David Parfitt Movies

Multiple Oscar nominee Peter O'Toole adds yet another offbeat role to his long resume with the mystical comedy-drama Dean Spanley. Adapted from Lord Dunsany's popular novella My Talks with Dean Spanley and helmed by Toa Fraser, the film stars O'Toole as Horatio Fisk, an irascible, cantankerous septuagenarian living out his final days at the turn of the 20th Century. Despite his distant and slightly strained relationship with his son Henslowe (Jeremy Northam), Horatio willfully joins the young man on regular outings; the tedium and monotony of these routines eventually grow so overwhelming, however, that the two decide to attend a lecture on the Transmigration of Souls by a visiting Hindu Swami. At the meeting, their paths intersect with the eccentric Dean Spanley (Sam Neill), and a friendship blossoms between Spanley and Henslowe. When Spanley joins Henslowe for a private dinner, and accepts his invitation to sample a rare Hungarian wine known as the Imperial Tokay, Spanley instinctively brings forth reminiscences of a prior life lived out as a canine - and his recollections hold a rather bizarre connection to Horatio's familial past. ~ Nathan Southern, All Movie Guide

Based on the novel by Dodie Smith (101 Dalmatians), director Tim Fywell's comic romance follows 17-year-old Cassandra Mortmain (Romola Garai) and her quirky family as they attempt to make the best of their meager existence in a crumbling English castle. While her father (Bill Nighy) has been struggling for over a decade to repeat the success of his debut novel, her beautiful sister Rose (Rose Byrne) frequently voices her displeasure with their current situation, and nudist stepmother Topaz (Tara Fitzgerald) proves little help at much of anything. The arrival of American landlord Simon Cotton (Henry Thomas) and his brother Neil (Marc Blucas) provides a glimmer of hope as the initially repelled Rose soon takes a liking to Simon and the two arrange to marry. Lost in the chaotic shuffle of marriage plans and increasingly complicated relationships, the hapless Cassandra soon begins to blossom into womanhood as she experiences aspects of life that were heretofore unknown to her. ~ Jason Buchanan, All Movie Guide

Based on the 1902 Henry James novel of the same name, The Wings of the Dove is set in 1910. After the death of her mother, Kate Croy (Helena Bonham Carter) has become a ward of her wealthy Aunt Maude (Charlotte Rampling), who is paying her dissipated father (Michael Gambon) to stay out of Kate's life. Maude wants Kate not to repeat Kate's mother's mistake and marry someone who is a commoner, and Maude arranges a meeting between Kate and Lord Mark (Alex Jennings), a high-class gentleman who can escort her to the right places. But Kate is more interested in Merton Densher (Linus Roache), a penniless journalist. A beautiful but terminally ill American heiress, Millie Theale (Alison Elliott), arrives on the scene and befriends Kate. Kate notices Millie's obvious affection for the handsome Merton, and she arranges an elaborate scheme to hook up the two of them so that Merton can collect Millie's money after her death. But because of her own jealousy, Kate repeatedly sabotages her own arrangement. ~ Michael Betzold, All Movie Guide

Based on Alan Bennett's acclaimed play The Madness of George III, The Madness of King George takes a dark-humored look at the mental decline of King George III of England. The film's story begins nearly three decades into George's reign, in 1788, as the unstable king (Nigel Hawthorne, reprising his stage role) begins to show signs of increasing dementia, from violent fits of foul language to bouts of forgetfulness. This weakness seems like the perfect chance to overthrow the unpopular George, whom many blamed for the loss of the American colonies, in favor of the Prince of Wales (Rupert Everett), but the king's prime minister William Pitt (Julian Wadham) and his wife Queen Charlotte (Helen Mirren) are determined to protect the throne. Doctors are brought in, but the archaic treatments of the time prove of little value. In desperation, they turn to Dr. Willis (Ian Holm), a harsh, unconventional specialist whose unusual methods recall modern psychiatry. Willis struggles to break through to the mad king, treating him with an anger and haughtiness George has never before experienced. Stressing the absurdity of the entire situation, Bennett's witty screenplay emphasizes dry humor over tragedy, even utilizing references to King Lear for comic effect. Hawthorne's fiery yet vulnerable performance received much critical praise, including Best Actor at the British Academy Awards and a nomination for the same at the Oscars. ~ Judd Blaise, All Movie Guide

