Norma Connolly Movies

This TV movie delves into the unhappy later years of novelist F. Scott Fitzgerald (here played by Jason Miller). Broke and virtually written-out by the late 1930s, Fitzgerald is compelled to accept screenwriting work in Tinseltown where he is frustrated that his work is extensively rewritten and revised -- if not rejected altogether. On a personal level, Fitzgerald must deal with his wife Zelda (Tuesday Weld), now sequestered in a North Carolina mental institution. Seeking some reason for living, Fitzgerald inaugurates an affair with Hollywood columnist Sheila Graham (Julia Foster). Not all that incisive, and saddled with an unsympathetic drunkard as a central character, F. Scott Fitzgerald is still superior to Hollywood's previous version of the Fitzgerald/Graham romance, Beloved Infidel. ~ Hal Erickson, All Movie Guide

The Ingalls children are left in the care of Mr. Edwards (Victor French) when Charles (Michael Landon) takes Caroline (Karen Grassle) on a second honeymoon in the city. Alas, Caroline has no fun at all, worrying as she does about leaving her daughters in the hands of an inexperienced adult. And back in Walnut Grove, Edwards soon learns that there is more to being a "parent" than just having good intentions. ~ Hal Erickson, All Movie Guide

A small-town California sheriff attempts to uncover facts behind the killing of a pregnant woman by her Doberman pinscher. James Garner stars in this mystery with performances by June Allyson and Ann Rutherford among others. ~ Kristie Hassen, All Movie Guide

Jeannie (Barbara Eden) is appointed recording secretary for the NASA Officer's Wives Association. In this capacity, she learns of an upcoming "Best Husband" contest, the first prize being a vacation for two in Hawaii. In her zeal to win the prize, Jeannie uses her magic to prove how helpful her hubby Tony (Larry Hagman) is around the house--which nearly causes the all-but-comatose Tony to be washed out of the space program! ~ Hal Erickson, All Movie Guide

Gidget (Sally Field) lodges a complaint about "Helpful Hannah", who writes an advice-to-the-lovelorn column for the school newspaper. As a result, Gidget is herself enlisted to become "Helpful Hannah"--and she takes her job quite seriously. Of course, it's only a matter of time (about thirty minutes) before our heroine's well-intentioned advice causes a whole heap of trouble! ~ Hal Erickson, All Movie Guide

In this drama, a young mother refuses to marry her son's father because he is too violent. The young father has a secret brother, a mute, whom his ashamed parents have locked away in an insane asylum. One day a cruel guard turns a hose upon him and, because he is deathly afraid of water, the terrified young man escapes. Later he meets his nephew and the two become friends. Soon after, the quiet misanthrope sees his new friend drowning. Overcoming his fear, the fellow jumps in to save the lad. He is carrying the unconscious boy to safety when the posse appears. Thinking he has hurt the boy, they beat the man and return him to the hospital. Later the boy runs away to be with the mute and his father pursues him. Once there, the boy locks his father in a room filled with other patients. It is then that the father is forced to realize that the patients are gentle and will not hurt his son. He promises to visit his brother the next day, causing the elated brother to speak for the first time in years. ~ Sandra Brennan, All Movie Guide

Director Alfred Hitchcock lets us know from the outset that The Wrong Man is a painfully true story and not one of his customary fabricated suspense yarns, through the simple expedient of walking before the camera and telling us as much (this introductory appearance replaced his planned cameo role as a nightclub patron). The real-life protagonist, musican Christopher Emmanuel Balestrero, is played by Henry Fonda. Happily married and gainfully employed at the Stork Club, Balestrero's life takes a disastrous turn when he goes to an insurance office, hoping to borrow on his wife's (Vera Miles) life insurance policy in order to pay her dental bills. One of the girls in the office spots Balestrero, identifying him as the man who robbed the office a day or so earlier. This, and a few scattered bits of circumstantial evidence, lead to Balestrero's arrest. Though he's absolutely innocent, he can offer no proof of his whereabouts the day of the crime. Lawyer Frank O'Connor (Anthony Quayle) does his best to help his client, but he's up against an indifferent judicial system that isn't set up to benefit the "little man". Meanwhile, Balestrero's wife becomes emotionally unhinged, leading to a complete nervous breakdown. As Balestrero prays in his cell, his image is juxtaposed onto the face of the actual criminal-who looks nothing like the accused man! Utilizing one of his favorite themes-the helplessness of the innocent individual when confronted by the faceless bureaucracy of the Law-Hitchcock weaves a nightmarish tale, all the more frightening because it really happened (the film's best moment: Fonda looking around the nearly empty courtroom during his arraignment, realizing that the rest of the world cares precisely nothing about his inner torment). Hitch enhances the film's versimilitude by shooting in the actual locations where the real story occured. His only concession to Hollywood formula was the half-hearted coda, assuring us that Mrs. Balestrero eventually recovered from her mental collapse (she sure doesn't look any too healthy the last time we see her!) Watch for uncredited appearances by Harry Dean Stanton, Bonnie Franklin, Tuesday Weld and Charles Aidman. ~ Hal Erickson, All Movie Guide