Walter Connolly Movies
Rotund American character actor Walter Connolly cornered the market on film portrayals of exasperated businessmen and newspaper men in the 1930s. A successful stage actor, Connolly refused all entreaties by Hollywood producers to enter films. His resistance was broken down a little by an appearance in the 1930 short Many Happy Returns, then he gave in altogether to Columbia Pictures president Harry Cohn. Connolly made his feature-film debut in Washington Merry-Go-Round (1932), then appeared in The Bitter Tea of General Yen(1933), wherein he worked for Columbia's premiere director, Frank Capra. Connolly was featured in Capra's next two films, Broadway Bill (1934) and the Award-winning It Happened One Night (1934), then spent the rest of the 1930s bouncing between Columbia and the other major studios in meaty supporting roles--most enjoyably as the volcanic newspaper editor in David O. Selznick's Nothing Sacred (1937). Generally billed just below the title, Connolly was awarded star status when he essayed the title role in his final film, The Great Victor Herbert (1939). ~ Hal Erickson, All Movie Guide- 1933
This Depression-era romantic drama, which offers a surprisingly potent and unsentimental view of the economic hardships of the time, stars Spencer Tracy as Bill, a rough-hewn laborer struggling to get by and sleeping in a Hooverville shack. Bill meets Trina (Loretta Young), a sad and desperate young woman with no prospects and nowhere to go; her plight touches his heart of stone, and he allows her to stay with him. Bill picks up work where and when he can, while Trina tries to turn their hovel into a home. Bill soon makes the acquaintance of Fay LaRue (Glenda Farrell), a brassy showgirl whose career is on the way up and wouldn't mind if Bill tagged along. But Bill learns that leaving Trina behind won't be as simple as he thought. Trina is pregnant with his child, so he ends up planning a dangerous robbery in hopes of raising enough money to provide a proper home for Trina and the baby. Dealing with tough material in an adult manner, A Man's Castle was considered quite daring in its day. A year after its release, Hollywood adopted the Production Code that prohibited the depiction of unwed cohabitation and premarital pregnancy (among many other things), which would have made this a very different film. ~ Mark Deming, All Movie Guide
- Starring:
- Spencer Tracy, Loretta Young, (more)
- 1939
Veteran German director William Thiele managed to add a continental flavor to the MGM assembly-line romance Bridal Suite. Annabella stars as Luise Anzengruber, a poor but cheerful young lady who manages an Alpine hotel. When handsome playboy Neill McGill (Robert Young) checks into Luise's establishment, it's love at first (or at least second) sight. Alas, Luise's future happiness is complicated by Neill's disapproving family and his bitchy fiancee Abby Bragton (Virgina Field). Bridal Suite was originally titled Maiden Voyage, but the name was changed to capitalize on Annabella's recent real-life marriage to Tyrone Power. ~ Hal Erickson, All Movie Guide
- Starring:
- Annabella, Robert Young, (more)
Just after completing It Happened One Night, director Frank Capra churned out a bread-and-butter picture titled Broadway Bill. Warner Baxter plays the carefree scion of a wealthy, highly-respected family. Baxter's cold but socially correct wife Helen Vinson forces her husband into the family business, but Baxter would rather spend his time at the racetrack. He buys a nag named Broadway Bill and tries to build the horse into a winner--if he doesn't bankrupt himself first. Only Baxter's sister-in-law Myrna Loy and black stable hand Clarence Muse have faith in Broadway Bill. The horse wins a crucial race, but dies suddenly at the finish line. Baxter is comforted and given encouragement by Loy, who is now his sweetheart, Vinson having long since washed her hands of her "irresponsible" husband. Broadway Bill was remade by Capra as Riding High (1950), utilizing generous portions of stock footage and even going so far as to rehire several of the original film's cast members (Douglass Dumbrille, Clarence Muse, Charles Lane, Raymond Walburn, Margaret Hamilton, Frankie Darro) to recreate their roles and match up their scenes from the earlier production. Long withheld from distribution due to Riding High, Broadway Bill was made available for videocassette in the mid-1980s. Keep an eye out for Lucille Ball as a blonde telephone operator and Alan Hale Sr. as a racetrack announcer. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Myrna Loy, (more)
- 1939
