Michael Constantine Movies
Though frequently cast in Jewish roles, actor Michael Constantine was actually of Greek extraction. The son of a steel worker, Constantine studied acting with such prominent mentors as Howard DaSilva. The prematurely balding Constantine was playing character roles on and off Broadway in his mid-twenties (he was the Darrow counterpart in the original production of Compulsion), supplementing his income as a night watchman and shooting-gallery barker. In 1959, slightly weary of being ignored by callous Broadway producers and casting directors, Constantine appeared in his first film, The Last Mile (1959), thereby launching a cinematic career that has endured into the mid-1990s. Michael Constantine is perhaps best known for his extensive TV work, notably his four-season (1969-1974) stint as long-suffering high school principal Seymour Kaufman on Room 222 and his starring appearance as night-court magistrate Matthew J. Sirota on the brief 1976 sitcom Sirota's Court. ~ Hal Erickson, All Movie Guide- 1981
This pilot film for an unsold TV series was originally titled They're Playing Our Tape. Michael Constantine stars as Frank Yost, the avuncular head of a videotape dating services called "Good Possibilities." Among Yost's clients is recently divorced executive David Franklin (Martin Balsam), single mom Samantha Young (Barbara Welles), athletic coach and "health nut" Peter Barnes (Larry Breeding), swinging single Carol Clark (Jan Smithers), traditionalist mechanic Richardson (Larry Wilcox), and workaholic businesswoman Barbara Welles (Mariette Hartley). The Love Tapes rolled into view courtesy of ABC on May 9, 1980. ~ Hal Erickson, All Movie Guide
- 1981
Faye Dunaway portrays the Argentinian title character in this four-hour TV biopic. The story traces Evita's rise to power from humble origins; she establishes herself as a radio and film actress, then meets and marries powerful politico Juan Peron (played by James Farentino, a last minute replacement for Robert Mitchum). Peron's iron-fisted rule of Argentina allows Evita to become a political power in her own right. At first she is widely beloved as a "woman of the people", but gradually many of her followers are disillusioned by her use -- and misuse -- of her authority and her influence over Peron. After Evita dies, she is all but canonized by the Faithful, and it becomes more difficult than ever to separate fact from legend. Evita Peron was clearly produced to capitalize on the Broadway musical hit Evita, though the script takes great pains not to copy its theatrical inspiration. ~ Hal Erickson, All Movie Guide
- 1981
After a teenager suffering from Tourette's Syndrome dies in a fall, Dr. Arthur Ciotti (Michael Constantine) shows up in the autopsy lab and makes an unusual request of medical examiner Quincy (Jack Klugman). Ciotti wants to take possession of the dead boy's brain in hopes of finding a cure for Tourette's. It turns out that Ciotti has been campaigning for years to persuade the pharamaceutical company which employs him to finance similar research, but to no avail; there simply isn't enough "profit" in something as rare as Tourette's. As the story progresses, Quincy becomes a staunch crusader on behalf of government-funded research for "orphan" diseases. This episode and its eighth-season followup "ive Me Your Weak" were instrumental in the ultimate passage of the real-life Orphan Drugs Act. ~ Hal Erickson, All Movie Guide
One of the bigger non-cartoon moneymakers for Disney in the 1970s, The North Avenue Irregulars is predicated on the premise of the "Neighborhood Watch" system. Priest Michael Hill (Edward Herrmann), newly arrived on North Avenue, decides to buck the patriarchal notions of his superiors by delegating church responsibilities to the neighborhood women. Since the ladies include Vickie, Jane, Anne, Claire and Rose (Barbara Harris, Karen Valentine, Susan Clark, Cloris Leachman and Patsy Kelly), we're well primed for a surfeit of feistiness. Father Michael entrusts the church funds to Rose, who loses it all at the race track. In trying to retrieve the cash, he comes up against an influential bookie ring, controlled by several of the above-suspicion town officials. The wily priest responds by organizing the ladies of his congregation into the North Avenue Irregulars, a two-fisted crimefighting unit. There's slapstick aplenty within the film's 99 minutes, including the expected comic car crash. North Avenue Irregulars is based on a (drawn-from-life?) novel by the Reverend Albert Fay Hill. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward Herrmann, Barbara Harris, (more)
