Tom Quinn

The final film released under the Andy Warhol moniker (which Warhol executive produced) is a much more polished affair than Flesh, Trash or Heat, but preserves the oddball wit and eccentric flair that made those films so memorable. Directed by Warhol film editor Jed Johnson, Andy Warhol's Bad focuses on Hazel Aiken, a New York housewife who has to support a houseful of relatives on her own. She pays the bills by operating an electrolysis service out of her home and also by running a murder-for-hire service staffed exclusively by women that specializes in unsavory jobs like killing children and house pets. As a result of her latter job, she has to deal with unwanted attention from Detective Hughes, a corrupt cop who wants her to surrender one of her employees so he can make an arrest. Hazel's complex life grows even more difficult with the arrival of her nephew J.T. (Perry King), a sleazy layabout who wants to join her hit squad. As the bodies pile up around her, Hazel discovers that her cold-blooded take on capitalism and family values comes with a price she didn't imagine. Andy Warhol's Bad differs from previous Warhol productions because of its higher production values and Hollywood-friendly casting, but retains its sense of underground credibility thanks to a wild story line that trashes every taboo in arm's reach to create a memorably bizarre satire. Some sources erroneously list the year of release in 1971; it was in fact produced in 1976 and issued to theaters by Roger Corman's New World Pictures in 1977. The MPAA classified that version of the film with an X. It was later reedited to receive an R, which is the version available on video. ~ Donald Guarisco, All Movie Guide

Western star Whip Wilson stars in the Monogram oater Crashing Thru. He periodically displays his whip-wielding skill (which far outclasses his acting ability) to bring a gang of rustlers to heel. In so doing, he rescues Christine Larson from financial ruin and physical danger. Wilson's comic sidekick Andy Clyde again proves that he's got more talent in his little pinky than most cowboy heroes have in their whole carcasses. Crashing Thru was produced by Barney A. Sarecky, later one of the leading lights of TV's Wild Bill Hickok. ~ Hal Erickson, All Movie Guide

Deadline at Dawn represented not only the sole film directorial effort of Broadway's Harold Clurman, but also the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Clifford Odets. While on shore leave in New York, sailor Alex (Bill Williams) is slipped a doped-up drink by B-girl Edna (Lola Lane). When he awakens, Alex discovers that she has been murdered. Though he believes that he's the killer, our hero is talked into locating the actual miscreant by philosophical cab driver gus (Paul Lukas) and nightclub dancer June (Susan Hayward). Adapted from a novel by Cornell Woolrich, Deadline at Dawn leans towards pretentiousness at times, but is redeemed by the no-nonsense performance by Susan Hayward. ~ Hal Erickson, All Movie Guide

Gregory Harrison breathes some humanity into his two-dimensional character in For Ladies Only. Harrison plays an unsuccessful actor who decides to bank on his awesome physique to survive. He becomes a $100-per-night exotic dancer at a ladies-only nightclub. For those female fans who can get past the sight of Harrison bumping and grinding away, For Ladies Only affords some excellent choreography and a modicum of wry humor. Patti Davis, daughter of you-know-who, makes her TV-movie acting debut in For Ladies Only, which debuted on November 9, 1981; also in the cast are Lee Grant and her daughter Dinah Manhoff. ~ Hal Erickson, All Movie Guide

Sidney Lumet directed this Larry Cohen-scripted courtroom procedural that owes more than it should to Jagged Edge. Jennifer Haines (Rebecca De Mornay), one of the top female lawyers in the country and flush from the success of defending a gangster, has a new client to defend. A suave ladies man in an Armani suit, David Greenhill (Don Johnson) has come to solicit Jennifer's services. It seems that his rich socialite wife has been pushed to her death through an open window, and David stands to inherit a very large fortune. Needless to say, David is a prime suspect in his wife's murder. David admits to Jennifer the he is a womanizer and an oily manipulator, but nevertheless Jennifer decides to take his case as a challenge -- as she puts it: "People who are guilty are rarely this blunt." The result is an intricate chess game between Jennifer and David as they manipulate events, other people, and each other in order to determine the guilt or innocence of the playboy widower. ~ Paul Brenner, All Movie Guide

Not surprisingly, this fascinating dissection of Gypsy life in America was vilified by several ethnic special-interest groups, who'd previously delivered their mimeoed missives to novelist Peter Maas, on whose book the film was based. Sterling Hayden is the "king" of a New York-based gypsy tribe, who on his deathbed passes his crown to his reluctant grandson, Eric Roberts. Roberts' scuzzy father Judd Hirsch, envious that he's been passed over, begins plotting the demise of his own son. It appears at first that the boy, a thoroughly assimilated Manhattanite, would be more than willing to give up his invisible throne to Hirsch, but there's something about his heritage that always draws him back to his own people. Several genuine gypsies took part in the film as extras, bit players and technical advisers; reportedly, they also spent much of the shooting time trying to cadge a few dishonest dollars from cast and crew. ~ Hal Erickson, All Movie Guide