In this action film two Coast Guard pilots fall in love with the same woman. She chooses the more macho of the two, but soon tires of his hyper-masculine behavior. She leaves him. He tries to win her back by showing off in a Navy plane, but ends up crashing and losing his pilot's wings. When his buddy is lost in the Arctic, the wingless pilot begs for the chance to redeem himself and find him. He gets his chance and no one is let down by his heroic efforts. Even his estranged wife returns to him. ~ Sandra Brennan, All Movie Guide
- Starring:
- Randolph Scott, Frances Dee, (more)
- 1933
This drama, set within a boarding house, centers around a pregnant show girl abandoned by her boyfriend, a married man who conveniently returns to his wife. The despairing young woman considers ending her life, but is talked out of it by an aged couple. They themselves end up committing suicide. ~ Sandra Brennan, All Movie Guide
- Starring:
- Wallace Ford, Dorothy Tree, (more)
- 1934
Paramount's Eight Girls in a Boat was a remake of the 1932 German film of the same name. Impregnated by medical student David Perrin (Douglass Montgomery), European schoolgirl Christa Storm (Dorothy Wilson) contemplates killing herself. Wisely, she chooses instead to explain her plight to her sympathetic teacher Hanna (Kay Johnson), who arranges a marriage for the girl despite the protests of her wealthy father (Walter Connolly). Before this happens, however, Christa's seven best friends agree to mutually adopt the girl's baby, and are sorely put out when she opts for matrimony. Many cynical reviewers presumed that Eight Girls in a Boat was merely an excuse to show off an octet of well-developed ingenues in shorts, tight blouses and bathing suits. Perhaps it was, but few filmgoers complained back in 1934. The film was one of the few made by starlet Barbara Barondess before she forsook acting for a lucrative career as a Hollywood interior decorator. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Wilson, Douglass Montgomery, (more)
- 1935
G.K. Chesterton's crime-solving cleric Father Brown was first brought to the screen in 1934, in the corpulent form of Walter Connolly. The good father spends most of the film trying to retrieve a valuable diamond cross from elusive thief Flambeau (Paul Lukas). Father Brown is convinced that Flambeau is eminently redeemable, but the double-crossing thief hardly proves to be a prime candidate for salvation. Amazingly, Father Brown's faith in Flambeau's essential decency proves well-founded, but it's certainly touch-and-go for a while. Long unavailable for reappraisal, 1934's Father Brown, Detective has been eclipsed by the popularity of the 1954 Alec Guinness remake. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Connolly, Paul Lukas, (more)
- 1939
A wealthy older man and a poor young woman each get a chance to see how the other half lives in this comedy. Alfred Borden (Walter Connolly) is a millionaire who feels neglected by his family. His wife Martha (Verree Teasdale), daughter Katherine (Kathryn Adams), and son Tim (Tim Holt) usually ignore him, and all three manage to forget his birthday completely. Depressed and alone, Alfred bumps into Mary Grey (Ginger Rogers), a young woman who is out of work but is still happy with her lot in life. Alfred invites her to go to a night spot with him, and he soon hatches a scheme by which Mary will move into the guest room of the Borden Mansion and pose as a gold digger who is toying with Alfred's affections to get at his money. Mary's presence has a sudden impact on the family; Martha realizes that she needs to pay more attention to her husband, Katherine falls in love with the family's leftist chauffeur (James Ellison), and Tim starts taking an interest in the family business, and in Mary. ~ Mark Deming, All Movie Guide
- Starring:
- Ginger Rogers, Walter Connolly, (more)
- 1937
Based on the 1935 Broadway play by George S. Kaufman and Katharine Dayton, First Lady is not, as might be assumed, the story of the first woman president. The central character, played by Kay Francis, is the granddaughter of a president (though clearly inspired by Teddy Roosevelt's daughter Alice). Ms. Francis is married to Secretary of State Preston S. Foster, whom she hopes to propel into the White House. Her principal rival is the wife (Veree Teasdale) of a mildly corrupt supreme court justice (Walter Connolly). The rival is planning to divorce her husband and promote her own, younger presidential aspirant (Victor Jory). Kay retaliates by mounting a mock campaign for the befuddled justice--which snowballs into the real thing. ~ Hal Erickson, All Movie Guide
- Starring:
- Kay Francis, Anita Louise, (more)
- 1938