- 1979
Crisis in Mid-Air is essentially a "problem drama" concentrating on a single individual. George Peppard plays a veteran air traffic controller who holds himself responsible for a mid-air collision. With an FAA investigator breathing down his neck, Peppard gets a chance to prove his value when another flight, with 235 passengers on board, puts in a "Mayday" call. The TV Guide ads for this television movie were a little misleading, suggesting that Peppard was in the cockpit rather than the control tower. Crisis in Mid-Air debuted February 13, 1979. ~ Hal Erickson, All Movie Guide
- 1979
In the conclusion of a two-part story, Quincy (Jack Klugman) is still work hand in glove with idealistic pre-med student Marty Herrera in his efforts to bring a shady, drug-pushing doctor named Mason Colella to justice. Hampering Quincy's efforts is the fact that young Herrera's method of "curing" college-age addicts is not only extreme, but illegal. Making matters worse, Colella is murdered--and Marty is arrested for the crime. Both parts of this episode originally aired in a single, two-hour timeslot. ~ Hal Erickson, All Movie Guide
The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide
- Starring:
- Georg Stanford Brown, Olivia de Havilland, (more)
- 1979
In the first episode of a two-part story (originally telecast in a single two-hour timeslot), Quincy investigates when the son of TV kiddie host Brock Campbell (Michael Constantine), dies of a quaalude overdose. The grieving Campbell had no idea that his son was a junkie--nor could he have ever imagined that the boy's drugs had all been legeally prescribed by a shady doctor named Mason Colella (Charles Aidman). In his efforts to shut Colella and his drug-pushing cronies down, Quincy joins forces with Marty Herrera (A Martinez) a eager if somewhat reckless pre-med student who is determined to purge dangerous drugs from his college campus. ~ Hal Erickson, All Movie Guide
- 1978
Despite its far-fetched plotline, the made-for-TV Summer of My German Soldier was popular with audiences and critics alike. The film is set in Georgia during World War II. Bruce Davison plays Anton Reiker, a German POW assigned to work at a local farm. Reiker escapes, taking refuge in a barn owned by the Bergens, a Jewish family. At first terrified by her "guest," teen-aged Patty Bergen (Kristy McNichol) falls in love with Anton, zealously hiding him from the rest of her family and the authorities. First telecast October 30, 1978 The Summer of My German Soldier was based on a novel by Bette Grene. Esther Rolle, playing the Bergen's maid, won an Emmy for her performance; an additional nomination went to the script by Jane-Howard Hammerstein. ~ Hal Erickson, All Movie Guide
- 1978
This four-hour TV movie is one more of novelist Harold Robbins' "guess who everyone is supposed to really be?" wallowfests (with nary a Jolly Roger in sight). The "pirate" is Baydr (Franco Nero), an anti-Semitic Lebanese oil sheik, who, unbeknownst to himself, is actually an Israel-born Jew fathered by Ben Ezra (Eli Wallach). Baydr marries a haughty American WASP, Jordana (Anne Archer as a blonde), whom he meets at JFK's 1960 presidential campaign, and fathers a son by her. Meanwhile, Leila (Olivia Hussey), one of Baydr's two daughters from a prior marriage, trains to become a PLO terrorist and plots to kidnap Jordana and her son by Baydr. The modern viewer is luckier than those poor TV fans of 1978 who had to sit through two nights of this nonsense: the currently available syndicated version of Harold Robbins' The Pirate (retitled simply The Pirate) runs a mere 150 minutes. ~ Hal Erickson, All Movie Guide
- 1977
Twenty-year-old LeVar Burton followed up his spectacular television debut in Roots with the made-for-TV film Billy: Portrait of a Street Kid. As can be gathered by the title, Billy (Burton) is a ghetto youth with little chance for a bright future. He gets his chance to escape his dead-end existence when he's hired as an assistant to veterinarian Ossie Davis. Roxie Roker of The Jeffersons fame (and the mother of pop singer Lenny Kravitz) co-stars as Billy's worn-out mom. Based on a novel by Robert C. S. Downs, Billy Portrait of a Street Kid first aired September 12, 1977. ~ Hal Erickson, All Movie Guide
- 1977
