Luis Contreras Movies

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, Rovi

Charles Bronson switches from his traditional role as a vigilante to playing an actual lawman in this crime drama. Jeb Maynard (Bronson) is a border patrol agent who is trying to stem the tide of illegal aliens from Mexico into the United States. Jeb is hot on the trail of Hotchkiss (Ed Harris), a "coyote" who brings illegals into the United States for a hefty price and with little concern for their safety. But while Jeb is sworn to keep illegal immigrants out of America, he finds his relationship with Elena Morales (Karmin Murcelo) becoming more than professional. Elena is an illegal alien who wants to cooperate with Jeb by leading him to Hotchkiss, who smuggled her into the United States. But businesslike Jeb soon finds that the plight of Elena and her young son, who are desperate to build a better life for themselves, has touched a soft spot inside him. While the story may sound similar to the Tony Richardson/Jack Nicholson picture The Border, Borderline actually preceded it by two years. ~ Mark Deming, Rovi

John Byrum wrote and directed this loosely based biographical tale of Beat author Jack Kerouac and Neal and Carolyn Cassady. John Heard stars as Jack Kerouac, and the film chronicles the Beat lifestyle that shaped the literary and social forces brewing and overflowing in Kerouac's imagination, resulting in the publication of Kerouac's seminal novel On the Road. Nick Nolte and Sissy Spacek play the Cassadys, enmeshed in a love-hate relationship that forms the backbone of the film. Kerouac drifts in and out of their lives as the Cassadys take up residence in San Francisco. Ray Sharkey is also on hand as the manic Ira, a thinly veiled character based on Alan Ginsberg. ~ Paul Brenner, Rovi

A variation on the "buddy-cop" hybridized genre, 48 HRS. greatly bolstered the career of Nick Nolte and made comedian Eddie Murphy a bonafide box-office sensation. When a pair of reckless cop-killers break out of prison, grizzled detective Jack Cates (Nolte) is left no alternative but to spring fast-talking hustler Reggie Hammond (Murphy) from the penitentiary in order to find the criminals. The catch: the pair only have 48 hours to complete their assignment before Hammond must return to prison. Naturally, the two despise each other and even engage in fisticuffs, but eventually the danger facing them proves a strong enough common bond for them to play on the same team, and even achieve a little mutual admiration. ~ Jeremy Beday, Rovi

With this episode, Ellen Foley joins the cast as no-nonsense public defender Billie Young. Immediately upon arrival, Billie runs afoul of zany night-court judge Harry T. Stone (Harry Anderson), refusing to reveal the whereabouts of a cat "kidnapped" by her client during a most unusual custody battle with a large and powerful corporation. Needless to say, Billie ends up behind bars--and Harry is instantly smitten by her wrathful beauty! ~ Hal Erickson, Rovi

Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~ Jeremy Beday, Rovi

When prodigal son Billy Turner (Judd Nelson) returns to his Florida home town, he's caught in a brawl and thrown in jail. He tells the guards to call his father, the mayor, who will have him released; however, he soon discovers his father has been killed. After Turner finally gets out of jail, he starts to hunt down his father's murderer, with the eventual help of Annie Rayford (Ally Sheedy) and her brother Joey (David Caruso). Their nemesis is the nasty crime boss Perry Kerch (Scott Wilson) and his henchmen, though the slow-witted police chief (Paul Winfield) is not much help, either. ~ Eleanor Mannikka, Rovi

Much of the original cast from the popular television series Police Story reunited for this edgy drama, in which the detectives search for a killer loose on the roads. This entry was one of several TV-movies in the late 1980s to feature the familiar cast in the Police Story format. ~ Bernadette McCallion, Rovi

This bizarre comedy spoof on spaghetti westerns was made in a hurry on location in Almeria, Spain. Simms (Joe Strummer), Willy (Dick Rude), and Norwood (Sy Richardson) are inept hitmen who decide to rob a bank. They encounter the MacMahon's (The Pogues), a quintet of caffeine-addicted gunslingers who ride motorcycles across the range wreaking havoc. Elvis Costello has a reoccurring role as a waiter who is always ready with a new tray of coffee. ~ Dan Pavlides, Rovi

Director Blake Edwards departed from his customary sex farces to direct an unusual satirical Western comedy-thriller. In 1927, legendary lawman Wyatt Earp (James Garner) comes to Hollywood to serve as an advisor to a film studio making a movie about Earp's life. He meets silent screen cowboy star Tom Mix (Bruce Willis). The two stumble upon a murder that has apparently occurred on the set but is linked to a renowned bordello. The aging cowboy and the young actor set off on a series of time-warp misadventures to try to solve the mystery. Along the way, they encounter the shady Alfie Alperin (Malcom McDowell) and the intriguing Cheryl King (Mariel Hemingway). ~ Michael Betzold, Rovi

Police dispatcher Carol Lane (Dorothy Lyman) is approached by several shady characters who threaten dire consequences to her son Bobby (Christopher Stone), who is heavily in debt to a gambling ring. In order to save Bobby's life, Carol agrees to delay reports of a burglary in progress--and as a result two men end up dead. Guilt-ridden over her complicity in the crime, Carol insists upon bringing the criminals to justice herself...while Hunter quietly remains a step or two behind, just in case of trouble! ~ Hal Erickson, Rovi

The Night Court staff is invaded by the crew of a hard-hitting TV magazine show called "A Closer Look." The show's host Ed Druthers (Bob Sarlatte) has it in his head to expose the New York courtroom system in all its "primitive form." Needless to say, Ed gets much more than he bargained for thanks to zany Judge Harry T. Stone (Harry Anderson) and his colleagues. ~ Hal Erickson, Rovi