Jess Conrad Movies

The rise of teen culture in 1950s Britain provides the backdrop for Julien Temple's unconventional rock musical Absolute Beginners. The film centers on Colin, an 18-year-old with a talent for photography and a fondness for the neon nightlife of British jazz clubs. He also is in love with Crepe Suzette, an impulsive, ambitious young beauty who abandons him after attracting the attention of a powerful fashion designer. Depressed and aimless, Colin turns for help to a flashy ad executive (David Bowie) who promises to make him a star photographer. The former lovers take parallel paths to success, capitalizing on the youth mania gripping the nation. The film's nostalgic yet gently satirical look at teen culture is tempered by a recognition of the era's social tension, particularly a disturbing rise in racism. Despite these serious undertones, however, the film tells its story with a colorful vibrancy reminiscent of both MTV and old Hollywood musicals, filled with such show-stopping numbers as a memorable sequence in which Bowie dances on a giant typewriter. Critical reception was mixed, with some hailing the film's spectacular cinematography and ambitious scope, while others found the mixture of tones and style too inconsistent. The film also drew lukewarm response at the box office, with the memorable soundtrack receiving more attention than the film itself. ~ Judd Blaise, All Movie Guide

Let Malcolm McLaren show you how to achieve fame and fortune by making your pop group the most despised band in the world! This film about the brief but eventful career of The Sex Pistols primarily focuses on McLaren, their manager, as he presents his ten-point program on how to achieve success through chaos, ineptitude, and abusing the music industry. Despite some remarkable footage of The Sex Pistols' infamous Jubilee Day performance and clips from their final concert in San Francisco, there's surprisingly little screen time devoted to the group actually performing. Instead, The Great Rock 'n' Roll Swindle offers McLaren's agit-prop philosophies on music, culture, politics, and the entertainment industry, as well as an amusing (if often inaccurate) account of the band's rise and fall. Along the way, we're also offered some curious animated sequences, "film noir" episodes starring guitarist Steve Jones, footage of the band recording with exiled British train robber Ronnie Biggs, and Sid Vicious singing "My Way" (he had been dead for over a year by the time the movie was released). The Great Rock 'n' Roll Swindle began life as "Who Killed Bambi?", a project written by Roger Ebert and directed by Russ Meyer, which closed down after two days of shooting when funding fell through. By the time McLaren and Julien Temple got it off the ground (with a radically different script), Johnny Rotten had left the group, which explains why the band's front man is hardly in the movie. The rest of the group broke up a few months later. ~ Mark Deming, All Movie Guide

The Assassination Bureau is loosely based on a turn-of-the-century yarn written by Jack London. Nellie Bly-style girl reporter Sonya Winter (Diana Rigg) tries to get the goods on shady businessman Ivan Dragomiloff (Oliver Reed). Ivan is in charge of a wide-reaching organization which, for a price, assassinates those who "need killing." As a challenge, Sonya offers to pay Ivan a huge sum if he'll instruct his minions to assassinate him; Ivan agrees, hoping that it will put a little kick in his work. Despite his profession, Ivan isn't the villain of the piece; that honor goes to evil nobleman Lord Bostwick (Telly Savalas), whose perfidy leads Sonya into joining forces with the Assassination Bureau. A wild climactic chase in a zeppelin caps this tongue-in-cheek escapade. ~ Hal Erickson, All Movie Guide

This drama centers upon a female thief and her robber band as they try to hide out from the cops on a deserted island. Their only shelter is an abandoned mansion. ~ Sandra Brennan, All Movie Guide

This convoluted crime drama chronicles the exploits of an ingenious trio of car thieves who work out of a junkyard. There they write bad checks to the people who sell their cars. A young man is killed in a car and one of the thieves takes the wreck to the yard. There he removes the plates, which say KIL 1, puts them on another wreck of the same make, paints it to look like the other, and then tries to sell it. Meanwhile a mechanic for the mob is discovered sleeping with the thief's girl friend and is beaten up. The mechanic gets revenge by killing the thief. He then steals the newly painted car and sets off with the girl. Unfortunately, the dead boy's father sees the plate, and believing it is his son's car, reports the sighting to Scotland Yard. The news is sent to the Yard inspector assigned to the check fraud scam. Meanwhile the mechanic continues to flee. He sees a police roadblock, and as he tries to avoid it the car careens over a cliff. ~ Sandra Brennan, All Movie Guide

Pretty Aliki Vouyouklaki had starred in several successful Greek films, notably the previous year's I Aliki Sto Naftiko, when the decision was made to promote her internationally. To that end, Finos Films entered into an atypical co-production with Aquarius Films for this outing, helmed by well-known director Rudolph Mate (D.O.A., When Worlds Collide). The plot, such as it is, has Jess Conrad as Barry, the playboy heir to a hamburger sauce fortune. His lawyer (Wilfrid Hyde-White) tells him that the secret recipe to the sauce was buried with his late uncle, and all he has inherited is a small Greek island which he is too poor to maintain. Aliki (Vouyouklaki) is the local schoolteacher there, and she soon begins a romance with Barry. Aliki, of course, knows the secret sauce recipe, which makes Barry rich enough to prevent the sale of the island to a hotel tycoon who wants to turn it into a resort. ~ Robert Firsching, All Movie Guide

Director Sidney J. Furie was betwixt and between his Canadian TV work and his theatrical-film prominence vis-a-vis Ipcress File (65) when he helmed the British social melodrama The Boys. The title characters are four youths, all implicated in the murder of a night watchman. Robert Morley plays the defense attorney who tries to convince the jury to render a charitable verdict. His basic argument is that the government expects a death sentence in cases involving robbery, but is more lenient towards crimes of passion. Prosecuting attorney Richard Todd is unmoved; his job is to prove that the boys aren't the innocent victims of society they're made out to be. The Boys benefits from Furie's dextrous use of flashbacks during the testimony scenes. ~ Hal Erickson, All Movie Guide

Based on the stageplay Pick-up Girl, this film adaptation by director Muriel Box retains enough of the verbose theatrical styling and single-set focus to wobble as a cinematic effort. The story centers around an unfortunate period in the life of Elizabeth (Pauline Hahn), a fifteen-year-old girl who lives with her mother in New York while her father is away working in California. Because her mother works late into the night, there is not enough guidance or supervision in Elizabeth's life to keep her from making bad choices. And so she ends up with some dubious-looking friends, and after a brief fling with a sailor she goes through the trauma of an abortion. By that time any split with her parents has widened into a major chasm. Eventually she gets into even more trouble and ends up in juvenile court. It is in that setting under the understanding eye of a worldly wise judge (Thomas Mitchell) that her story unfolds in flashbacks as her fate hangs in the balance. ~ Eleanor Mannikka, All Movie Guide

In this comedy, a common chemist lives up to his lineage (he's a direct descendant of Dr. Jekyll), and creates a concoction which changes him into a suave jewel thief. After pulling off a caper, the thief becomes his original self and then helps bring in a gang of robbers. ~ Sandra Brennan, All Movie Guide