The formal title for this TV mini-series was Harold Robbins' 79 Park Avenue, just in case you might mistake it for William Makepeace Thackeray's 79 Park Avenue. Originally presented in three parts, this adaptation of the Robbins best-seller stars Lesley Ann Warren as Marja Fludjicki, a Depression-era tenement girl who is accused of murdering her drunken stepfather. Part One details how Marja's "crime" was justifiable; she'd been raped by the bounder. Parts Two and Three would trace Marja's progress from teenaged prostitute to elegant, high-priced Park Avenue Madam--and mob mistress. Forced by circumstance into a life of prostitution, Marja marries Las Vegas high-roller Ross Savitch (Marc Singer). Ross is bumped off by the Syndicate, leaving Marja in the lurch. Marja rebounds from tragedy to become a federal witness against the Mob. 79 Park Avenue was first telecast on October 16, 17, and 18, 1977. Though all the names are changed, it isn't hard to discern the Bugsy Siegel story in this video equivalent to eating a whole box of chocolates in one sitting. ~ Hal Erickson, All Movie Guide
- 1976
Katherine Ross, who played Etta Place in 1969's Butch Cassidy and the Sundance Kid, reprises the role for the made-for-TV Mrs. Sundance Rides Again. History doesn't record what exactly happened to former schoolteacher Etta after Butch and Sundance were shot full of holes in Bolivia, but it isn't likely that she ran guns for Pancho Villa in Mexico. We could be wrong, however, for that is exactly what she does in this grimy little film. Hector Elizondo plays Villa rather nervously, as though he's afraid his agent will find out. Mrs. Sundance Rides Again was originally telecast as Wanted: The Sundance Woman--the same week in 1976 that Butch Cassidy and the Sundance Kid made its network TV debut. ~ Hal Erickson, All Movie Guide
- 1976
In this mystery, twin gumshoes team up to expose a band of bogus spiritualists involved in murder . ~ Sandra Brennan, All Movie Guide
Often described as "Ship of Fools with a conscience," Voyage of the Damned is based on a true story. In 1939, the Nazis ostentatiously loaded a luxury liner with hundred of Jewish refugees from all walks of life. The ship then tried to drop anchor in Havana, Cuba-only to have its passengers refused entry by the Cuban government, in keeping with its super-stringent immigration policies. This was exactly what the Nazis expected to happen, and indeed wanted to happen. By having the refugees turned away from Havana, the German government could "prove" that the Jews were indeed the most unwanted race on earth, thereby justifying Hitler's extermination policy. The crosssection of humanity on board the ship includes the requisite big-time stars: Faye Dunaway as a monocle-sporting countess and Oscar Werner as Dunaway's society-doctor husband; professor Luther Adler and his wife Wendy Hiller; poverty-stricken Nehemiah Persoff and Maria Schell, who hope to be reunited with their "fallen" daughter Katherine Ross; disbarred attorney Sam Wanamaker and his family (wife Lee Grant, daughter Lynne Frederick); anti-Nazi captain Max Von Sydow; and so on. Representing the Cuban government are president Fernando Rey and bureaucrat Jose Ferrer; other Havana denizens include businessman Orson Welles and minister James Mason. Despite its morbid overtones, Voyage of the Damned ends on a faintly positive note. ~ Hal Erickson, All Movie Guide
- Starring:
- Faye Dunaway, Max von Sydow, (more)
- 1975
Most TV movies about obscene phone callers concentrate on the reactions of the victims--and the subsequent dangers they're exposed to. The Secret Night Caller takes a different tack, telling its story from the point of view of the caller. What makes the film doubly disturbing is that the dirty-mouthed phoner is played by Brady Bunch star and TV icon Robert Reed. Reed portrays an IRS agent (and seemingly contented family man) who is overtaken by his compulsion to phone strangers and whisper profanities. Even worse, Reed's access to tax-office records enables him to ring up people all over the country. The drama concentrates on Reed's mounting realization that he has to stop himself before someone else does. Though seedy and manipulative at times, The Secret Night Caller is elevated by the multifaceted performance of Robert Reed. ~ Hal Erickson, All Movie Guide
- 1975
The Night That Panicked America is centered around Orson Welles' notorious "War of the Worlds" broadcast of October 30, 1938. Welles (Paul Shenar) arrives at CBS studios just in time to assume his directing post for the radio adaptation of the H.G. Wells classic, which has been updated and rewritten in the form of news bulletins. Unfortunately, millions of listeners tune in late and assume that the Earth is actually being invaded by Martians. This TV movie periodically cuts away from the broadcast in progress to concentrate on the panicky reactions of several listeners -- including a terrified mother (Eileen Brennan) who nearly kills her own children rather than allow them to fall into the tentacles of the Men From Mars. Advised of the panic, Welles is convinced that his career is over, but the ensuing publicity makes him nationally famous. As he absorbs the events of the evening, the hoodwinked radio fans crawl back sheepishly to the safety of their homes. ~ Hal Erickson, All Movie Guide
