John Conte Movies

Unsuccessful football coach Burt Payne (Bill Williams) wants to sell his share of the Wildcats pro football team to a cartel of investors, but his wealthy wife Ellen (Mona Freeman) vetoes the deal. Even so, Ellen arranges a meeting with one of the investors--just before Burt is killed in a mysterious explosion. Perry Mason (Raymond Burr) is on hand when Burt's remains are delivered to Los Angeles by train. . .and also happens to be in the vicinity when another murder occurs and the wrong person is accused. Several real-life members of the Los Angeles Rams appear as themselves in this episode, which ends with a frenetic chase sequence filmed on location at LA Memorial Colisseum, site of the 1932 and 1984 Olympics. ~ Hal Erickson, All Movie Guide

Edward Dmytryk brings Harold Robbins' trashy, dirt-dishing Hollywood best-seller to the screen with George Peppard starring as Jonas Cord, a rancidly-sketched portrait of Howard Hughes. In 1925, when his father dies of a stroke, Jonas inherits the Cord Chemical factory, a manufacturer of dynamite and other explosives. Jonas proceeds with several cut-throat transactions, making a settlement with his sexy stepmother Rina (Carroll Baker) and liquidating the stock owned by cowhand Nevada Smith (Alan Ladd, in his final American film role). With the help of Mac McAllister (Lew Ayres), his father's attorney, Jonas builds his father's company into a multi-million dollar business, expanding into plastics and aeronautics. Meanwhile, Rina has become a top fashion model and movie star and Nevada Smith has parlayed his laconic demeanor into a career as a popular silent film cowboy idol. Jonas then marries, then ignores, the well-meaning Monica Winthrop (Elizabeth Ashley), and ruins her father's company in the process. Then, with the advent of sound films, Jonas helps Nevada Smith through the sound film crisis by offering financial backing for a film to star both Nevada and his ex-mother-in-law Rina. Jonas decides to direct the film himself, hoping to seduce Rina. But Jonas's insensitive and egomaniacal behavior causes Monica to leave him. Jonas invests all his time in film production but the alcoholic Rina dies in a car accident. The owners of the film studio -- Bernard B. Norman (Martin Balsam) and Dan Pierce (Robert Cummings) -- want to sell the studio to Jonas but hide the fact that Rina, the studio's biggest star, has died. Jonas buys the studio and when he finds his biggest asset is gone, he goes on a drunken binge. But Jonas quickly meets call girl Jennie Denton (Martha Hyer), who he decides to turn into a superstar modeled upon Rina. Despite having made her a star, Jonas's vile treatment of Jennie repulses both her and his old friend Nevada Smith, and Smith decides it's time to beat some sense into Jonas's head. ~ Paul Brenner, All Movie Guide

This psychological thriller concerns a woman who is witness to a murder and is traumatized by the event. Her horror over the event causes her to suppress the memory, losing all recollection of the death of the young female victim. The incident is purged from her mind for nearly six years as her memory is restores just as the killer chooses her for his next victim. ~ Dan Pavlides, All Movie Guide

A man wearing dark glasses steals a valuable necklace from the showroom window of a jewelry store--then returns the item and walks away. It turns out that this is a mere "dress rehearsal" for an actual robbery planned by store employee Karl Addison (John Conte), who intends to use the fact that an upcoming operation will render him temporarily blind as his alibi. Alas, things go terribly wrong, and Addison is killed. Perry Mason (Raymond Burr) enters the scene when his client James Kincannon (Jack Ging) is charged with Addison's murder. ~ Hal Erickson, All Movie Guide

High-fashion diva Flavia Halliday (Marie Windsor) humiliates her husband Charles (John Conte) on network television by flatly refuting Charles' announcement that he has sold their firm's name to another company. For Charles, this is the last straw: He demands a divorce, but Flavia merely laughs at him. Subsequently, Flavia is poisoned, and as she dies in the arms of her companion Leona (Dorothy Neumann) she accuses Charles and his mistress Hope (Leslie Parrish) of killing her! Can Perry Mason (Raymond Burr) neutralize the power of a deathbed statement to clear Charles and Hope of murder? ~ Hal Erickson, All Movie Guide

One last duel is expected of a retired gunfighter as brash, young gunfighters tempt him back onto the streets. ~ All Movie Guide

