai) is kidnapped, and policeman Barthélémy Karas (voice of Daniel Craig) is assigned the task of solving the case. As his investigation leads Karas down a menacing path where death lurks around every bend, he soon discovers that events that took place in 2006 have cast a dark shadow over the future of humankind. A film that mixes Blade Runner aesthetics with stark, Sin City-style visuals, Renaissance was filmed using motion-capture animation and features extravagant production design by Alfred Frazzani (Immortel Ad Vitam). ~ Jason Buchanan, Rovi

Set within a housing project located on the outskirts of Alsace, this French docudrama features a largely non-professional cast and centers on the interrelationship between a pair of elderly French nationals, Arab immigrants and a newly arrived family from Africa as they struggle to find niches in their rapidly changing world. ~ Sandra Brennan, Rovi

Based on a popular novel with the English title Devil in the Flesh by Alexandre Jardin, this little drama tells the story of Virgile (Thomas Langmann), a sixteen-year old boy who has grown tired of being a virgin, and decides to seduce Carla (Kristin Scott-Thomas), an older woman. Rather to his surprise, despite his callowness, she proves to be quite willing. One highlight of the film is the performance of veteran screen actress Danielle Darrieux as Virgile's grandmother, L'Arquebuse. ~ Clarke Fountain, Rovi

Louis (Jean-Louis Rolland) is a family man, with a wife and young daughter, who discovers in mid-life that he is gay. After breaking up with his wife Sybele (Florence Giorgetti), his first homosexual encounter nearly drives him to suicide. A short stint as a gay prostitute follows as he continues to struggle with his sexual identity. Louis later finds love with another man who stays with him in spite of the fact that he has AIDS. This remarkable film was shot in ten days and follows the lives of those in it over a ten-year period (from 1978 to 1988) in ten episodes. ~ Dan Pavlides, Rovi

The second of director Bernard Tavernier's first three critically acclaimed films, this historical costume drama was the winner of four Cesars. Philippe Noiret stars as Philippe d'Orleans, regent to nine-year-old King Louis XV in 1719, four years after the death of the regent's grandfather, Louis XIV. A hedonist and free thinker who is somewhat limited by his love of sexual excess, his noble stature, and his complete lack of empathy for those on the lower social strata, Philippe serves during a time of rebellious talk and famine, swimming against the tide of social upheaval to maintain the status quo by allying himself with the Abbé Dubois, a foreign minister (the son of a peasant), who claws his way to the post of archbishop because its God-given power and authority isn't contingent on men. Meanwhile, the Marquis de Pontcallec (Jean Pierre Marielle) begins to set forth plans to secede from France and incorporate the Republic of Brittany. The musical score of Que la Fete Commence. . . was composed by the real-life Philippe d'Orleans.

~ Karl Williams, Rovi