A standard-issue "screwball comedy" of the 1930s, Four's a Crowd starred a quartet of Warner Bros' biggest stars: Errol Flynn, Olivia DeHavilland, Rosalind Russell and Patric Knowles. Flynn plays a publicity agent hired to stir up "good press" for a nasty millionaire (Walter Connolly). Errol accomplishes this by going back to his old job as editor of a newspaper owned by Knowles, then using the paper to elucidate Connolly's virtues. Along the way, he romances Olivia de Havilland, who plays Connolly's daughter, and Rosalind Russell, portraying--surprise, surprise--Knowles' star reporter. Much to the amazement of the audience, Flynn ends up not with his frequent costar DeHavilland but with Russell. Fast-moving and chucklesome, Four's a Crowd was nothing new; chances are it would never have been made had it not been for the success of the vaguely similar MGM comedy Libelled Lady (36), which likewise had a quadruple-barreled starring lineup (Spencer Tracy, Jean Harlow, William Powell and Myrna Loy). ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Olivia de Havilland, (more)
- 1939
Spunky Joan Blondell is practically the whole show in the diverting comedy Good Girls Go to Paris. Blondell is cast as ambitious college-campus waitress Jenny Swanson, who yearns to see the sights in Gay Paree. She gets her chance by latching onto British exchange professor Ronald Brooke (Melvyn Douglas), who is en route to the City of Light. Once she sets foot on French soil, Jenny proves the veracity of the film's title by straightening out the wayward family of dyspeptic millionaire Olaf Brand (Walter Connolly)-though for a while it looks as though she's a "bad girl", merely out to take the Brands for every penny they've got. In later years, Joan Blondell ruefully recalled that the film's original title was Good Girls Go to Paris Too, but the Hays Office nixed that harmlessly suggestive monicker. ~ Hal Erickson, All Movie Guide
- Starring:
- Melvyn Douglas, Joan Blondell, (more)
Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991). ~ Paul Brenner, All Movie Guide
- Starring:
- Clark Gable, Claudette Colbert, (more)
- 1934
Promoted as a follow-up to Frank Capra's 1933 hit Lady for a Day, Lady by Choice resembles the earlier film only in its choice of leading lady. May Robson plays a drunken derelict who'd once been quite a heartbreaker. Her self-respect is restored when she is asked to pose as fan-dancer Carole Lombard's mother. Lombard is part of the deal only to gain publicity for herself, but Robson takes her assignment seriously, ordering Lombard to give up her tacky profession and use her talents for something more dignified. At first against her will, Lombard starts taking formal acting and singing lessons and begins gaining a reputation as a serious artist. Wealthy Roger Pryor, a family friend of Robson's, falls in love with Lombard, but she breaks off the relationship so that Pryor won't be disinherited. Robson takes a hand in things, forcing Pryor and Lombard together in a delightfully devious fashion. Lady By Choice proved that Columbia Pictures (and scriptwriter Jo Swerling) could turn out a perfectly respectable Frank Capra film without Frank Capra. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, May Robson, (more)
May Robson plays Apple Annie, a slatternly Broadway apple peddler. Annie has a curious setup whereby she is able to finagle other street merchants and beggars to pony up part of their weekly earnings to her--yet she never seems to spend any of the money on herself. This is because Annie has a daughter named Louise (Jean Parker), who has been supported in luxury all her life by her mother. Louise has no idea who Annie really is; so far as she knows, her mother is Mrs. E. Worthington Manville, a Manhattan society matron. When Louise sends Annie a letter telling her that she's become engaged to a young Spanish nobleman named Carlos (Barry Norton), Annie is aghast: once Louise brings her fiance to New York, the jig will be up. Coming to the rescue is high-rolling gambler Dave the Dude (Warren William), who considers Annie his good-luck charm. With the help of his nightclub-thrush girlfriend Missouri Martin (Glenda Farrell), Dave arranges a huge society reception for Louise -- and a complete fashion makeover for Annie. To do this, a few strong-arm methods are required, notably the kidnaping of several society reporters; also, it's necessary to pass off down-and-out Judge Blake (Guy Kibbee) as Annie's well-connected husband. Lady for a Day is the film with which Frank Capra hoped to enter the Big Leagues by taking home a shelf-full of Academy Awards. His subsequent embarrassment at the 1934 Oscar ceremonies has now passed into Hollywood legend, but he made up for this debacle with his Oscars sweep for It Happened One Night. Lady for a Day was remade by Capra as 1961's Pocketful of Miracles, with Bette Davis as Apple Annie. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, May Robson, (more)
- 1939
Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide
- 1937