The old bromide about the western town run by outlaws as a hideout for their fellow crooks makes a return appearance in Monogram's Land of the Outlaws. Since the crooks include such reliable disreputables as Charles King and John Merton, the good guys really have their work cut out for them. But not to worry! The heroes are Johnny Mack Brown and Raymond Hatton, whose B-western track record is unbeatable. Land of the Outlaws was directed by Lambert Hillyer, whose sense of rhythm and pace had saved many another inexpensive oater. ~ Hal Erickson, All Movie Guide

In this comedy drama, two troubled college freshmen find themselves united by their mutual family woes and so decide to spend the summer together in a beachhouse belonging to the boy's mother. They are platonic friends until the girl gets in trouble during a sailing accident and is rescued by a handsome Coast Guardsman who finds the pretty lass irresistible and starts showing up regularly at the beachhouse with his friends. Wild parties ensue and great fun is had until the boy's mom suddenly appears. Seeing that her son is cohabitating with a woman, she immediately makes lurid assumptions, the result of which makes the two mixed-up kids realize that they have somehow fallen in love. ~ Sandra Brennan, All Movie Guide

A quadriplegic former athlete finds his darkest urges being acted out by an animal familiar in this psychological horror film. When Allan Mann (Jason Beghe) loses the use of his legs and arms in an accident, he becomes bitter -- no surprise given that his girlfriend dumps him for his surgeon, his new nurse (Christine Forrest) is a shrew, and his smothering mother (Joyce Van Patten) keeps threatening to move in and take care of him. Enter Kate McNeil (Melanie Parker), a scientist who is working to provide handicapped people with highly trained animal helpers. Soon Allan is bonding with Ella, an adorable Capuchin monkey, who, unbeknownst to him, has been injected with human brain tissue by drug-addicted scientist Geoffrey Fisher (John Pankow). At first Allan loves little Ella, but the monkey seems to grow jealous as Allan slowly develops a romance with the beautiful Kate. Meanwhile, Allan begins having strange dreams in which he experiences the world from a monkey's-eye point of view. These visions culminate in a fiery nightmare -- the same night Allan's ex-girlfriend and her new lover die in a house fire. Realizing the growing link between his own inner demons and the violence occurring around him, Allan tries to sever the connection with Ella. But the limitations of even his high-tech wheelchair give the psychic primate the upper hand. Written and directed by horror veteran George Romero, Monkey Shines re-teams the filmmaker with his frequent collaborator, Christine Forrest. ~ Brian J. Dillard, All Movie Guide

A woman struggling to rebuild her life becomes the victim of uncharitable rumors in this sudsy drama. After the recent death of her husband, and with her sons away at school, Jessica Drummond (Barbara Stanwyck) is lonely and out of sorts -- and uninterested in the potential suitors her mother, Mrs. Kimball (Lucile Watson), chooses for her. Jessica joins her close friend Ginna Abbott (Eve Arden) on a skiing trip and meets Maj. Scott Landis (George Brent), a handsome man who is clearly attracted to her. Jessica makes it clear that she has no interest in a short-term fling, and upon returning home, she meets Frank Everett (Warner Anderson), a sweet but dull man whom she begins dating. Frank is willing to marry Jessica, but by chance she meets Scott again, and while she's not willing to be seduced by him, she finds him more exciting and alluring than Frank. As Jessica debates the merits of passion vs. security, she becomes the subject of mean-spirited gossipmongers who speculate that her relationship with Scott has become inappropriately intimate for a new widow. My Reputation was shot in 1944, but it wasn't released until 1946, as the studio believed that it would be better received after the end of WWII. ~ Mark Deming, All Movie Guide

The popular screen team of Claudette Colbert and Fred MacMurray stars in this wartime farce. MacMurray is an army pilot who develops engine trouble during a vital mission. Thinking he's about to die, MacMurray radios back his undying affection for his dog "Piggy." But the radio reception is fuzzy, and it is assumed that he has said "Peggy"--which happens to be the character name of Colbert, who intercepts the message. MacMurray survives the plane crash, whereupon he is whisked back home into the arms of Peggy, which is not to the liking of Peggy's gormless fiance (Gil Lamb). Practically Yours was guaranteed to make money, which it did. Its humor not meant to survive the ages, which it hasn't. ~ Hal Erickson, All Movie Guide

Roy Rogers could do no wrong at the box office in 1946, so it's safe to assume that Song of Arizona would have been a hit even if it hadn't been as good as it is. The plot is slightly reminiscent of Boys Town, with Gabby Whittaker (Gabby Hayes) running an Arizona ranch for homeless boys. One of Gabby's charges, young Chip (Tommy Cook), is the son of notorious bank robber King Blaine (Lyle Talbot). When Blaine is killed, Chip secretly digs up his dad's stolen money, intending to use it to pay off Gabby's mortgage. It is up to Roy Rogers to rescue Chip's from his Blaine's gang and to convince the boy that ill-gotten gains never did anyone any good (not in the movies, anyway). The film's musical highlight is a nightclub sequence, spotlighting a Roy Rogers-Dale Evans duet. ~ Hal Erickson, All Movie Guide