Actor Kenneth Branagh made his directorial debut with a rousing screen adaptation of William Shakespeare's Henry V. Four years later, he returns to the bard's work with this lively version of one of Shakespeare's best comedies. Don Pedro (Denzel Washington), the Prince of Aragon, returns victorious from battle to the praises of the Governor of Messina, Leonato (Richard Briers). One of Don Pedro's bravest men, Claudio (Robert Sean Leonard), falls in love with Hero (Kate Beckinsale), Leonato's daughter, and they plan to marry. However, Don Pedro's devious half-brother Don John (Keanu Reeves) opposes the match, and he devises a plan to turn Hero against Claudio. Meanwhile, Benedict (Branagh), Don Pedro's second-in-command, detests Leonato's niece Beatrice (Emma Thompson), but Don Pedro cleverly brings them together by making each think that the other is secretly in love with them. Much Ado About Nothing also features Michael Keaton in a showy turn as Dogberry. ~ Mark Deming, All Movie Guide

Fresh from the success of Henry V and Dead Again, British actor/director Kenneth Branagh recharged his creative batteries with a 23-minute short subject. Swan Song is a faithful adaptation of a one-act play by Anton Chekhov. John Gielgud stars as an aging actor who, while sitting alone in a darkened theatre, ruminates on his checkered past and his uncertain (and perhaps unlikely) future. Richard Briers costars as Gielgud's sounding board. Filmed on location at London's Criterion Theatre, Swan Song was nominated for a "best short subject" Academy Award. ~ Hal Erickson, All Movie Guide

Made for British television, 1989's Look Back in Anger is the third film adaptation of John Osborne's legendary "kitchen sink" stage drama. Kenneth Branagh plays working-class roisterer Jimmy Porter, the archetypal "angry young man" whose college education has led nowhere. Stuck in a go-nowhere job at a candy store, Porter rebels against the establishment through his boorish treatment of his wife (Emma Thompson) and mistress (Siobhan Redmond). Branagh's forceful performance allows us to ignore the structural shortcomings inherent in the play (Osborne writes in fluent tract). Earlier filmizations of Look Back in Anger starred Richard Burton and Malcolm McDowell. ~ Hal Erickson, All Movie Guide

Like the Virginia Woolf novel which it interprets, this 1983 BBC production has three parts: "The Window," "Time Passes," and "The Lighthouse." The first focuses on one day in the life of the Ramsay family -- the father and mother, their eight children, and four guests -- while they vacation on the Cornwall peninsula in remote southwestern England. In conversations in the summer house, at the beach, during strolls, and at cricket and wrestling matches, the characters reveal their beliefs, their prejudices, and their longings in an era when old traditions are dying and new traditions are quickening. James, six -- a brat to his father but a dear to his mother -- repeatedly asserts his wish to visit a lighthouse on an island within easy rowing distance. His father Michael Gough refuses to go (and, thus, no one goes) because the weather isn't right. In a moment of dramatic irony, the self-centered father scolds the boy for always thinking only of himself. Self-effacing Mrs. Ramsay (Rosemary Harris) comforts the child. She also sees to the needs of other family members and guests, who have lighthouses of their own -- metaphorical ones -- to preoccupy them. Her daughter, Prue, for example, anticipates her coming marriage while visitor Lily Briscoe looks forward to her career as a painter. In defiance of social convention, Briscoe chooses to remain unmarried. The film depicts the second part of the novel, "Time Passes," with transitional scenes showing changes of season over ten years. During this period, Mrs. Ramsey dies, and Mr. Ramsey laments her death in a weeping spell, saying she never really understood that he loved her. In the final part, "The Lighthouse," James finally gets his wish when he, his father, and other members of the family row out to the towering beacon. On the shore, meanwhile, Lily Briscoe finishes a painting of Mrs. Ramsey. ~ Mike Cummings, All Movie Guide