Kenneth Connor Movies

The long-running series of British "Carry On" comedies was nearing the end of the line when this 28th film in the cycle was released in 1976. Set in World War II, Carry On England explores what happens when the British military decides to set up an experimental mixed-gender anti-aircraft battery. While commanding officer Captain Melly (Kenneth Connor) is a stickler for military discipline, it soon becomes obvious that the interaction of male and female soldiers doesn't lend itself to a crack fighting unit, though it makes for plenty of broad physical comedy, especially with Major Bloomer (Windsor Davies), Melly's second-in-command, on deck. Judy Geeson, Patrick Mower, Jack Douglas, and Joan Sims lead the supporting cast. This feature was followed by That's Carry On (1977), a "greatest hits" collection of highlights from the series, and Carry On Emmanuelle (1978), which marked the end of the series until 1992's Carry On Columbus. ~ Sandra Brennan, All Movie Guide

The British comedy group chalks up another few laughs as some folks attempt to camp out on the location of an archaeological dig. Unfortunately, the dig in question happens amid the busyness of the holiday season; matters grow more complicated when a sexy female Russian woman (Elke Sommer) joins in, and soon an oversized wolfhound and a mynah bird with a naughty turn of phrase become implicated, creating additional panic and chaos. ~ Kristie Hassen, All Movie Guide

The "Carry On" gang returns with Sidney Fiddler (Sid James) conning the local council into running a beauty pageant to promote their community. He's thrilled with the prospect of entertaining all the lovely young contestants, but his girlfriend has a different plan in mind. Soon, a women's liberation group invades the premises and takes over -- promptly ruining everything. ~ All Movie Guide

This feature is basically a silent comedy as the only word spoken is "rhubarb." A Vicar (Harry Secombe) plays golf with the local police inspector (Eric Sykes), with the lawman cheating mercilessly with the help of his constable (Jimmy Edwards). Soon the Vicar calls on help from the Almighty to conjure up a lighting bolt to help his game. Sight gags and pantomime dominate this engaging 37 minute feature. ~ Dan Pavlides, All Movie Guide

This bawdy entry in the long-running series of British "Carry On" comedies is set in the court of King Henry the VIII and centers on the gang's attempt to freshen up the odiferous Queen Marie and thereby save her head. ~ Sandra Brennan, All Movie Guide

This rock comedy features an alien who tries to distribute peace, love and understanding around Britain. ~ All Movie Guide

Freddie and the Dreamers--remember them?--star in the British musical quickie Cuckoo Patrol. Apparently hoping to cash in on the Beatles' success with A Hard Day's Night, the producers place Freddie and his aggregation in as many "wacky," stream-of-consciousness situations as possible. The main plot has something to do with a group of Boy Scouts. Freddie and the Dreamers disguise themselves in scout uniforms, inexplicably getting away with their subterfuge. Veteran British farceurs Kenneth Connor, Victor Maddern and John Le Mesurier provide acting relief. ~ Hal Erickson, All Movie Guide

The seventh film in the long-running "Carry On" series (24 more were to follow), this chapter features Sidney James as Charlie, owner of the Speedee Cab Company. Business has been good for Charlie, so good that it's been a source of great aggravation for his wife Peggy (Hattie Jacques), who complains that he never spends any time with her anymore. When Charlie misses taking his wife out on their anniversary because he's busy with work, Peggy decides that she's had enough, and she fights fire with fire by starting her own taxi service, Glamcabs. Unlike the other cab companies in town, Glamcabs' fleet of drivers are exclusively beautiful women in skimpy uniforms, which not surprisingly makes them the taxi of choice for men in town. Glamcabs takes a big bite out of Speedee's business, which leads to an all-out war between Charlie and Peggy. The "Carry On" gang followed this with Carry On Spying; two more "Carry On" titles hit theaters before the end of 1964. ~ Mark Deming, All Movie Guide

The original British title for No Place Like Homicide was What a Carve-Up. This level of sophistication was maintained for the film itself, a horror film parody served up by members of the Carry On gang. There's a wisp of plot about an wealthy recluse who apparently dies, then equally apparently comes to life again to bump off his greedy relatives. For the most part, the scripters use the story as an excuse for irreverent and tasteless haunted-house gags. No Place Like Homicide was a remake of the deadly serious 1933 Boris Karloff vehicle The Ghoul, though a cursory comparison of the two films reveals precious little resemblance between them. ~ Hal Erickson, All Movie Guide

Based on the play Something About a Sailor by Earle Couttie, this film is a screwball comedy about the British navy. Kenneth Connor is Officer Blissworth, who is an inept bungler of a sailor. With an equally inadequate partner, Captain David Foster (Eric Barker), he loses the plans for modifying an important torpedo during the testing of a prototype for the revised model. They try to cover up their mistake by giving a set of plans to Admiral Sir Humphrey Pettigrew (Noel Purcell) that detail their ship's refrigeration system. The scheme works for awhile, but then the bumblers discover that a female inspector is scheduled to do the testing of the torpedo. ~ Michael Betzold, All Movie Guide

This scattered, slightly anarchic and uneven comedy stars the inimitable Terry-Thomas as Reggie Blake, a writer whose books are created by the adventures he experiences, thanks to the brainstorms of his editor. His latest adventure finds him truly lost in the desert and adopted by a tribe of Bedouins before he is finally rescued and brought home. His adventure is a bust from all angles; first his editor rejects the book that came of it, and secondly his wife (Janette Scott) rails against his newfound "self" (he has adopted Bedouin dress). The result is that the couple split their living space and their responsibilities down the middle, providing a series of ludicrous situations spoofing the gender assumptions in marriage. ~ Eleanor Mannikka, All Movie Guide