When Otto Preminger was willing to release his drug-addiction drama Man With the Golden Arm without the sanction of a Production Code seal, it proved to be yet another nail in the coffin of that censorial dinosaur. Based on the novel by Nelson Algren, the film stars Frank Sinatra as Frankie Machine, expert card dealer (hence the title). Recently released from prison, Frankie is determined to set his life in order -- and that means divesting himself of his drug habit. He dreams of becoming a jazz drummer, but his greedy wife Eleanor Parker wants him to continue his lucrative gambling activities. Since Parker is confined to a wheelchair as a result of a car accident caused by Frankie, he's in no position to refuse. Only the audience knows that Parker is not crippled, but is faking her invalid status to keep Frankie under her thumb. Gambling boss Robert Strauss wants Frankie to deal at a high-stakes poker game; terrified that he's lost his touch, Frankie asks dope pusher Darren McGavin to supply him with narcotics. When McGavin discovers that Parker is not an invalid, she kills him, and Frankie (who is elsewhere at the time) is accused of the murder. He is willing to go to the cops, but he doesn't want to show up with drugs in his system. So with the help of sympathetic B-girl Kim Novak, Sinatra locks himself up and goes "cold turkey"-a still-harrowing sequence, despite the glut of "doper" films that followed in the wake of this picture. After Parker herself is killed in a suicidal fall, the path is cleared for Frankie to pursue a clean new life with Novak. ~ Hal Erickson, All Movie Guide

In this film noir with romantic overtones, con man and cardsharp Nick Blake (John Garfield) returns home after serving in WWII to discover that a rival syndicate now controls New York's gambling rackets -- and that his girlfriend Toni (Faye Emerson) has run off with his money. Looking for a fresh start, Nick heads for California, where he becomes reacquainted with Pop Grueber (Walter Brennan), who gave him his start in the underworld. Pop and his boss Doc Ganson (George Coulouris) tip Nick off to a scam they've brainstormed to separate young widow Gladys Halvorsen (Geraldine Fitzgerald) from her recently inherited fortune. Nick's job is to sweet talk Gladys out of her money and then make tracks, but he finds himself falling in love with her and wants out of the deal. Meanwhile, Toni comes back into the picture and tries to convince Doc that Nick is trying to cheat him, leading to a kidnapping. Incidentally, John Garfield won the leading role in Nobody Lives Forever after Humphrey Bogart turned it down. ~ Mark Deming, All Movie Guide

Storywise, Thousands Cheer is thin stuff indeed. Insouciant PFC Eddy Marsh (Gene Kelly) wants to put on a Big Show for his fellow serviceman. Along the way, Eddy falls in love with Kathryn Jones (Kathryn Grayson), the daughter of Colonel William Jones (John Boles). End of story. The principal selling angle of Thousands Cheer is the presence in the cast of virtually every musical talent on the MGM payroll: Mickey Rooney, Judy Garland, Red Skelton, Eleanor Powell, Jose Iturbi, the Kay Kyser Orchestra, Bob Crosby and his Bobcats, the Benny Carter band, Ann Sothern, Lucille Ball, June Allyson, Gloria DeHaven?..the list goes on and on and on. Since Thousands Cheer was designed as a patriotic wartime morale-booster, it is indeed ironic that the film was written by Paul Jarrico and Richard Collins, both of whom would be blacklisted during the Red-baiting 1950s. ~ Hal Erickson, All Movie Guide

Otis Ferguson has said of Each Dawn I Die that "the story is of the kind you would have to see to disbelieve." And to be sure, the film is nothing more than a sampler of '30s prison-film conventions. But with the brilliant acting by James Cagney and the fast-paced and hard-edged direction of William Keighley, the film clatters past like an express train. Cagney plays Frank Ross, an innocent newspaperman who is railroaded into prison by a corrupt district attorney. In prison, he meets hardened-con Stacey (George Raft). Frank, at first, doesn't want to associate with Stacey and the other prisoners, but trapped in the hellhole prison, he more and more turns into a bitter con. Finally granted a hearing from the parole board, Frank pleads his innocence, but the parole board is headed by Grayce (Victor Jury), the man responsible for his imprisonment, and his parole is denied, and Frank becomes more hardened and embittered. By this point, Stacey has befriended him and agrees to help Frank prove his innocence. ~ Paul Brenner, All Movie Guide

Howard Hawks directed this fast-paced auto racing drama. Joe Greer (James Cagney) is a top-ranked race car driver; his younger brother Eddie (Eric Linden) wants to follow in Joe's footsteps, but Joe knows his brother's reckless side and tries to keep him away from the racer's life. Eddie, however, can't be dissuaded from a career on the track, and he turns out to like his women as fast as his cars when he gets involved with Ann (Joan Blondell). Joe's best friend Spud (Frank McHugh) tries to keep the feuding brothers apart, but his attempts to do so in the midst of a race leads to Spud's death. Joe is despondent after Spud's passing and gives up his career in racing, while Eddie becomes eligible for the Indianapolis 500. Joe grudgingly comes to the race to see his kid brother in action, but he gets the chance to redeem himself when Eddie is hurt and needs a driver to complete the race in his car. Racing legend Billy Arnold, who won the Indy 500 in 1930, advised the production. ~ Mark Deming, All Movie Guide