Pierre-Loup Rajot Movies

The fertile filmmaking community of Burkina Faso gives birth to another stark, social realist tale with this feature from director Pierre Yameogo. Me and My White Pal concerns the hand-to-mouth existence of Mamadi, an African student studying in France who becomes embroiled with violent gangsters when he intercepts a drug package and attempts to profit from it. While tending to cars in his menial parking-garage job, Mamadi discovers the stash, which his "white pal" persuades him to try to sell. Once he does, the twosome find themselves running all the way back to Burkina Faso to escape the dealers. ~ Michael Hastings, All Movie Guide

A man considers the fine line between friendship and family as he crosses France by foot in this comedy. Felix (Sami Bouajila) is a cheerful thirty-something from Normandy who is part-Arab by birth and 100 percent French by inclination; Felix is also gay and HIV-positive, though the ups and downs of the characters on his favorite soap opera trouble him more than his health, which he regards with a good-natured stoicism. Felix has never really known his father, who left his mother before Felix was born, and after he receives some old letters his dad wrote to his mother, Felix decides its time they talked before it's too late. Figuring his father's likely whereabouts in Marseilles from the letters, Felix packs up his knapsack and hits the road, planning on hiking cross country and meeting up with his boyfriend, Daniel (Pierre-Loup Rajot), in a couple of weeks. Along the way, Felix's open-hearted charm allows him to make several new friends, and before long he's bonded with a number of people he's embraced as a surrogate family: Mathilde (Patachou), an elderly woman with regrets about her life; Isabelle (Ariane Ascaride), a single mother who can't find a stable relationship; Daniel (Pierre-Loup Rajot), a teenager coming to terms with his sexuality; and a "cousin" (Philippe Garziano) interested in kites with whom Felix has a brief fling (while they practice safe sex, their al fresco encounter leads to a dreaded and painful malady -- poison ivy). As Felix moves onwards toward Marseilles, he and his new friends ponder the notion of family -- is it defined by blood, or by your heart and soul? Drôle de Félix was released in English-speaking territories under two different titles, Funny Felix and The Adventures of Felix. ~ Mark Deming, All Movie Guide

After Polish-born writer-director Janusz Mrozowski, a French resident for the past 30 years, made a series of 30-minute films based on African writings, he was approached by Africans to do a cinematic survey of past events in African history. Filming in Burkina Faso, Mrozowski responded with this comedy about a dictator kidnapped from the present-day and taken back through the mists of time. There he meets the mother of humanity, Lucy, who teaches him the basics of sexual equality. By the time he returns to the present, he's also received an education in 16th-century slave-trading and European influences on Africa. Shown at the 1998 FESPACO Pan-African Film Festival (Ouagadougou). ~ Bhob Stewart, All Movie Guide

What do you do if you are a reporter with a deadline and you are going blind? This French drama answers that question. Arnold is a crack television reporter assigned to cover an uprising in northern Sri Lanka. Recently he has suffered great headaches and his eyes have been tired. Before leaving he has a doctor check him and is appalled by the diagnosis that he is going blind. If he goes to Sri Lanka, the stress could hasten his loss of sight. If he does not go, he will lose the assignment to a rival reporter. Instead of going, he locks himself in his Paris apartment and creates the documentary from a combination of new and old video footage. He suffers through many emotional outbursts in the process. The highlight of his video is a scene in which he, using complex computer-work, "inserts" himself into Sri-Lankan street situation. Though the documentary is excellent, Arnold is crushed when his editor demands the scene be deleted from the film because it slows the film down. ~ Sandra Brennan, All Movie Guide

Merwan grew up in France and only speaks French, but he is a resident alien from Algeria. Because of a minor infraction of the law, he is shipped back "home" to Algeria and is immediately drafted into the army. He speaks no Arabic and is held in contempt by his fellow soldiers. It's not long before he deserts his unit and attempts to join his girlfriend, another French-raised Algerian who was tricked into visiting the country and is now being imprisoned there. Together, with almost no knowledge of the place or the culture, they attempt to flee across the border. ~ Clarke Fountain, All Movie Guide

Francois (Pierre-Loup Rajot) has just moved into a small community in the French Pyrenees mountains. He applies for work at a small logging mill, run with great craftsmanship but indifferent business skill by Favier (Guy Marchand), the son-in-law of the owner, Mathieu (Serge Reggiani). Francois has an ally in another man who works at the mill, Cyuri (Wotjek Pszoniak), who had formerly been his mother's lover. With his help, he easily settles into his job. He also quickly becomes the lover of his boss's wife Marie (Julie Jezequel). This leads to complications for all concerned, but as decent people, they find themselves at something of a standoff and are unable to resolve the situation easily. ~ Clarke Fountain, All Movie Guide

As cost of living rises to almost unbearable conditions in the Ivory Coast, Benson, educated in Europe and used to the luxuries of the West, finally decides to help local nightclub owner, Frenchman Rajot, plan a robbery. ~ All Movie Guide

In this conventional, broadly comic farce of greed and royal matrimony, nearly bankrupt businessman Victor Harris (Roger Hanin) is marrying Maria-Helena (Pauline Lafont), a princess who comes with a dowry that is made up of one half of her island kingdom. Her father, the cowardly King Arnold III (Jean Rochefort) is counting on the money this marriage will bring him. The country is now almost bankrupt because of the king's gambling debts. As Harris and the king look forward to their illusory profits from the royal merger, other characters add some liveliness to the otherwise predictable story. ~ Eleanor Mannikka, All Movie Guide

This well-articulated, engaging story about the differing fortunes of two brothers just after Algeria's war for independence is conventional in its outlines, and may have several more characters than can be developed in a short time, but its subtle handling by director Ariel Zeitoun helps to counteract those flaws. Rego (Christophe Malavoy) has just returned from a tour of duty in Algeria where he escaped the demands of his budding musical career. Now that he is back, his former agent does not welcome him with open arms because he is still mad over Rego's sudden departure, just when things were going well. The delinquent, wild teenager Antoine (Pierre-Loup Rajot) is Rego's younger brother, now in love with his new music teacher (Gabrielle Lazure), and his persistence in going after the reserved young woman ends in a brief and forbidden fling -- and trouble for her. As events continue on their course, the fate of the two brothers is vastly divergent, even though they continue to have a strong bond between them. ~ Eleanor Mannikka, All Movie Guide

Director, co-writer, and star Maurice Pialat brought his typically unblinking New Wave style and interest in socially aberrant behavior to this psychological drama, winner of two Cesars (the French equivalent of the Oscar) for Best Film and Most Promising Young Actress (Sondrine Bonnaire). Bonnaire plays Suzanne, a 15-year-old girl who has become sexually promiscuous with anyone who will have her, despite her lack of affection for any of her lovers. The only boy she refuses is Luc (Cyr Boitard), whose feelings for Suzanne are sincere. When Suzanne's beloved father (Pialat) abandons his increasingly neurotic wife (Evelyne Ker), Suzanne's depression and lack of direction deepen. While her mother becomes a screeching mental case, her brother Robert (Dominique Besnehard) begins beating her, although he also harbors a disturbing attraction to Suzanne. In the denouement, Pialat depicts the devastating long-term results of Suzanne's abusive upbringing. Pialat draws powerful performances from his cast, with no finer example than the riveting acting Bonnaire -- in only her second film. ~ Karl Williams, All Movie Guide