Michael Petroni Movies

Inspired by author Matt Baglio's nonfiction book of the same name, director Mikael Håfström's supernatural thriller traces the experiences of a young seminary student who discovers the true power of faith after being drafted into the Vatican's Exorcism School and confronted by the forces of darkness. ~ Jason Buchanan, Rovi

An adaptation of the 2002 Korean film Addicted, this thriller stars Sarah Michelle Gellar as a young woman whose husband and brother-in-law each fall into comas. When the brother-in-law comes back to consciousness first, he acts as if he is her husband, making her more and more uncomfortable. Soon she begins to suspect that unnatural forces are working against her. ~ Perry Seibert, Rovi

Debuting January 27, 2003, the weekly, hourlong supernatural-drama series Miracles starred Skeet Ulrich as Paul Callan, a sincere, self-effacing young seminarian whose job it was to investigate "miraculous phenomena" on behalf of the Catholic church. At first, Paul adhered to the party line, declaring that most miracles could be logically explained. All this changed when, after a near-fatal accident, Paul was brought back to life by the mysterious healing powers of a boy named Tommy -- who paid for his act of grace with his life. Just before his recovery, Paul had seen the words "God Is Now Here," scrawled in his own blood. Galvanized by this sign from above, Paul quit his job and became a freelance investigator of miracles, hoping not only to prove beyond doubt the authenticity -- or lack of authenticity -- of those miracles, but also to ascertain the reason that his life was spared and Tommy's was not. Paul was joined on this mission by ex-Harvard professor Father Alva Keel (Angus MacFadyen), an expert in the paranormal -- and like Paul, the sort of true believer who demanded complete verification of his beliefs. Alva also headed a strange Boston-based organization called "Sodalitas Quaerito" ("Brotherhood in Search of Truth"), whose acolytes seemed to be preparing for an as-yet-undetermined "large event" that might well have culminated with the end of the world. The two investigators were occasionally assisted by a sympathetic former policewoman, Evelyn Santos (Marisa Ramirez), likewise a member of Sodalitas Quaerito. A presentation of the ABC network, Miracles might have lasted longer than its six episodes had the series not been constantly pre-empted by news coverage of the unrest in the Middle East. The show was canceled on March 27, 2003, but not before it had attracted a sizeable cult following. ~ Hal Erickson, Rovi

The Dangerous Lives of Altar Boys brings Chris Fuhrman's well-received, posthumously published teen novel to the screen. Set in the 1970s, the film concerns two rebellious Catholic schoolboys -- bashful, pensive Francis (Emile Hirsch) and whip-smart, impulsive Tim (Kieran Culkin) -- who spend their free time pulling elaborate pranks and creating a comic book featuring themselves and their friends, Wade (Jake Richardson) and Joey (Tyler Long), as superheroes. Their alter egos are brought to life in animated sequences by Spawn creator Todd McFarlane. Their grim, strict, one-legged teacher, Sister Assumpta (Jodie Foster), is drawn as a motorcycle-riding supervillain. Vincent D'Onofrio plays the more easygoing Father Casey. Egged on by Tim, Francis admits that he has a crush on Margie Flynn (Jena Malone). Tim encourages Francis to pursue Margie, at one point even sending her a mash note and signing his friend's name. Francis and Margie eventually begin seeing each other. But when Margie reveals a terrible, painful secret to Francis, it sets off a chain of events that leads to tragedy. The Dangerous Lives of Altar Boys marks the feature debut of director Peter Care. It was screened at several festivals, including the 2002 Sundance Film Festival. The film sparked a small controversy at the 2001 Cannes Film Festival, where it was rejected, allegedly in retaliation for producer Foster's decision to forego heading up the fest's jury in order to replace Nicole Kidman in Panic Room. ~ Josh Ralske, Rovi

Sylvester Stallone is a tough but essentially decent convict in a relatively humane prison. He's on such good terms with the authorities that he's occasionally allowed a weekend furlough. This idyllic situation ends abruptly when he's transferred to a nasty prison run by sadistic warden Donald Sutherland (remember way back when Sutherland played good guys and Stallone played secondary hoodlums?) Harboring a grudge against Sly over an unfortunate incident at another prison, Sutherland does everything he can to make Stallone's term a Hell on Earth. But in the end, it is Sutherland who is Stallone's prisoner--and, since Sly's name comes first on the credits, it is Sutherland who blubberingly confesses to a string of crimes perpetrated on the helpless inmates. ~ Hal Erickson, Rovi