Tony Portacio Movies
- 1985
Its title dripping with sarcasm, Honest, Decent and True strikes a few more-than-glancing blows at the advertising industry. The scene is a British brewery, where the conservative executive board bemoans a steady loss of revenue. Into this rarefied atmosphere bursts a team of yuppie ad copywriters, who have as little interest in truth as they have in tradition. The hidebound brewery execs are appalled at the near-obscene excesses of the company's new ad copy--but business suddenly begins to boom. Made for British television, Honest, Decent and True made its American bow on the Arts and Entertainment cable service. ~ Hal Erickson, Rovi
- Starring:
- Derrick O'Connor, Adrian Edmondson, (more)
Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, Rovi
Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.
Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, Rovi
- Starring:
- Jonathan Pryce, Michael Palin, (more)
- 1982
The Greeks laid siege to the city of Troy after Paris (David Firth) of Troy abducted the beautiful Helen (Ann Pennington) from Sparta. In the city, Troilus (Anton Lesser), brother of Paris, is courting the lovely Cressida (Suzanne Burden), who is playing hard to get so that his interest will be heightened. Outside the walls of Troy, the Greek forces are growing weary of the war. Leader Agamemnon (Vernon Dobtcheff) even finds his prize warrior Achilles (Kenneth Haigh) to be sullen about the proceedings, and is concocting a plan to promote Ajax (Anthony Pedley ) as the Greeks' greatest hero, thereby goading Achilles back into action. To this end, Ajax is chosen when the Trojans suggest a wrestling match with Hector (John Shrapnel), another brother of Paris and Troilus. Meanwhile, Troilus and Cressida consolidate their feelings for one another and spend the night together. The next day, however, Cressida's traitorous father arranges for her to be given to the Greeks in exchange for a captured Trojan. Troilus vows vengeance on Diomedes (Paul Moriarty), the Greek who seduces Cressida, and goes on a rampage in the Greek camp. The fighting spreads, with Hector killing Patroclus (Simon Cutter), beloved of Achilles, and Hector viciously slain in turn by Achilles. The film ends with the war far from over, and Troilus bemoaning the meaninglessness of love and life. ~ Craig Butler, Rovi
- Starring:
- Anton Lesser, Suzanne Burden, (more)
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