- 1975
Mixing humor and melodrama, this curiosity has a husband-and-wife detective duo investigating Satanic goings on in an American suburb, all the while bickering about their in-laws and other domestic problems. ~ Mark Hockley, All Movie Guide
In this comedy drama that spoofs detective pictures from the 1940s, Tucker (Michael Caine) is a private eye hired by Anglich (Michael Constantine), a wealthy man who is trying to find the whereabouts of his long lost daughter. Tucker's sleuthing leads him to Ellen (Natalie Wood) and Mianne (Kitty Winn), two members of the decidedly unusual Prendergast Family. So far as Tucker can tell, either Ellen or Mianne is Anglich's missing child, but he's not quite sure which. The supporting cast includes Timothy Carey, Thayer David, Liam Dunn, and Liz Renay; Humphrey Bogart impersonator Jerry Lacy appears in the opening credits. ~ Mark Deming, All Movie Guide
- Starring:
- Michael Caine, Natalie Wood, (more)
- 1974
In this made-for-TV movie, six persons have won a cruise-ship vacation, but they find that the awards were just a trick to begin a killing game. ~ John Bush, All Movie Guide
- 1974
Shelley Winters is appropriately cast as Big Rose, a rough 'n' tough private detective. Nobody messes with Big Rose, least of all her new young partner (Barry Primus), who likes to joke his way through dangerous situations. The two detectives are hired to thwart a gang of confidence tricksters who specialize in blackmail. Though she makes an conspicuous target, Big Rose heads directly into the line of fire, with her younger assistant barely keeping pace. The pilot film for an unsold TV series, Big Rose is currently advailable under its alternate title, Double Trouble. ~ Hal Erickson, All Movie Guide
- Starring:
- Shelley Winters, Barry Primus, (more)
- 1974
Kojak opens its second season with a powerful two-part episode (originally telecast in a single 120-minute timeslot). Several murders have occurred in New York's Chinatown district, and police detective Theo Kojak (Telly Savalas) is concerned that an all-out war between rival crime families is about to erupt. What no one knows--at least at this point in the story--is that the kilings have been perpetrated by three "neutral" Chinese-American criminals, determined to play both sides against the middle. ~ Hal Erickson, All Movie Guide
- 1974
In the conclusion of Kojak's two part second-season opener (originally telecast as a single 120-minute episode), Lt. Kojak (Telly Savalas) races against time to solve a series of murders in New York's Chinatown--and, hopefully, prevent a bloody full-scale war between two rival crime clans. Meanwhile, the murderers persist in their plans to play both sides down the middle, kidnapping a powerful mob boss and holding him for ransom. Most of this episode was filmed on location--a rarity during Season Two of Kojak, when much of the series was being shot in the studio. ~ Hal Erickson, All Movie Guide
- 1973
Season Two of Streets of San Francisco opens with an episode focusing on Steve Keller (Michael Douglas), the young partner of veteran SFPD detective Mike Stone (Karl Malden). Forced to kill a robbery suspect, Keller finds his career on the line when the dead man's father (Michael Constantine) insists that his son was unarmed. This time, not even Stone can come to Keller's rescue unless a weapon is found--a prospect that grows dimmer as the story wears on. ~ Hal Erickson, All Movie Guide
- 1972
Donna Mills was still in her "imperiled heroine" career stage when she starred in the made-for-TV The Bait. Mills is a policewoman who goes incognito to solves a baffling series of rape-murders. Almost as deadly as the rapist is the sexism Mills must suffer from her superior officer (Michael Constantine)--which at times is played for laughs. Based on a novel by former policewoman Dorothy Uhnak, who must have been appalled at the liberties taken with her work by this film, The Bait was the pilot for an unlaunched weekly TV series. Sidenote (courtesy of TV-movie historian Lee Goldberg): Noam Pitlik, a guest star in The Bait, would later direct several episodes of the police sitcom Barney Miller. ~ Hal Erickson, All Movie Guide