Contrary to earlier published reports, Columbia's Let's Get Married was not directed by Leo McCarey. Nor would McCarey have evinced much interest in this minor-league romantic comedy set in, of all places, a weather bureau. Ralph Bellamy plays the diligent chief weatherman who falls in love with the daughter (Ida Lupino) of a wealthy politician (Walter Connolly). The girl's father would rather she marry socially acceptable Reginald Denny. Usually neither Bellamy nor Denny ever gets the girl, but someone has to be around for the final clinch. ~ Hal Erickson, All Movie Guide
- Starring:
- Ida Lupino, Walter Connolly, (more)
Spencer Tracy, Myrna Loy, and William Powell star in this crackling screwball comedy about a cut-throat newspaper editor's scheme to prevent a libel suit that ends up exploding in everybody's face. Tracy plays Warren Haggerty, the managing editor of a newspaper that mistakenly prints a story declaring the rich Connie Allenbury (Myrna Loy) has stolen away another woman's husband. Connie retaliates by suing the paper for $5 million. This happens right before Warren is about to marry his fiancee Gladys (Jean Harlow). As he has done several times in the past, Warren delays the wedding in order to stop the libel suit. Warren hires Bill Chandler (William Powell), a former employer who is desperate for a job, to marry Gladys in name only and then court Connie. That way, Gladys can sue Connie for alienation of affections and get Connie to agree to drop her lawsuit if Gladys will drop hers. Bill hops an ocean liner to accompany Connie and her father (Walter Connolly) back to the United States, but along the way Bill and Connie fall in love and Bill tries to convince Gladys to drop her suit so it won't hinder his relationship with Connie. ~ Paul Brenner, All Movie Guide
- Starring:
- Jean Harlow, William Powell, (more)
- 1932
In this detective drama, a gumshoe falls in love with a torch singer who is unfortunately, involved with a crook. The two lovers then take off to Bermuda, but not before the crook double-crosses his own gang. The detective is then persuaded into following the two and bringing the traitor back to his gang. He does so, but just as the gang is about to double-cross and kill him, motorcycle cops intervenes. Justice prevails, and romance ensues as the remaining two begin to finally fall in love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Holt, Lillian Miles, (more)
- 1933
One of ten films that Fay Wray made in 1993 (including King Kong), Master of Men casts her as Kay Walling, a woman who is being ignored by her husband, Buck (played by Jack Holt). Buck owns a prosperous steel mill and they make a very good living, but he is ambitious and wants more. To this end, he is devoting considerable amounts of time to expanding his finances -- and doing quite well. Not satisfied with his success, he journeys to New York, where his wrangling further increases his bank account. Unfortunately, his stock with his wife is dropping steadily. Jealous and unhappy, she fights back by giving one of Buck's business rivals details about what he is up to. This proves disastrous for Buck -- although, as the stock market crashes the day after his bankruptcy, he would have been ruined anyway. Now that the distraction of wealth is out of the way, Buck and Kay are able to settle down and make a real life for themselves. ~ Craig Butler, All Movie Guide
- 1937
Nancy Steele was the baby daughter of a munitions tycoon who was kidnapped by an antiwar activist who did it to protest the magnate's support of WW I. This drama provides a sympathetic portrait of the kidnapper who leaves the baby with two close friend who assume it's his and raise her. The activist later gets arrested during a fight and sentenced to two years in prison that become a life sentence after he is framed during a failed escape. One night, he sleeps in his cell when his cellmate overhears the sleeping protestor talking about the notorious kidnapping. When the protestor if finally released, he immediately visits the girl, whom he regards as his daughter. She thinks he is her father too. Together, the two go to New York, where he gets a job working as a gardener for her real father. Trouble comes in the form of his blackmailing cellmate and in the end, the protestor must make a difficult decision involving the fate of his daughter and himself. ~ Sandra Brennan, All Movie Guide
- Starring:
- Victor McLaglen, Walter Connolly, (more)
- 1933
A wealthy, but sad young woman falls in love with an impoverished fellow in this bittersweet romance. While her father is only concerned with her happiness, her uncle strongly objects to the match as he wants her to marry into royalty. When the father's bank is on the verge of collapsing, he asks his brother for help, but he only will if his niece will marry a prince. The dutiful daughter agrees to it. Before she does, her parents arrange for her to meet her true love again. Her father then flies back to meet his brother, but instead ends up crashing his plane so his daughter can receive his insurance policy and marry the man she really loves. ~ Sandra Brennan, All Movie Guide
- Starring:
- Carole Lombard, Lyle Talbot, (more)
"This is New York, Skyscraper Champion of the World...Where the Slickers and Know-It-Alls peddle gold bricks to each other...And where Truth, crushed to earth, rises again more phony than a glass eye..." With this jaundiced opening title, scripter Ben Hecht introduces his classic comedy Nothing Sacred. Fredric March plays Wally Cook, a hotshot reporter condemned to writing obituaries because of his unwitting complicity in a fraud. Anxious to get back in the good graces of his editor Oliver Stone (Walter Connolly), Cook pounces on the story of New England girl Hazel Flagg (Carole Lombard), who is reportedly dying from radiation poisoning. Actually, Hazel isn't dying at all; she's been misdiagnosed by Moscow's eternally drunk doctor (Charles Winninger). But when Cook offers to take her on an all-expenses-paid trip to New York in exchange for her exclusive story, it's too good an offer to pass up. Once in the Big Apple, Hazel is feted as a heroine by the novelty-seeking populac; she enjoys the adulation at first, but soon (and with the help of gallons of alcoholic beverages) suffers the pangs of conscience. She confesses her deception to Cook, who by now has fallen in love with her. Cook and Stone conspire to keep the public from discovering the truth, eventually dreaming up a phony suicide. Travelling incognito to avoid arrest, Wally and Hazel marry and go on a honeymoon, secure in the knowledge that New York City has forgotten all about her and moved on to their next fad. Brimming with witty, acerbic dialogue and hilarious bits of physical business, Nothing Sacred is among the best "screwball" comedies of the 1930s. The musical score by Oscar Levant both mocks and celebrates the George Gershwinesque musical style then in vogue. As an added bonus, the film is lensed in Technicolor (avoid those two-color reissue prints), allowing modern viewers to see what New York City looked liked back in 1937. Nothing Sacred was later adapted into a Broadway musical, Hazel Flagg, which in turn was filmed by Dean Martin and Jerry Lewis as Living It Up (1954), with Lewis in the Carole Lombard role. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Fredric March, (more)
- 1934
Columbia's Once to Every Woman was the first of A. J. Cronin's medical novels to be adapted for the screen. The drama of the piece hinges on the conflict between brilliant young surgeon Barclay (Ralph Bellamy) and crusty hospital head Dr. Selby (Walter Connolly). On another, less-crucial front, Barclay and playboy physician Preston (Walter Byron) vie for the attentions of pretty nurse Miss Farnshawe (Fay Wray). The story comes to a tension-laden climax as Barclay prepares for a delicate brain operation -- a revolutionary procedure which has been opposed by Dr. Selby throughout the picture. Once to Every Woman was scripted by frequent Frank Capra collaborator Jo Swerling. ~ Hal Erickson, All Movie Guide
- Starring:
- Ralph Bellamy, Fay Wray, (more)
- 1935
The creation of the Federal Deposit Insurance Commission would soon render anachronistic such crime melodramas as One Way Ticket. Upon discovering that a prominent banker has absconded with his customers' funds, Jerry (Lloyd Nolan), one of the unlucky depositors, reacts by turning thief. He steals exactly the amount that he'd deposited, whereupon the cops close in and arrest him. Still feeling that he was merely getting back what was due him, Jerry bitterly stews in a jail cell until he's swept up in a prison breakout. The other escapees are killed, but Jerry manages to get away, though from this moment forward he's forced to live the toad-like life of a fugitive. Even his brief marriage to Bonnie (Peggy Conklin), the daughter of kindly prison warden Bourne (Walter Connolly), does little to alleviate Jerry's dilemma, and at the end he realizes that no one can ever truly run away from oneself. There's a great, fleeting moment in One Way Ticket wherein the protagonist calmly and philosophically discovers that his hiding place is surrounded by cops. ~ Hal Erickson, All Movie Guide
- Starring:
- Lloyd Nolan, Peggy Conklin, (more)
- 1933
At age 26, Janet Gaynor was still playing "gamin" roles in such musical trifles as Paddy, the Next Best Thing. Gaynor stars as a spirited Irish lass whose older sister (Margaret Lindsay) is about to marry a wealthy gent (Warner Baxter). Fully aware that Sis doesn't love the man, Gaynor sacrifices herself by marrying him instead--hence the "next best thing" part of the title. It takes about seven reels for Gaynor and Baxter to succumb to the inevitable and declare their true love for each other. Paddy, the Next Best Thing was a little bit of Heaven to Janet Gaynor's fans, but mere Irish stew to everyone else. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Warner Baxter, (more)
